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| Cups; Stemless Cups; Uncertain if Top-Band Stemless Cup. Fill. Cups; Stemless Cups; Segment Cups. Other. Well. H. A. Thompson, Hesperia, Suppl. IV, Baltimore 1940, p. 37, fig. 29:a. Segment Class. ABV ... Agora 23 311 P 26531 P 12236 P 7095 P 7137 P 26437 P 13020 P 23621 P 1155 P 1156 P 6552 P 24648 T 18:3 H 12:18 T 18:1 U 25:2 G 15:1 E-F 12-14 ... Early 5th B.C ... Paralip. 103, 22 bis ... Paralip. 103, 22 ... Paralip. 103, 22 ter |
| Group E. Lysippides Painter. Berlin 1699. Exekias. Painter of the Vatican Mourner. Whyte Painter. Painter of London B 174. London B 174. Amasis Painter. Heidelberg Painter. Kleitias. ABV 133-138. Paralip ... Agora 23 87 |
| ARV² 7, 5. Addenda 150. Kurtz, Athenian White Lekythoi, pp. 9-12. ARV² 7, 3. ABV 293, 7. Paralip. 127, 7. Addenda 76. Agora 023, p. 205, cat. no. 817, pl. 75. ABV 253, 1. ABV 294, 24. ARV² 7, 2. Paralip ... Agora 30 84 P 5002 |
| Early Classical Painters of Large Pots. Early Classical Painters of Large Pots; Hermanex. ARV² 360-367. Paralip. 364-365. E. Knauer, Ein Skyphos des Triptolemosmalers [125 Winckelmannprogramm der Archäologischen ... Agora 30 103 |
| Early Classical Painters of Cups and Skyphoi. Early Classical Painters of Cups and Skyphoi; Follower of Douris; Other Cup Painters. Early Classical Painters of Cups and Skyphoi; The Pistoxenos Painter ... Agora 30 112 ... Paralip. 418-419 ... Paralip. 422 ... Paralip. 425, 22 |
| One-Piece Amphorae; Panel Amphorae. The Horse-head Amphorae. ABV 16, 9. Other. Gorgon Painter. Athens, N.M. 296. ABV 24, 7. Boston, M.F.A. 97.366. E. Vanderpool, Hesperia 7, 1938, p. 372, no. 3, fig. 5 ... Agora 23 103 P 4 P 1248 P 289 P 26743 P 5024 P 4217 P 12496 P 2037 P 3703 P 15887 G 6:3 G 15:3 F 12:6 Q 18:1 H 8-10 H-I 10:1 ... 1st quarter of 6th B.C. |
| Segment Class. Top-band Stemless. Cups; Type Uncertain. C Painter. Leafless Group. Bowl. Turin 4112. Turin 5776. ABV 214, 50. CVA, Turin 2 [Italy 40], pl. 2 [1786]. H. Bloesch, Formen attischer Schalen ... Agora 23 68 ... Paralip. 102-103 ... Paralip. 103, 38 ter ... Paralip. 103, 22 bis |
Fragment of cul and body. Max. dim. 0.09.
On cul, chain of double lotuses and encircled palmettes.
The only painter to favor the chain of double lotuses and palmettes on the culs of his calyx-kraters ... Ca. 450 B.C ... The only painter to favor the chain of double lotuses and palmettes on the culs of his calyx-kraters is Euphronios, who used it six times, always on the obverse: Louvre G 103 (ARV2 14, 2; Paralip. 322, 2; Addenda 152; Euphronios, cat. no. 3; Denoyelle, Chefs-d'oeuvre . . . Louvre, pp. 104--105, cat. no. 47); Louvre G 110 (ARV2 14, 3; Paralip. 322, 3; Addenda 152; Euphronios, cat. no. 2); Louvre G 33 (ARV2 14, 4; Euphronios, cat. no. 11); Munich inv. 8935 (ARV2 1619, 3 bis; Paralip. 322, 3 bis; Addenda 152; Euphronios, cat. no. 5); New York, M.M.A. 1972.11.10 (Euphronios, cat. no. 4); and New York, Levy and White (Euphronios, cat. no. 6). ... N 32); Rome, Villa Giulia 909, the namepiece of the Villa Giulia Painter (ARV2 618, 1; Paralip. 398, 1; Addenda 270); Ferrara 2893 = T.617, the namepiece of the Peleus Painter (ARV2 1038, 1; Paralip. 443, 1; Addenda 319; CVA, Ferrara 1 [Italia 37], pl. 22 [1666]:2, 3; Reeder, Pandora, pp. 349--351, cat. no. 110; Matheson, Polygnotos, p. 436, cat. no. |
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