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Lip and bowl fragment. Reserved line on inside and outside at rim. Max. dim. 0.059.
A, satyr with pelta riding a full wineskin. What remains besides the pelta decorated with a frontal animal's head between ... Ca. 510-500 B.C ... For a satyr with a pelta, see the one attacking Iris on Boston, M.F.A. 08.30a, also from the Wider Circle of the Nikosthenes Painter but rather rough (ARV2 135 [a]; Addenda 177). ... Wider Circle of the Nikosthenes Painter (ARV2 133, 9). |
Floor fragment. Max. dim. 0.715; est. diam. of tondo 0.11.
I, satyr (most of filleted head, right shoulder, and upper part of right arm, a little of right thigh) reclining to left, chest frontal, head ... Ca. 510-500 B.C ... Probably by a painter from the Wider Circle of the Nikosthenes Painter. |
Floor fragment with stem. Two incised lines to simulate fillet. Max. dim. 0.073.
I, woman (head, both feet missing) seated to right, holding a nude male child (head missing) in her outstretched arms ... Ca. 510-500 B.C ... The lively, but rather rough, drawing bears some similarity to that on two cups by one hand, a painter in the Wider Circle of the Nikosthenes Painter: Boston, M.F.A. 08.30a (ARV2 135 [a]; Addenda 177) and Berlin 1964.4 (ARV2 1700; Paralip. 334; Addenda 177). |
Floor fragment. Max. dim. 0.075; est. diam. of tondo 0.09.
I, figure (drapery) reclining to left. In the glazed exergue below the couch, part of an imitation inscription:
Reserved line for tondo border ... Ca. 510-500 B.C ... The best parallels for 1536 seem to be these two tondi: Louvre CA 1585, connected in its potting with Pamphaios, but otherwise unattributed (ARV2 131, ---; Addenda 177); once Basel Market, roughly connected to the Wider Circle of the Nikosthenes Painter (ARV2 134, 9). |
| Associated with the Class of teh Oxford Siren-jug. St. Audries Painter. Salax, potter. Sandal Painter. Compare the Painter of the Palermo Gorgoneion. Sappho Painter. Segment Class. Palmette-and-swan Group ... Agora 23 357 ... Audries Painter ... Sandal Painter ... Nikosthenes Painter |
Floor fragment with start of stem on underside. Max. dim. 0.094. H. A. Thompson, Hesperia 27, 1958, pl. 46:a.
I, satyr (wreathed head, torso to waist, most of right arm, top of tail, and part of left ... Ca. 510-500 B.C ... Assigned by Beazley to the Painter of P 24102, a.k.a. the Painter of the Agora Chairias Cups (ARV2 176--177; Paralip. 339; Addenda 185). ... Not in ARV2.
1606 probably belongs to the Wider Circle of the Nikosthenes Painter and bears some resemblance to these satyrs: Brussels A 201 (ARV2 133, 19); Brussels A 1377 (ARV2 134, 2; Addenda 177); and Boston 08.30a (ARV2 135 [a]; Addenda 177); for the locks of hair ending in inverted question marks, cf. especially the right satyr on side B of the last. |
| Protoattic. Andokides, potter. Analatos Painter. Antidoros. Kynosarges Painter. Antimenes Painter. Cactus Painter. Pair Painter. Camtar Painter. Ram-jug Painter. Capodimonte Group. Caylus Painter. Corinthian ... Agora 23 355 P 1241 P 7891 P 24327 P 24340 P 24366 P 24377 P 24381 P 24402 P 24486 ... Analatos Painter ... Kynosarges Painter ... Antimenes Painter |
Floor fragment. Max. dim. 0.045; est. diam of tondo 0.11. H. A. Thompson, Hesperia 17, 1948, pl. 68:1.
