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| Panathenaic Amphorae; Prize Vases. Pyre. Berlin Painter. ABV 408, 9. New York, M.M.A. 56.171.3. ABV 395, 3. Paralip. 173, 3. Munich, inv. no. 8746. ABV 397. Achilles Painter. Naples RC 184. ABV 409, 3 ... Agora 23 134 P 18628 P 7218 P 26073 P 4303 P 4578 P 25601 P 47 P 19482 P 10007 P 4815 D 17:7 B 13:5 ... Late 6th-Early 5th B.C ... ABV 395, 3 ... Paralip. 173, 3 ... ABV 409, 3 |
Most of upper half and foot missing. Cylinder.
Scene: Herakles right (upper half missing) grappling the lion (back missing). On the left, Iolaos (chest and head missing) right hand holding the club (lower ... May-June 1954 |
| Akropolis 2546. ABV 113, 85. Tiverios, pl. 77:δ. Akropolis 802 b. ABV 112, 59. Tiverios, pl. 81:δ. Lydos. ABV 119, II, 5. Column-Kraters. Well. H. A. Thompson, Hesperia 25, 1956, p. 57, pl. 16:a. P. Zaphiropoulou, ... Agora 23 157 P 24943 P 6033 P 23211 P 14689 P 23276 P 25278 P 24955 P 198 P 3039 Q 13:5 S 21:2 R 12:3 ... 550 B.C. |
Six non-joining fragments, a of rim, neck, shoulder, and start of one handle column, b + d of shoulder with swelling for handle root and part of wall, c, f, and g of wall. Glaze dull in places on outside; ... Ca. 480 B.C ... There are not very many red-figured examples of satyrs making wine, and 173 seems to be one of the earliest, preceded slightly by the scene on a bell-krater in Basel, Antikenmuseum und Sammlung Ludwig, BS 482, attributed to the Kleophrades Painter (ARV2 1632, 49 bis; Addenda 188; CVA, Basel 3 [Schweiz 7], pl. 11 [323]:2, 4); 173 seems to be the only example in which there are four satyrs by themselves. Usually, Dionysos is present, as in the scene by the Cleveland Painter in New York (M.M.A. 41.162.10: ARV2 516, 4; Paralip. 382, 4; Addenda 253) or there may be three satyrs by themselves (e.g., Lecce 602 by the Leningrad Painter: ARV2 569, 39; Paralip. 390, 39; Addenda 261).
173 presents a number of problems concerning interpretation of details. ... The one on 173 is clearly set inside another vessel and presumably should be thought of as having a sieve in the bottom (for such a vessel with a strainer or shallow dish set into it, but without a satyr standing in it, see Basel, Antikenmuseum und Sammlung Ludwig, Kä 420 by the Amasis Painter: Paralip. 65; Addenda 43). |
| ARV² 1019, 77. Paralip. 440, 77. Addenda 315. Oakley, Phiale Painter, p. 79, cat. no. 77, pl. 59. Well. H.A. Thompson, Hesperia 23, 1954, pl. 15:d. Paralip. 362, 9. Addenda 218. fig. 60. ARV² 365, 59 ... Agora 30 349 P 23166 P 6574 P 25356 P 2582 P 56 P 31007 P 16551 H 12:15 G 6:3 Q 12:3 G 18:1 ... Late 6th-early 5th B.C ... Paralip. 440, 77 ... Paralip. 362, 9 ... Paralip. 322, 3 |
| ARV² 1322, 11. Burn, Meidias Painter, p. 106, cat. no. MM 18. ARV² 1322, 13. Burn, p. 106, cat. no. MM 21. Délos XXI, pl. 39. ARV² 1322, 18. Paralip. 478, 18. Addenda 363. Burn, p. 107, cat. no. MM 28, ... Agora 30 154 P 22912 P 22498 P 1445 P 22567 P 20203 P 27786 P 135 P 15733 P 25488 E 2:3 ... 410-400 B.C. |
| Early Red-Figure Cup Painters; Other early Red-Figured Painters. ARV² 129, 21. ARV2 131, 21. Addenda 176. Addenda 179-180. ARV² 139, top, and 139-141. Paralip. 334-335. Addenda 178. ARV² 153-158. Paralip ... Agora 30 91 ... Paralip. 334-335 ... Paralip. 336 ... Paralip. 338 |
| Early Classical Painters of Cups and Skyphoi; The Penthesilea Painter and His Workshop. ARV² 860, 5. CVA, Berlin 3 [Deutschland 22], pl. 104 [1033]. ARV² 879-891. Paralip. 428-429. Addenda 300-302. ARV² ... Agora 30 113 ... Paralip. 428-429 ... Paralip. 428, 2 ... Paralip. 428, 173 |
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