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| ARV² 1475, 4. Paralip. 495, 4. ARV² 1494. Addenda 381. ARV² 1496-1499. Paralip. 499. Addenda 382. ARV² 1476, 1. Paralip. 496, 1. ARV² 1498-1499. Addenda 383. ARV² 1476-1477. ARV² 1498. ARV² 1500-1501 ... Agora 30 131 P 17562 ... Paralip. 495, 4 ... Paralip. 499 ... Paralip. 496, 1 |
| ARV² 1408, 1. Addenda 374. Addenda 377. ARV² 1441-1442. ARV² 1411, 39. Addenda 378. ARV² 1450-1451. ARV² 1411, 40. ARV² 1408-1415. Addenda 379. Paralip. 490, 1. Addenda 374-375. L. Burn, A Dinoid Volume-Krater ... Agora 30 130 ... Paralip. 490, 1 ... Paralip. 491, 1 ... Paralip. 495 |
| CHC Group. ABV 620, 78. Paralip. 307, 49 bis. Skyphoi; Attic Type. Well. ABV 619, 59. ABV 620, 86. Other. E. Vanderpool, Hesperia 15, 1946, p. 292, no. 73, pl. 43. Fill. ABV 619, 69. ABV 620, 72. ABV 620, ... Agora 23 290 P 1140 P 1160 P 11029 P 2712 P 4236 P 4152 P 11027 P 495 P 1141 P 11028 G 15:1 D 15:1 G 6:3 E 14:11 ... 500 B.C. |
| Early Classical Painters of Large Pots; Other Early Classical Painters of Large Pots. Robertson, HGA, p. 252. ARV2 501-503. Paralip. 381. Addenda 151. ARV² 485, 23 and 1655. Addenda 248. ARV² 504, 8. Paralip ... Agora 30 104 P 30017 P 30019 P 30065 P 30134 ... Paralip. 381 ... Paralip. 381, 8 ... ARV² 514, 1 |
| Floor. ARV² 545, 1. ARV² 536, 5. Addenda 255. ARV² 537, 9. ARV² 541, 4. ARV² 541, 8. Pit. ARV² 541, 1. Paralip. 385, 1. Addenda 256. Fill. ARV² 541, 2. ARV² 542, 22. ARV² 542, 26. ARV² 542, 29. ARV² 543, ... Agora 30 162 P 27686 P 17532 P 19130 P 19150 P 19447 P 24831 P 1463 P 14:3 J 18:3 C 18:4 N 10:1 ... 470-460 B.C ... ARV² 545, 1 ... Paralip. 385, 1 ... Paralip. 350, 1 |
| Volute-Kraters. London, B.M. B 364. Nikosthenes. ABV 229, VI. Paralip. 108. Louvre F 198. Antimenes Painter. ABV 280, 55. Copenhagen 13110. CVA, Copenhagen 8 [Denmark 8], pl. 322 [325]:1. Well. Leagros ... Agora 23 164 P 16633 P 7906 P 13856 P 7442 P 5202 P 6753 P 14940 P 7109 U 25:2 E-F 12-14 E 19:7 ... 510-500 B.C. |
| ARV² 1126, 3. Addenda 332. ARV² 548, 44. Paralip. 386, 44. ARV² 1126, 4. ARV² 1322, 11. ARV² 1126, 5. ARV² 1126, 6. Addenda 363. Burn, Meidias Painter, p. 106, cat. no. MM 18. Reeder, Pandora, p. 173, ... Agora 30 19 ... Paralip. 386, 44 ... Paralip. 495, 1 ... Paralip. 453, 1 |
| ARV² 495. Agora 27, p. 176, cat. no. 78, pl. 39. Paralip. 380. Addenda 250. Pit. H.A. Thompson, Hesperia 19, 1950, pl. 107. Choes and Anthesteria, p. 94, cat. no. 248, fig. 388:h. H.A. Thompson, Fasti ... Agora 30 232 P 21295 P 20076 P 14977 P 11810 P 5495 P 18290 P 25821 N 22:1 E 13:1 B 19:12 A 20:7 ... 470-460 B.C ... ARV² 495 ... Paralip. 380 ... Talcott, Hesperia 8, 1939, pp. 268-269, figs. 1, 2 |
Wall fragment. Glaze thin in places on outside. Max. dim. 0.113.
A, male pursuing a woman. Parts of three figures remain: at the left, a bit of the himation and chiton, and left foot of a woman running ... Ca. 460 B.C ... For a good comparison, see a stamnos attributed to the Painter of the Birth of Athena, Kassel, Alg. 59 (ARV2 495, 8; Addenda 250). ... The Florence Painter or the Boreas Painter (ARV2 545, 1). The border of esses for the bottom of the woman's chiton is a distinctive pattern that appears in the work of both painters: the Boreas Painter: New York, M.M.A. 96.19.1 (ARV2 536, 5; Addenda 255) and Munich 2375 (ARV2 537, 9; Addenda 255); the Florence Painter: Syracuse 21189 (ARV2 541, 4) and Louvre G 360 (ARV2 541, 8). What remains on 183 suggests an ambitious composition, with considerable overlapping of the figures and hence seems a bit closer to the Boreas Painter than to the Florence Painter, who, except for the Centauromachy on his namepiece (Florence 81268 = 3997: ARV2 541, 1; Paralip. 385, 1; Addenda 256), tends to prefer quieter and simpler compositions. |
Three non-joining wall fragments. Dull, hard glaze on inside. Max. dim. a) 0.091, b) 0.075, c) 0.071. L. Talcott, Hesperia 8, 1939, pp. 268--269, figs. 1, 2 (the fragments have been relettered since this ... Ca. 470-460 B.C ... Talcott, Hesperia 8, 1939, pp. 268--269, figs. 1, 2 (the fragments have been relettered since this publication; in the description below, the old letters are given in parentheses); A. ... /London 1969, p. 257, fig. 1 (mask on fragment a); N. ... Compare the Painter of Munich 2413 (ARV2 495, ---; Paralip. 380, ---; Addenda 250). |
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