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[Agora Publication Page] Agora 30, s. 113, p. 94

Late Archaic Pot Painters; Myson and Other Painters of Column-Kraters. Addenda 199. ARV² 224, 1. ARV² 206, 132. Paralip. 343, 132. Addenda 194. Addenda 198. ARV² 224. ARV² 229, 35. Paralip. 347, 35. Paralip ... Agora 30 94 ... ARV² 206, 132 ... Paralip. 343, 132 ... Paralip. 347, 35

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[Agora Publication Page] Agora 30, s. 189, p. 170

ARV² 221, 15. ARV² 222, 19. ARV² 222, 25. ARV² 223, 6. Paralip. 346, 6. fig. 13. Cistern. Langbridge, Eucharides Painter, p. 448, cat. no. K 3. Pit. W.B. Dinsmoor, Hesperia Suppl. 5, [. 134, fig. 61:13 ... Agora 30 170 P 17462 P 358 P 8533 G 5:1 C 9:6 ... 500-490 B.C ... Paralip. 346, 6 ... ARV² 206, 132 ... Paralip. 343, 132

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[Agora Publication Page] Agora 30, s. 43, p. 24

F. Hitzl, Die Entstehung und Entwicklung des Volutenkraters von den frühesten Anfängen bis zur Ausprägung des kanonischen Stils in der attisch schwarzfigurigen Vasenmalerei, Frankfurtam-Main 1982[Archäologische ... Agora 30 24 ... Paralip. 384, 1 ... Paralip. 395, 13 ... Paralip. 343, 132

[Agora Object] Agora XXX, no. 237

Two non-joining fragments, a of wall, b of rim and neck with start of handle zone at far left. Glaze pitted on inside of a. Max. dim. a) 0.077, b) 0.14; W. of rim 0.025; H. of neck 0.063. W. B. Dinsmoor, ... Ca. 480 B.C ... Hektor may have looked something like his counterpart on the volute-krater in London by the Berlin Painter that names the figures (E 468: ARV2 206, 132; Paralip. 343, 132; Addenda 194) or the kalpis in the Vatican, H 545, by the Eucharides Painter (ARV2 229, 38; Paralip. 347, 38; Addenda 199). ... The scene on 237 might also illustrate the fight between Diomedes and Aineas: cf. the namepiece of the Tyszkiewicz Painter, Boston 97.368 (ARV2 290, 1; Paralip. 355, 1; Addenda 210), though this seems less likely. ... E 468 and Karlsruhe 68.101 (Paralip. 344, 131 bis; Addenda 194).

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[Agora Publication Page] Agora 30, s. 336, p. 317

Addenda and Corrigenda, p. 1135 to ARV1 80-81. Addenda and Corrigenda, p. 1135 to ARV¹ 80-81. Well. ARV² 135 [a]. Addenda 177. ARV² 133, 10-11. ARV² 133, 9. Pottery and Glass (November 1954), p. 349. H.A ... Agora 30 317 P 9281 P 24113 M 17:4 Q 12:3 ... 510-500 B.C ... ARV² 206, 132 ... Paralip. 343, 132 ... Paralip. 344, 242

[Agora Object] Agora XXX, no. 1407

Mended with small missing pieces restored in plaster and painted. Lip offset on inside; foot offset on underside. Glaze slightly abraded on handles. H. 0.074; diam. of rim 0.18; W. with handles 0.238; ... Ca. 510-500 B.C ... E 468 (ARV2 206, 132; Paralip. 343, 132; Addenda 194). ... The Berlin Painter (ARV2 213, 242; Paralip. 344, 242; Addenda 196). ... Beazley accepted the attribution but with some hesitation (see especially The Berlin Painter [Melbourne 1964], pp. 1, 12, 13); yet he included the cup among the painter's works in both ARV2 (1963) and Paralip. (1971). Here the question of the cup's painter rested until 1979, when Carol Cardon withdrew the cup from the oeuvre of the Berlin Painter, connected it with Phintias' workshop, and proposed to call the artist the Gorgos Painter (AJA 83, 1979, pp. 169--173).