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| Late Archaic Pot Painters; Myson and Other Painters of Column-Kraters. Addenda 199. ARV² 224, 1. ARV² 206, 132. Paralip. 343, 132. Addenda 194. Addenda 198. ARV² 224. ARV² 229, 35. Paralip. 347, 35. Paralip ... Agora 30 94 ... Paralip. 347, 35 ... Paralip. 347, 8 ... Paralip. 347, 38 |
| ARV² 221, 15. ARV² 222, 19. ARV² 222, 25. ARV² 223, 6. Paralip. 346, 6. fig. 13. Cistern. Langbridge, Eucharides Painter, p. 448, cat. no. K 3. Pit. W.B. Dinsmoor, Hesperia Suppl. 5, [. 134, fig. 61:13 ... Agora 30 170 P 17462 P 358 P 8533 G 5:1 C 9:6 ... 500-490 B.C ... Paralip. 346, 6 ... ARV² 229, 38 ... Paralip. 347, 38 |
| Calyx Kraters. Pit. H.A. Thompson, Hesperia 18, 1949, pl. 45:5. P.E. Corbett, JHS 85, 1965, pl. 1. Langbridge, Eucharides Painter, p. 345, cat. no. E 6. ARV² 33, 5. Well. ARV² 324, 64. Addenda 215. ARV² ... Agora 30 174 P 19291 P 22208 P 23358 P 13366 P 22490 P 30996 P 7646 B 18:11 H 12:15 Q 12:3 ... 510-500 B.C ... Paralip. 347, 17 ... Paralip. 321, 1 ... Paralip. 347, 12 |
Wall fragment. Some of the glaze drawing flaked. Max. dim. 0.055. E. Vanderpool, Hesperia 15, 1946, p. 288, cat. no. 58, pl. 34.
Youthful trainer (neck to hips, outstretched right arm) standing to left, ... Ca. 490-480 B.C ... Manner of the Antiphon Painter (ARV2 one 237, 81); may be by the painter himself (ARV2 347, 115). The trainer on 1237 may have looked very much like the one who watches a pair of youthful wrestlers on side B of Oxford 1914.729 + Florence 9 B 38 (ARV2 340, 73; Paralip. 361, 73; Addenda 219). |
| ARV² 18, 3. Paralip. 322, 3. Addenda 153. Euphronios, cat. no. 18. CVA, Parma 1 [Italia] 45, pl. 1 [2021], p. 3. Paralip. 322, 3bis. Addenda 154. Euphronios, cat. no. 61. ARV² 27, 6. ARV² 27, 7. ARV² 27, ... Agora 30 8 ... Paralip. 322, 3 ... Paralip. 322, 3bis ... Paralip. 347, 2 |
Two non-joining fragments, a of wall, b of rim and neck with start of handle zone at far left. Glaze pitted on inside of a. Max. dim. a) 0.077, b) 0.14; W. of rim 0.025; H. of neck 0.063. W. B. Dinsmoor, ... Ca. 480 B.C ... Hektor may have looked something like his counterpart on the volute-krater in London by the Berlin Painter that names the figures (E 468: ARV2 206, 132; Paralip. 343, 132; Addenda 194) or the kalpis in the Vatican, H 545, by the Eucharides Painter (ARV2 229, 38; Paralip. 347, 38; Addenda 199). ... The scene on 237 might also illustrate the fight between Diomedes and Aineas: cf. the namepiece of the Tyszkiewicz Painter, Boston 97.368 (ARV2 290, 1; Paralip. 355, 1; Addenda 210), though this seems less likely. ... E 468 and Karlsruhe 68.101 (Paralip. 344, 131 bis; Addenda 194). |
Wall fragment. Glaze fired greenish in places. Max. dim. 0.106. H. A. Thompson, Hesperia 18, 1949, pl. 45:5; P. E. Corbett, JHS 85, 1965, pl. 1; Langridge, "Eucharides Painter," p. 345, cat. no. E 6.
... Ca. 500-490 B.C ... For a boy, not a youth or a man, leading a horse, see Vienna, Univ. 501 by Onesimos (ARV2 324, 64; Addenda 215) and side B of Florence PD 56 by the Dokimasia Painter (ARV2 412, 6; CVA, Firenze 4 [Italia 38], pl. 126 [1698]:1).
The Eucharides Painter (ARV2 227, 17; Paralip. 347, 17). |
| Classical Pot Painters; The Polygnotos and His Group. ARV² 1030, 33. Paralip. 442, 33. Addenda 317. Oakley, Phiale Painter, pp. 17-46 and pp. 45-46. Matheson, Polygnotos, p. 354, cat. no. P 38, pl. 62 ... Agora 30 117 ... Paralip. 442, 33 ... Matheson, Polygnotos, p. 354, cat. no. P 38, pl. 62 ... Paralip. 442, 58 |
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