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Sabetai, Victoria ... American School of Classical Studies at Athens ... Hesperia 67.3 3 323-334 10.2307_2668477 ... 1998 ... Marriage Boiotian Style |
Mattusch, Carol C ... American School of Classical Studies at Athens ... Hesperia Supplement 33 277-290 10.2307_1354073 ... 2004 ... Naming the "Classical" Style |
Morgan, Charles H ... American School of Classical Studies at Athens ... Hesperia 8 228-234+460-461 10.2307_1353896 ... 1949 ... The Style of Lysippos |
Morgan, Charles H ... American School of Classical Studies at Athens ... Hesperia 38.2 2 205-212 10.2307_147416 ... 1969 ... The End of the Archaic Style |
Smith, Amy C ... American School of Classical Studies at Athens ... Hesperia 75.4 4 435-451 ... 2006 ... The Evolution of the Pan Painter's Artistic Style |
Bellinger, Alfred R ... American School of Classical Studies at Athens ... Hesperia 8 6-30+439 10.2307_1353877 ... 1949 ... The Chronology of the Attic New Style Tetradrachms |
Kleiner, F. S ... American School of Classical Studies at Athens ... Hesperia 44.3 3 302-330 10.2307_147444 ... 1975 ... The Earliest Athenian New Style Bronze Coins. |
Şare, Tuna ... American School of Classical Studies at Athens ... Hesperia 79.1 1 53-78 ... 2010 ... An Archaic Ivory Figurine from a Tumulus near Elmali: Cultural Hybridization and a New Anatolian Style |
Herbert, Sharon ... American School of Classical Studies at Athens ... Inferior clays and glazes, unsuited to the red-figure style, means that the indigenous production of red-figure vases in Corinth was very limited. However for about 75 years, in the middle of the 5th century ... 1977 ... Inferior clays and glazes, unsuited to the red-figure style, means that the indigenous production of red-figure vases in Corinth was very limited. ... Thirteen deposits provide chronological evidence to supplement that of the painting style. The volume serves to bring forward a small but significant segment of the non-Attic pottery industries, and should stimulate interest in other unpublished, unreported examples. |
| Walters, E. J ... American School of Classical Studies at Athens ... The author investigates the appearance of a fashion in clothing, involving a knotted mantle worn across the chest, on many Attic stelae of the Roman period. She suggests that this style can be traced to ... 1988 ... She suggests that this style can be traced to Egyptian roots, and might have been particularly associated with a cult of Isis, popular among wealthy Athenians. |
Risser, Martha K ... American School of Classical Studies at Athens ... Corinthian Conventionalizing pottery is a fine ware produced during the 6th, 5th, and 4th centuries B.C. While Athenian workshops produced black- and red-figured vases, their Corinthian counterparts were ... 2001 ... Through the examination of contextual information, shape development, and changes in the style of painting, a chronology of the vases is proposed. |
Edwards, G. Roger ... American School of Classical Studies at Athens ... This report focuses on the pottery produced in Corinth in the Hellenistic period down to the time of that city's destruction by Mummius in 146 B.C. Imported pottery of the period, as well as Corinthian ... 1975 ... A special section is devoted to the fine ware decorated in West Slope style. |
| Brann, E. T. H ... American School of Classical Studies at Athens ... This volume reports on Athenian pottery found in the Athenian Agora up to 1960 that can dated from about the middle of the 8th century, when “the appearance of a painter of sufficient personal distinction ... 1962 ... This volume reports on Athenian pottery found in the Athenian Agora up to 1960 that can dated from about the middle of the 8th century, when “the appearance of a painter of sufficient personal distinction to enliven the whole craft” marks a real break from the earlier Geometric style, through the third quarter of the 7th century when Protoattic gives way to black-figure and black wares. |
Amyx, Darrell A. Lawrence, Patricia ... American School of Classical Studies at Athens ... In the first section of this book, Amyx catalogues and discusses more than 200 fragments of Archaic Corinthian pottery with figure decoration, selected from those previously unpublished or inadequately ... 1975 ... The authors have also given attention to vase-painters of the Protocorinthian and Corinthian periods who were previously known chiefly from works exported in antiquity, and have succeeded in establishing the importance of the Corinth Museum as a center for the study of the Corinthian Style. In the second section, Lawrence presents the contents of a well dug and filled in the Archaic period. |
Broneer, O ... American School of Classical Studies at Athens ... The calyx-krater of Exekias, first published in 1937,1 was discovered at the bottom of a well in the American School excavations on the North slope of the Acropolis in Athens. The circumstances of discovery ... 1956 ... In his recent publication, Attic Black-figure Vase-Painters, Professor Beazley lists the Pharsalos krater under the heading 'Manner of Exekias' and leaves the question open whether it was painted by Exekias himself or by a companion imitating the style and designs of his master. ... Animal scenes on A and B
DIFFERENCES
North Slope krater
Shape: Proportion of height to diameter at top, 0.846: 1
Main Zone A: Herakles' introduction into Opympos
Handles: Handles flanked by horn-like knobs; Tongue pattern at base of handles; Seated figure beneath the vine; Naturalistic rendering of vine leaves; Running satyrs beneath the handles
Animal Scenes: Lions'manes rendered by incised S-pattern
Bottom Zone: Plain
Pharsalos krater
Shape: Proportion of height to diameter at top, 0.943: 1
Main Zone A: Chariot scene with driver and grooms
Handles: Handles termination in plastic volutes; No tongue pattern; No figure beneath the vine; Schematic rendering of vine leaves; No design beneath the handles
Animal Scenes: Lions' manes rendered by purple
Bottom Zone: Ray pattern
There are many other differences in the style and drawing of anatomical details and in the use of accessory colors, incisions, etc. ... Some of his followers came very close to the master's own style.
Oscar Broneer
University of Chicago
Hesp. |
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