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| Early Classical Painters of Large Pots; The Pan Painter. AK 19, 1976, pl. 15. Addenda 256. Esposito and de Tommaso, Vasi attici, p. 63, fig. 96. B. Ashmole, Architect and Sculptor in Classical Greece, ... Agora 30 105 P 30013 P 30014 ... Paralip. 384 ... Paralip. 385 ... Paralip. 384, 4 |
| One-Piece Amphorae; Scheme of Decoration Uncertain. Shape Studies. One-Piece Amphorae. One-Piece Amphorae; Type A. One-Piece Amphorae; Type B. One-Piece Amphorae; Type C. Beazley, JHS 42, 1922, pp. 70-71 ... Agora 23 4 ... Beazley, AK 4, 1961, pp. 49-50 ... Paralip. 48, II, 6 ... Paralip. 30, 4 |
| ARV² 536, 1. Paralip. 384, 1. Addenda 255. ARV² 206, 129-130. Addenda 194. Pit. Fill. Prange, Niobidenmaler, p. 216, cat. no. G 57, pl. 21. Schleiffenbaum, Volutenkrater, p. 324, cat. no. V 203. ARV² 599, ... Agora 30 173 P 19174 P 23202 P 24784 P 6857 P 7586 P 26550 P 19152 C 18:7 M-N 15:1 C 14:7 C 18:4 ... 460-450 B.C. |
| Trefoil Olpai. Paralip. 192. Oinochoai; Olpai; Trefoil Mouth. Other. E. Vanderpool, Hesperia 7, 1938, pp. 381-384, no. 14, figs. 18-20 and p. 387, fig. 23. S. Karouzou, Amasis Painter, p. 41. M. Cremer, ... Agora 23 189 P 24942 P 1227 P 2700 P 1263 P 24673 P 26540 G 6:3 R 12:4 T 18:4 ... 550 B.C. |
| I. McPhee, Hesperia 52, 1983, pl. 33:1. ARV² 1322, 16. Burn, 106, cat. no. MM 26. ARV² 1328, 100. LIMC II, 1984, p. 97, no. 919, pl. 91, s.v. Aphrodite. A. Delivorias, LIMC II, 1984, pp. 96-98, s.v. Aphrodite ... Agora 30 198 P 6555 P 19998 P 21535 P 15057 P 21358 P 12640 P 15133 D 17:9 P 8:2 N 21:2 P 7:8 O 19:4 G 18:1 ... 420 B.C. |
| ARV² 14, 2. Paralip. 322, 2. Addenda 152. Euphronios, cat. no. 3. Denoyelle, Chefs-d'oeuvre-Louvre, pp. 104-105, cat. no. 47. E. Vanderpool, Hesperia 15, 1946, p. 286, pl. 36. M. Farnsworth, Archaeology ... Agora 30 179 P 4811 P 3445 P 23207 P 23137 P 19175 P 9438 P 24867 P 27718 C 18:7 C 9:6 ... 460 B.C ... Paralip. 322, 2 ... ARV² 14, 4 ... Paralip. 384, 1 |
| ARV² 906, 109. Addenda 303. ARV² 906, 116. Well. ARV² 917, 202. Addenda 304. ARV² 955, 1. Addenda 307. Odyssey 19.378-384. F. Brommer, Odysseus: Die Taten und Leiden der Helden in antiker Kunst und Literatur, ... Agora 30 301 P 24227 P 19976 P 4845 P 420 P 16424 P 27428 P 3518 H 13:4 H 7:1 F 14:2 E 19:5 E 14:11 ... 430 B.C ... Odyssey 19.378-384 ... Paralip. 473 ... Paralip. 457, 9 |
| ARV² 1154, 38. JdI 102, 1987, p. 69, fig. 5. Matheson, Polygnotos, p. 389, cat. no. D 43. ARV² 540, 4. Addenda 256. Scheiber, JdI 102, 1987, pp. 57-118, p. 75. ARV² 511, 5. Paralip. 382, 5. Addenda 252 ... Agora 30 136 P 3032 P 12374 P 21403 P 7912 P 26249 P 23834 P 27777 H 12:6 N 7:3 E 6:3 Q 15:2 ... 440-430 B.C ... ARV² 540, 4 ... Paralip. 382, 5 ... Paralip. 384, 1 |
| Exekias. Hydriai. Analatos Painter. KX Painter. Villa Giulia 50599. ABV 146, 20. ABV 714. Paralip. 32, 2 bis. K. Stähler, JOAI 49, 1968-1971, pp. 79-113. M. B. Moore, AJA 84, 1980, p. 432 and notes 125, ... Agora 23 35 ... Paralip. 32, 2 bis ... Paralip. 6, 1 ... Paralip. 19, 16 bis |
Four non-joining wall fragments, a and d with start of neck. Thin reddish glaze on inside. Glaze thin in places. Max. dim. a) 0.08, b) 0.17, c) 0.06, d) 0.065. C. Boulter, Hesperia 22, 1953, pl. 22:2; ... Ca. 450 B.C ... For a parallel (but with the figures reversed), see each side of Louvre CA 1852, an amphora Type B near the Boreas Painter (ARV2 540, 4; Addenda 256). ... on Ferrara 2739 = T.749 by the Boreas Painter (ARV2 536, 1; Paralip. 384, ---, 1; Addenda 255).
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Lower part of wall and all of ring base. On underside of floor, three concentric circles with central dot. Most of the glazed fired red on the inside and on the outside below the figures. P.H. 0.15; diam ... Ca. 430 B.C ... Talcott, Hesperia 4, 1935, p. 479, fig. 3; Ginouvès, Balaneutikè , pl. 15:43; S. ... The object at the left behind the standing woman on Side A is more likely a column than a door post (pace Talcott, Hesperia 4, 1935, p. 478), for if it were the latter, one would expect to see part of the paneling to the left, and here there is only black glaze. ... The subject on Side A is probably the return of Odysseus to Ithaca, specifically the moment before Eurykleia sees the identifying scar on his knee when she washes his feet (Odyssey 19.378--384). For the subject, see F. |
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