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| C Painter. Cups; Siana Cups; Overlap Decoration. Pit. H. A. Thompson, Hesperia, Suppl. IV, Baltimore 1940, p. 14, fig. 12:c. ABV 53, 39. Road. Heidelberg Painter. ABV 66, 51. ABV 59, 5. Other. Fill. Well ... Agora 23 299 P 13347 P 6068 P 3040 P 5231 P 25345 P 26646 P 8888 P 22899 P 25855 P 20716 H 10:2 I 9:1 N 10:1 T-U 19:1 T 19:1 M-N 15:1 R 11:2 ... 560 B.C ... Paralip. 26, 11 bis |
| Addenda 367. ARV² 1340, 7. ARV² 987, 4. Paralip. 437, 4. Addenda 311. ARV² 989, 26. Fill. ARV² 991, 61. Paralip. 437, 61. ARV² 601, 22. Paralip. 395, 22. Addenda 266. J. Oakley, The Achilles Painter, Mainz ... Agora 30 139 P 17434 P 18012 P 19016 P 10176 P 15963 P 23662 A-B 19-20:2 F 19:4 ... 410 B.C ... Paralip. 437, 4 ... ARV² 989, 26 ... Paralip. 320, 2 bis |
| Neck-Amphorae; Non-Standard; First Half of the 6th Century. Athens, N.M. 991. ABV 38, 1. Bakir, Sophilos, pls. 49, 50. Gorgon Painter. Louvre E 817. ABV 9, 7. Paralip. 6, 7. Hamburg 1960.6. Paralip. 7, ... Agora 23 120 P 648 P 31088 P 6065 P 4727 P 22310 P 17341 I 10:1 I 9:1 F 12:5 M 11:3 ... 1st quarter of 6th B.C ... Paralip. 7, 9 bis ... Paralip. 8, 19 bis ... Paralip. 7, 9 bis and 8 |
| A single fragment, broken all around preserves part of the bowl. Head and shoulders of a youth, left, tightly wrapped in a cloak. In front of him, the lower right corner of a bird cage. The bird depicted ... 2 April 1947 |
| S. R. Roberts, Hesperia 55, 1986, p. 36, no. 102, fig. 26. Gela Painter. ABV 715, - 9 bis. Paralip. 214, 9 bis. Lekythoi; The Lekythos Painters II; The Gela Painter. Well. BCH 79, 1955, p. 214, fig. 2:1 ... Agora 23 212 P 24105 P 1331 P 14945 P 1269 P 2569 P 24067 Q 12:3 G 6:3 F 19:5 ... 500 B.C ... Paralip. 214, 9 bis ... ABV 715, 11 bis ... Paralip. 214, 11 bis |
| Addenda 165. ARV² 26, 2. Addenda 156. ARV² 111, 13. Addenda 173. ARV² 316, 8. Addenda 214. CVA, London 9, Great Britain 17, pl. 4 [78]:1. Fill. ARV² 1570, 31. ARV² 427, 2. Paralip. 374, 2. Addenda 235 ... Agora 30 338 P 4699 P 3228 P 126 P 14949 P 25970 P 5748 P 4688 P 2581 P 312 E 14:11 F 19:5 I 6:1 G 6:3 ... 510-500 B.C. |
| ARV² 18, 3. Paralip. 322, 3. Addenda 153. Euphronios, cat. no. 18. CVA, Parma 1 [Italia] 45, pl. 1 [2021], p. 3. Paralip. 322, 3bis. Addenda 154. Euphronios, cat. no. 61. ARV² 27, 6. ARV² 27, 7. ARV² 27, ... Agora 30 8 ... Paralip. 322, 3 ... Paralip. 322, 3bis ... Paralip. 324, 8 |
| F. Hitzl, Die Entstehung und Entwicklung des Volutenkraters von den frühesten Anfängen bis zur Ausprägung des kanonischen Stils in der attisch schwarzfigurigen Vasenmalerei, Frankfurtam-Main 1982[Archäologische ... Agora 30 24 ... Paralip. 384, 1 ... Schauenburg, NumAntClass 11, 1982 [pp. 9-31], pp. 20-26 ... Paralip. 395, 13 |
| Column-Kraters. Pit. Sophilos. Akropolis 587. ABV 39, 15. Bakir, Sophilos, pl. 3. London, B.M. 1971.11-1.1. Paralip. 19, 16 bis. Bakir, Sophilos, pls. 1, 2. Other. D. Williams, "Sophilos in the British ... Agora 23 154 P 26289 P 22839 P 4237 P 3015 P 22330 P 27586 P 17806 P 13848 H 12:21 H-K 12-14 E 14:11 R 13:3 J 18:4 U 25:2 ... 600 B.C. |
| Matheson, p. 382, cat. no. D 9. ARV² 1154, 26. Matheson, p. 386, cat. no. D 27. H.A. Thompson, Hesperia 21, 1952, pl. 31:c. Matheson, p. 386, cat. no. D 26. ARV² 1156, 15. ARV¹ 792, 9. ARV² 1153, 25. Fill ... Agora 30 220 P 5865 P 16926 P 19682 P 16923 P 27677 P 27789 P 8317 A-B 21-22:1 C 19:4 ... 430 B.C. |
| ARV² 541, 1. Paralip. 449, 33 bis. Addenda 328. Paralip. 385, 1. Addenda 256. Esposito and de Tommaso, Vasi attic, p. 63, cat. no. 96. ARV² 576, 33. CVA, Vienna 2 [Österreich 2], pl. 93 [93]:5. Addenda ... Agora 30 22 ... Paralip. 449, 33 bis ... Paralip. 385, 1 ... Paralip. 354, 39 |
