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Wall fragment with a little of projecting rim. Glaze misfired reddish brown in places on outside; a bit greenish on inside. Max. dim. 0.074.
Fight(?). The fragment preserves the raised, bent right arm ... Ca. 510-500 B.C ... For ivy on the rim, the closest parallels appear on the rims of these four calyx-kraters: Villa Giulia, no no. by Epiktetos (ARV2 77, 90; Addenda 169); Copenhagen, N.M. 126 by the Troilos Painter (ARV2 297, 11; Addenda 211); Louvre CA 5950, which may be by Psiax (p. 27, note 2 and p. 88, note 6 above); and Lecce, inv. 610 (CVA, Lecce 1 [Italia 4] pl. 10 [161]:1, 2). ... For an encircled palmette-and-lotus configuration at the handle, see Louvre G 48 + New York, M.M.A. 1978.429.1:a--v by the Kleophrades Painter (ARV2 185, 33; Paralip. 340, 33; Addenda 187) and Basel, Cahn H.C. 537 by the Berlin Painter (Paralip. 344, 116 bis; Addenda 193); Louvre CA 5950; London Market (Cat. |
| Antimines Painter. Exekias. Rycroft Painter. Lebetes Gamikoi. P. Jacobsthal, MMSt. 5, 1934-1936, p. 136. E Vermeule, AJA 70, 1966, p. 22. Lydos. ABV 148, 9. Vienna 3618. ABV 280, 56. Louvre C 11298. Paralip ... Agora 23 27 ... Louvre C 11298 ... Louvre G 163 ... Louvre CA 5950 |
| New York Metropolitan Museum of Art, 06.1021.29. Orvieto, Faina Collection, 70. Paris, Musée du Louvre. New York Metropolitan Museum of Art, 11.210.1. Orvieto, Faina Collection, 72. New York Metropolitan ... Agora 23 379 ... Paris, Musée du Louvre, CA 823 ... Paris, Musée du Louvre, CA 3327 ... Paris, Musée du Louvre, CA 5950 |
Three non-joining fragments: P 22490 of rim and start of wall; P 30996 of rim; P 13366 of wall and cul with stub of handle. Reserved line at top of rim on inside. Max. dim. P 13366: 0.105, P 22490: 0.083, ... Ca. 500-490 B.C ... For black glazed palmettes on the rims of red-figured calyx-kraters, see the following: two by the Kleophrades Painter decorated early in his career: Louvre G 48 + New York, M.M.A. 1978.429.1:a--v: there one-half of the rim has horizontal black-glazed palmettes, the other half, upright palmettes in reserve (ARV2 185, 33; Paralip. 340, 33; Addenda 187) and Tarquinia RC 4196, up-and-down palmettes (ARV2 185, 35; Paralip. 340, 35; Addenda 187); two by the Eucharides Painter, both drawn horizontally and also early in his career: Louvre G 47 (ARV2 227, 11; Addenda 199) and Louvre G 163 (ARV2 227, 12; Paralip. 347, 12; Addenda 199). 252 is closest to Louvre G 48. Black palmettes do not seem occur elsewhere on the culs of red-figured calyx-kraters, but they are known from two black-figured examples, both related to the Antimenes Painter: Syracuse, where a single palmette at each handle frames the figured composition (ABV 281, 18) and Louvre F 316 (ABV 281, 19). For the net pattern on the cul, though not reduced to a dot band as on 252, see Copenhagen, N.M. inv. 13365 by the Kleophrades Painter (ARV2 185,32; Paralip. 340, 32; Addenda 187) and Louvre G 47 by the Eucharides Painter; also Louvre CA 5950 (above, sub 249). |
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