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[Agora Publication Page] Agora 30, s. 150, p. 131

ARV² 1475, 4. Paralip. 495, 4. ARV² 1494. Addenda 381. ARV² 1496-1499. Paralip. 499. Addenda 382. ARV² 1476, 1. Paralip. 496, 1. ARV² 1498-1499. Addenda 383. ARV² 1476-1477. ARV² 1498. ARV² 1500-1501 ... Agora 30 131 P 17562 ... ARV² 1475, 4 ... Paralip. 495, 4 ... Paralip. 499

[Agora Publication Page] Agora 30, s. 181, p. 162

Floor. ARV² 545, 1. ARV² 536, 5. Addenda 255. ARV² 537, 9. ARV² 541, 4. ARV² 541, 8. Pit. ARV² 541, 1. Paralip. 385, 1. Addenda 256. Fill. ARV² 541, 2. ARV² 542, 22. ARV² 542, 26. ARV² 542, 29. ARV² 543, ... Agora 30 162 P 27686 P 17532 P 19130 P 19150 P 19447 P 24831 P 1463 P 14:3 J 18:3 C 18:4 N 10:1 ... 470-460 B.C ... ARV² 541, 4 ... Paralip. 385, 1 ... ARV² 496, 4

[Agora Object] Agora XXX, no. 183

Wall fragment. Glaze thin in places on outside. Max. dim. 0.113. A, male pursuing a woman. Parts of three figures remain: at the left, a bit of the himation and chiton, and left foot of a woman running ... Ca. 460 B.C ... For a good comparison, see a stamnos attributed to the Painter of the Birth of Athena, Kassel, Alg. 59 (ARV2 495, 8; Addenda 250). ... The border of esses for the bottom of the woman's chiton is a distinctive pattern that appears in the work of both painters: the Boreas Painter: New York, M.M.A. 96.19.1 (ARV2 536, 5; Addenda 255) and Munich 2375 (ARV2 537, 9; Addenda 255); the Florence Painter: Syracuse 21189 (ARV2 541, 4) and Louvre G 360 (ARV2 541, 8). What remains on 183 suggests an ambitious composition, with considerable overlapping of the figures and hence seems a bit closer to the Boreas Painter than to the Florence Painter, who, except for the Centauromachy on his namepiece (Florence 81268 = 3997: ARV2 541, 1; Paralip. 385, 1; Addenda 256), tends to prefer quieter and simpler compositions.

[Agora Publication Page] Agora 30, s. 38, p. 19

ARV² 1126, 3. Addenda 332. ARV² 548, 44. Paralip. 386, 44. ARV² 1126, 4. ARV² 1322, 11. ARV² 1126, 5. ARV² 1126, 6. Addenda 363. Burn, Meidias Painter, p. 106, cat. no. MM 18. Reeder, Pandora, p. 173, ... Agora 30 19 ... Paralip. 386, 44 ... ARV² 1126, 4 ... Paralip. 495, 1

[Agora Publication Page] Agora 30, s. 251, p. 232

ARV² 495. Agora 27, p. 176, cat. no. 78, pl. 39. Paralip. 380. Addenda 250. Pit. H.A. Thompson, Hesperia 19, 1950, pl. 107. Choes and Anthesteria, p. 94, cat. no. 248, fig. 388:h. H.A. Thompson, Fasti ... Agora 30 232 P 21295 P 20076 P 14977 P 11810 P 5495 P 18290 P 25821 N 22:1 E 13:1 B 19:12 A 20:7 ... 470-460 B.C ... ARV² 495 ... Paralip. 380 ... Thompson, Fasti arch. 4, 1949, p. 165, fig. 19

[Agora Object] Agora XXX, no. 623

Three non-joining wall fragments. Dull, hard glaze on inside. Max. dim. a) 0.091, b) 0.075, c) 0.071. L. Talcott, Hesperia 8, 1939, pp. 268--269, figs. 1, 2 (the fragments have been relettered since this ... Ca. 470-460 B.C ... Moon, AJA 82, 1978, p. 375, figs. 3, 4; N. Slater in Nothing to Do with Dionysos? ... Compare the Painter of Munich 2413 (ARV2 495, ---; Paralip. 380, ---; Addenda 250).