| Hydriai; Kalpides. Pioneer Group. Hydriai; Kalpides; Picture on the Shoulder. Hydriai; Kalpides; Picture on the Body. Parke-Bernet 9. April 1953, p. 25, no. 150. Greenwich, Bareiss, L.69.11.12. Greek Vases: ... Agora 23 38 ... Paralip. 145, ii ... Paralip. 172, 3 ... ABV 695, 83 bis |
| Lebetes Gamikoi. Richter and Milne, Shapes and Names, p. 11. F. Harl-Schaller, JOAI Beiblatt 50, cols. 157-180. D.M. Robinson, AJA 40, 1936, pp. 507-519. J. Boardman, BSA 47, 1952 [p. 1-48], pp. 31-32 ... Agora 30 18 ... Richter and Milne, Shapes and Names, p. 11 ... Paralip. 451, 6 ... Paralip. 454, 3 bis and 3 ter |
| ARV² 1126, 3. Addenda 332. ARV² 548, 44. Paralip. 386, 44. ARV² 1126, 4. ARV² 1322, 11. ARV² 1126, 5. ARV² 1126, 6. Addenda 363. Burn, Meidias Painter, p. 106, cat. no. MM 18. Reeder, Pandora, p. 173, ... Agora 30 19 ... Paralip. 386, 44 ... ARV² 1322, 11 ... ARV² 1126, 6 bis |
| Early Red Figure Pot Painters. Early Red Figure Pot Painters; The Andokides Painter and the Earliest Red Figure. P. Charbonneaux, Archaic Greek Art, New York 1971, p. 312, fig. 357. A. Rumpf, Malerei und ... Agora 30 81 ... Paralip. 320-321 ... Paralip. 320, 1 ... Paralip. 320, 2 bis |
| Exekias. Hydriai. Analatos Painter. KX Painter. Villa Giulia 50599. ABV 146, 20. ABV 714. Paralip. 32, 2 bis. K. Stähler, JOAI 49, 1968-1971, pp. 79-113. M. B. Moore, AJA 84, 1980, p. 432 and notes 125, ... Agora 23 35 ... Paralip. 32, 2 bis ... Paralip. 6, 1 ... Paralip. 19, 16 bis |
Six non-joining fragments, a of rim, neck, shoulder, and start of one handle column, b + d of shoulder with swelling for handle root and part of wall, c, f, and g of wall. Glaze dull in places on outside; ... Ca. 480 B.C ... There are not very many red-figured examples of satyrs making wine, and 173 seems to be one of the earliest, preceded slightly by the scene on a bell-krater in Basel, Antikenmuseum und Sammlung Ludwig, BS 482, attributed to the Kleophrades Painter (ARV2 1632, 49 bis; Addenda 188; CVA, Basel 3 [Schweiz 7], pl. 11 [323]:2, 4); 173 seems to be the only example in which there are four satyrs by themselves. Usually, Dionysos is present, as in the scene by the Cleveland Painter in New York (M.M.A. 41.162.10: ARV2 516, 4; Paralip. 382, 4; Addenda 253) or there may be three satyrs by themselves (e.g., Lecce 602 by the Leningrad Painter: ARV2 569, 39; Paralip. 390, 39; Addenda 261).
173 presents a number of problems concerning interpretation of details. ... A good parallel is the trough on Bologna 241 by the Orchard Painter (ARV2 524, 25; Paralip. 383, 25; Addenda 254) or Ferrara 42684 = T.254 C VP, a later work by the same artist (ARV2 524, 26; Paralip. 383, 26; Addenda 254). |
Eight non-joining wall fragments, a and b with rim and strengthened with plaster. Band on inside at rim, a narrower one 0.068 below rim. Glaze fired red on inside, slightly misfired below figures on outside ... Ca. 460-450 B.C ... See also Prange, Niobidenmaler, p. 210, cat. no. GN 26 (incorrectly numbered P 21325).
... A column-krater near the Leningrad Painter, Tübingen 67.5806: Eros stands on Aphrodite's outstretched left hand as Menelaos approaches and Helen runs away (ARV2 585, 27; Paralip. 393, 27; LIMC IV, p. 542, no. 265, pl. 338). ... Vatican 16535, an oinochoe somewhat connected with the Heimarmene Painter and with Polion but earlier than their work: Eros flies toward Menelaos, holding a garland (ARV2 1173, ---; Paralip. 460, top; Addenda 339). |
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