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| Cups; Stemless Cups; Uncertain if Top-Band Stemless Cup. Fill. Cups; Stemless Cups; Segment Cups. Other. Well. H. A. Thompson, Hesperia, Suppl. IV, Baltimore 1940, p. 37, fig. 29:a. Segment Class. ABV ... Agora 23 311 P 26531 P 12236 P 7095 P 7137 P 26437 P 13020 P 23621 P 1155 P 1156 P 6552 P 24648 T 18:3 H 12:18 T 18:1 U 25:2 G 15:1 E-F 12-14 ... Early 5th B.C. |
| Beazley, Vases in America, p. 8. ARV² 53. B. Cohen, The Literate Potter: A Tradition of Incised Signature on Attic Vases, MetMusJ 26, 1991 [pp. 49-95], p. 89, note 68. H.P. Isler, Museum Helveticum 38 ... Agora 30 88 ... Paralip. 327, 1 bis ... Paralip. 326, 7 bis ... Paralip. 327, 66 |
| ARV² 185, 33. Paralip. 340, 33. Addenda 187. Περίκλεια, pls. 1-22. CVA, Louvre 1 [France 1], p. 3. J.D. Beazley, The Kleophrades Painter, Mainz 1974. Oakley, Phiale Painter, p. 126, no. 26. Oakley, Phiale ... Agora 30 28 ... Paralip. 396, 7 bis ... Paralip. 397, 1 ... Paralip. 449, 1 |
| Trefoil Olpai. Paralip. 192. Oinochoai; Olpai; Trefoil Mouth. Other. E. Vanderpool, Hesperia 7, 1938, pp. 381-384, no. 14, figs. 18-20 and p. 387, fig. 23. S. Karouzou, Amasis Painter, p. 41. M. Cremer, ... Agora 23 189 P 24942 P 1227 P 2700 P 1263 P 24673 P 26540 G 6:3 R 12:4 T 18:4 ... 550 B.C ... Paralip. 192 ... Paralip. 64, 31 bis ... Paralip. 196, 1 ter |
| E. Young, The Slaying of the Minotaur: Evidence in Art and Literature for the Development of the Myth, 700-400 B.C., diss. Bryn Mawr, 1972. Painter of Vatican 309. Vatican 309. Neck-Amphorae; Ovoid Neck-Amphorae ... Agora 23 124 P 25349 P 13783 P 2397 P 21371 P 25013 P 17781 P 3555 P 25315 U 25:2 H 8-10 A 18-19:1 F 19:4 ... 2nd quarter of 6th B.C ... Paralip. 44, 8 ... Paralip. 44, 32 ... Paralip. 44, 57 bis |
Rim fragment. Narrow reserved band on inside at rim. Max. dim. 0.097.
Below rim, egg pattern with dots on fascia; then a concave molding decorated with a ribbon pattern with dots in the interstices.
... Ca. 440 B.C ... For the ribbon pattern, not common on the rims of bell-kraters, see Villa Giulia 50590 by the Hischylos Painter (ARV2 162, 5; Addenda 182); Argos, C 909 by Hermonax (ARV2 485, 23; Addenda 248); Oxford 1954.246, probably by the Painter of the Woolly Satyrs (ARV2 614, ---, 2); Boston, M.F.A. 10.215 by the Chicago Painter (ARV2 629, 20); two by the Barclay Painter: Louvre A 488 (ARV2 1067, 2) and Basel, Antikenmuseum und Sammlung Ludwig, Kä 404 (ARV2 1067, 2 bis; 1681; Paralip. 447, 2 bis; Addenda 325; CVA, Basel 3 [Schweiz 7], pl. 12 [324]:1,2); Syracuse 22886 by the Eupolis Painter (ARV2 1073, 3); four unattributed examples: from Olynthos inv. 8.56 (Robinson, Olynthos V, pl. 65:110), Louvre G 485 (CVA, 5 [France 8], pl. 32 [373]:1, 3, 4, 6), Delos, no no. (Délos XXI, pl. 54:3), and Bologna 327, with black body (G. |
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