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| Bell-Kraters. Bell-Kraters; Type 1; Bell-Kraters with Lugs. Beazley, CB ii, p. 50. Hesperia Suppl. 010, pp. 8-9. Denoyelle, Chefs d'oeuvre-Louvre, pp. 114-115, cat. no. 52. Follman, Pan-Maler, pp. 50-51 ... Agora 30 31 ... Paralip. 342, 126 ... Paralip. 342, 63 ... Paralip. 342, 124 |
| M. Wegner, Das Musikleben der Griechen, Münster 1949, pp. 30-32. D. Paquette, L'instrument de musique dans la céramique de la Grèce antique, Lyon 1984, pp. 131-141. M. Maas and J. Snyder, Stringed Instruments ... Agora 30 186 P 19944 P 17423 P 21352 N 7:3 ... 460 B.C ... Ghali-Kahil, Les enlèvements et le retour d'Hélène, Paris 1955, pl. 63:1, Side A ... Paralip. 393, 27 ... LIMC IV, p. 544, no. 279, bis pl. 342 |
Eight non-joining wall fragments, a and b with rim and strengthened with plaster. Band on inside at rim, a narrower one 0.068 below rim. Glaze fired red on inside, slightly misfired below figures on outside ... Ca. 460-450 B.C ... Ghali-Kahil, Les enlèvements et le retour d'Hélène, Paris 1955, pl. 63:1 (Side A); LIMC II, 1984, p. 292, no. 888, pl. 262 s.v. ... A column-krater near the Leningrad Painter, Tübingen 67.5806: Eros stands on Aphrodite's outstretched left hand as Menelaos approaches and Helen runs away (ARV2 585, 27; Paralip. 393, 27; LIMC IV, p. 542, no. 265, pl. 338). ... Vatican 16535, an oinochoe somewhat connected with the Heimarmene Painter and with Polion but earlier than their work: Eros flies toward Menelaos, holding a garland (ARV2 1173, ---; Paralip. 460, top; Addenda 339). |
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