I, satyr (most of wreathed head with wrinkled brow) to right. Above:
Behind him, part of the reserved ... Ca. 510-500 B.C ... Satyr pursuing a maenad: Louvre G 68 near the Thalia Painter (ARV2 113, ---). Satyr running left, looking back, holding a full wineskin: Melbourne 1730.4 by the Nikosthenes Painter (ARV2 125, 20; Paralip. 333, 20; Addenda 176). ... The satyr on 1601 bears a slight resemblance to the one attributed to a painter near Oltos, London, B.M. |
| Ready Painter. Amasis Painter. Exekias. Painter of Berlin 1686. Princeton Group. Swing Painter. Group E. Lysippides Painter. Antimenes Painter. Psiax. Nikosthenes. Houston 34.129. ABV 125, 32. Paralip ... Agora 23 86 ... Ready Painter ... Amasis Painter ... Painter of Berlin 1686 |
| Volute-Kraters. London, B.M. B 364. Nikosthenes. ABV 229, VI. Paralip. 108. Louvre F 198. Antimenes Painter. ABV 280, 55. Copenhagen 13110. CVA, Copenhagen 8 [Denmark 8], pl. 322 [325]:1. Well. Leagros ... Agora 23 164 P 16633 P 7906 P 13856 P 7442 P 5202 P 6753 P 14940 P 7109 U 25:2 E-F 12-14 E 19:7 ... 510-500 B.C ... Nikosthenes ... Antimenes Painter ... Edinburgh Painter |
| Potters; Painters; Groups and Classes. Early Red Figure Pot Painters. Early Red Figure Pot Painters; The Andokides Painter and The Earliest Red Figure. The Pioneer Group. The Pioneer Group; Euphronios; ... Agora 30 viii ... Early Red Figure Pot Painters; The Andokides Painter and The Earliest Red Figure ... Early Red-Figure Cup Painters; The Coarser Wing; The Nikosthenes Painter; The Pithos Painter; The Heraion Painter and Others ... Late Archaic Pot Painters; The Nikoxenos Painter and The Eucharides Painter |
| Base, neck, handle and part of shoulder and upper wall missing.
Wall zone bounded below by pomegranate band, above by simple maeander; palmettes on shoulder.
Three warriors (shields, helmets, spears) ... 29 May 1954 ... Cf. a cup in London, 1907, 10-20, ARV, p. 102, Y, γγ, one of a group of cups with the signature of Pamphaios as potter "akin to the later and worse work of the Nikosthenes painter, but no two certainly by one hand."
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| Beazley, ARV¹, p. 67. Beazley, ARV², p. 105. Early Red-Figure Cup Painters; The Coarser Wing; The Nikosthenes Painter; The Pithos Painter; The Heraion Painter and Others. ARV¹ 67, V, 1-4. ARV² 105. ARV² ... Agora 30 90 P 1275 ... Early Red-Figure Cup Painters; The Coarser Wing; The Nikosthenes Painter; The Pithos Painter; The Heraion Painter and Others |
Most of shoulder with stub of handle and body with part of fillet between it and the foot. Strengthened with plaster. Glaze misfired in places; abraded here and there. P.H. 0.138; diam. 0.081. H. A. Thompson, ... Ca. 510 B.C ... Addenda and Corrigenda, p. 2378 to p. 102 of ARV1: same hand as London 1907.10--20.1 signed by Pamphaios and akin to the later work of the Nikosthenes Painter; ARV2 131, ---; Addenda 177. |
| Mastoid. Leafless Group. Caylus Painter. Chalices. CVA, Hannover 1 [Germany 34], pl. 24 [1656]:4-6. Nikosthenes. London, B.M. B 368. ABV 234, 1. Würzburg 429. ABV 234, 2. Cab. Méd. 334. ABV 234, 3. Louvre ... Agora 23 57 P 2745 P 2510 P 6582 ... Caylus Painter ... Nikosthenes ... Amasis Painter |
| Swing Painter. Painter of Munich 1410. Munich 1410. Nikosthenes. Antimenes Painter. Psiax. Cups; Droop Cups. Böhr, Schaukelmaler, pl. 2. Boston, M.F.A. 00.331. ABV 307, 62. CVA, Boston 1 [USA 14], pls ... Agora 23 89 ... Swing Painter ... Painter of Munich 1410 ... Nikosthenes |
| Prometheus Painter. Camtar Painter. London B 76. Acropolis 627. Group of North Slope AR 942. North Slope AR 942. Eleusis 252 (766). Painter of Louvre F 6. Painter of Vatican 309. Lydos. Florence 76359 ... Agora 23 83 ... Prometheus Painter ... Camtar Painter ... Painter of Louvre F 6 |
| Pelikai. Psykter. Nikosthenes. Antimenes Painter. S. Drougou, Der attische Psykter, Würtzburg 1975. Oxford 1930.619. CVA, Oxford 3 [GB 14], pl. 25 [640]:9. CVA, Boston 1 [USA 14], p. 25. E. Karydi, AthMitt ... Agora 23 20 ... Nikosthenes ... Antimenes Painter |
| Nikosthenes. Lydos. Epiktetos. Six's technique. Antimenes Painter. Psiax. Hilinos. Andokides. Menon. J. Mertens, AK 22, 1979, pp. 27-30. Beazley, Development, p. 79. ABV 292. Oxford 1966.768. ABV 113, ... Agora 23 90 ... Nikosthenes ... Antimenes Painter |
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