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Bowl fragment. Max. dim. 0.035. LIMC IV, 1988, p. 232, no. 337, s.v. Gigantes.
A, Hephaistos(?): in the Gigantomachy(?). The fragment preserves the face of a man with a very long beard, to right, with ... Ca. 490-480 B.C ... : in the Gigantomachy(?). The fragment preserves the face of a man with a very long beard, to right, with a cloak over his outstretched left arm. ... Beazley (ARV2 461, 24) suggested that the subject might be Zeus in the Gigantomachy, presumably because the added red looks like the flames of his thunderbolt. ... Here, the subject is not the Gigantomachy but Psychostasia.
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Lip and bowl fragment. Reserved line on top of rim and on inside.
Max. dim. 0.05.
Warrior (head with low-crested helmet, back, right arm, and part of hand) striding to left, a round shield (device: circle ... Ca. 480 B.C ... The Painter of the Paris Gigantomachy (ARV2 one 275, 16 bis; ARV2 418, 13). |
| From a krater? Black glaze inside. The representation is not clear. Probably, at the top, the thighs of a striding figure, with the edge of a short chiton. Below and at the right, the lower leg and sword ... 20 March 1934 ... For similar poses, see the Amazonomachy and Gigantomachy kraters, as Pfuhl (1923), fig. 510. |
| Dionysos. Fight. Foot race. Fountain scene. Fox. Funeral games. Hermes. Goose. Giant. Gigantomachy. Discus thrower. Heron. Dog. Hippalectryon, youth riding a. Girl. Hismene. Goat. Homecoming. Hopline ... Agora 23 360 ... Gigantomachy |
Sturgeon, Mary C ... American School of Classical Studies at Athens ... The remodeling of the theater at ancient Corinth in the 2nd century A.D. included lavish decorations, the chief of which were three dramatic friezes. In publishing them this book presents the most ambitious ... 1977 ... The friezes the Gigantomachy, the Amazonomachy, and the Labors of Herakles) are presented each in turn with a discussion of its position in Greek art and a stylistic analysis, followed by a catalogue of the pieces arranged as far as possible in the proposed sequence of relief slabs. |
| Gigantomachy. Herakles. Gorgons. Gouge. Graces. Grave monuments. Gravestones. Herculaneum. Herm. Hermaphrodite. Hermathena. Hermeracles. Hermes. Griffin-bird. Hermes Agoraios. Groups. Gymnasia. Altar of ... Agora 11 181 ... Gigantomachy |
Floor fragment with start of stem. Part of surface pitted. Max. dim. 0.082. H. A. Thompson, Hesperia 23, 1954, pl. 15:d.
I, symposiast (head, shoulders, upper part of left arm, both legs from the knee ... Ca. 500 B.C ... For a symposiast with a stick, but not holding it, see Göttingen, no no. by the Antiphon Painter (Paralip. 362, 9 ter; Addenda 218); Berlin 2286 by the Triptolemos Painter (ARV2 365, 59; Addenda 223); two by the Foundry Painter: Kassel T 664 (ARV2 401, 10 bis; Paralip. 370, 10 bis) and Christchurch, N.Z., Univ. of Canterbury 17 (ARV2 403, 34; Paralip. 370, 34); two by the Painter of the Paris Gigantomachy: Toronto 357 (ARV2 419, 34) and Seattle 20.35 (ARV2 420, 62); Munich 2646 by Douris (ARV2 437, 128; Paralip. 375, 128; Addenda 239; Buitron-Oliver, Douris, p. 83, cat. no. 173, pl. 96). |
Sturgeon, Mary C ... American School of Classical Studies at Athens ... At the time of its creation in the Hadrianic period, the Corinth Theater presented the most elaborate form of Roman theater architecture to date; a three-storied columnar facade made of multicolored marble ... 2004 ... However the depiction of Gigantomachy, Amazonomachy, and Herakles scenes on podia and the Greek character of other sculptures around the building made a conscious link to indigenous culture. |
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