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Shoulder and neck fragment. Max. dim. 0.08. Choes and Anthesteria, p. 91, cat. no. 233.
Frieze of upright encircled palmettes and lotuses. Below:
Below, at right break, part of a thick fillet tied around ... Second quarter of the 5th century B.C ... The pattern has a parallel on Munich 2493, a middle work by the Berlin Painter (ARV2 210, 187). |
Fragment of knee end. Max. dim. 0.061.
Woman's head (face) to left, facing a spiral decoration. Preliminary sketch.
For the composition, cf. especially the namepiece of the Painter of Berlin 2624 (ARV2 ... Ca. 430-420 B.C ... For the composition, cf. especially the namepiece of the Painter of Berlin 2624 (ARV2 1225, ---, 1) and one near him, Athens, N.M. 2182 (ARV2 1225, ---, 3). 1645 may be by this painter. |
Wall fragment with start of mouth. Max. dim. 0.062. H. A. Thompson, Hesperia 17, 1948, pl. 66:2.
Man (left hand, legs missing) to right, leaning on a stick, his right hand on his hip. He wears a himation; ... Ca. 500 B.C ... White (flaked): leaves of wreath.
The Painter of Berlin 2268 (ARV1 115, 50); Recalls the Painter of Berlin 2268 (ARV2 158, ---). |
| Two fragments, a) mended from three, b) from five, preserve part of the open end of one side, with the start of the curve at the closed end.
Around the open end, rays; then a laurel band. Around the closed ... 15 March 1937 ... ARV, p. 759, no. 2, near P. of Berlin 2624 ... ARV2, p. 1225, Near the Painter of Berlin 2624, no. 2. |
Wall fragment with start of mouth. Max. dim. 0.04.
Outstretched right hand and tattooed forearm of figure to left. Below, just above the break:
retrograde. Relief contour. Dilute glaze: tattoo. Red:inscription ... Ca. 500 B.C ... For tattoos, see 226.
The Painter of Berlin 2268 (ARV2 157, 81). |
Wall fragment. Glaze pitted in places on outside. Max. dim. 0.076.
Man (lower part of fringed garment, start of legs) pursuing a woman (drapery, right hand about to take hold of a fold) to right. Preliminary ... Ca. 460 B.C ... For the loose tunic without many folds, cf. Berlin 2186 by the Berlin Painter (ARV2 208, 150; Kaempf-Dimitriadou, Liebe der Götter, p. 36, fig. 6); Naples, inv. 81529 = 3139 from the Circle of the Pan Painter (ARV2 560, 3; Addenda 259); two by the Euaion Painter, Frankfurt VF 406 (ARV2 796, 117; Addenda 290) and Athens, N.M. 1586 (ARV2 798, 146; Addenda 290); Basel, Antikenmuseum und Sammlung Ludwig, LU 53, a stamnos attributed by Lullies to the Christie Painter (Kaempf-Dimitriadou, pl. 28:3; Matheson, Polygnotos, p. 373, cat. no. |
Mended with small missing pieces restored in plaster and painted. Lip offset on inside; foot offset on underside. Glaze slightly abraded on handles. H. 0.074; diam. of rim 0.18; W. with handles 0.238; ... Ca. 510-500 B.C ... Kossatz-Deissmann).
The Berlin Painter (ARV2 213, 242; Paralip. 344, 242; Addenda 196). ... Paul Getty Museum and attributed to the Berlin Painter by Frel, sheds a completely new light on the early work of the Berlin Painter, namely, that at times he was directly influenced by Euphronios (M. ... Moore, "The Berlin Painter and Troy," J. |
Fragment of slightly domed lid. Slipped on underside. Max. dim. 0.058.
From knob out: rays in black; below, swan's head and neck (back of klismos); next to it on the right, upper left corner of an object ... Probably mid-5th century B.C ... For rays instead of the more common egg pattern with dots or the zone of tongues around the base of the knob, see Taranto/Reggio, no no. by the Berlin Painter (ARV2 212, 215; Addenda 196); Ferrara 3095 by Hermonax (ARV2 490, 125; Paralip. 379, 125; Addenda 249); and Naples 2638 by the Niobid Painter (ARV2 607, 89; Prange, Niobidenmaler, p. 204, cat. no. |
Pyxis, preserved except for attachment to stem of knob. Chip in rim. Glaze much abraded on underside. P.H. 0.031; diam. 0.071. Roberts, Pyxis, p. 117, cat. no. 3, pl. 72:1.
On concave side, laurel wreath ... Second quarter of the 4th century B.C ... For a similar knob, but for the lid of a pyxis Type B, see Berlin 2518 related by Rhode to the Group of the Drouot Painter (CVA, Berlin 1 [DDR 3], pl. 43 [154]:1). |
Wall fragment. Glaze has a greenish cast on outside near top.
Streaky glaze on inside, partly misfired red. Max. dim. 0.07.
Satyr (beard, left arm, a bit of torso, most of bent right leg with right forearm ... Ca. 500 B.C ... Probably by the Painter of Berlin 2268, who is the only painter to specialize in this type of oinochoe in the late 6th century. There is some resemblance to the figures on these: side A of Vienna 3448 (ARV2 156, 68 bis); Paris Market (ARV2 157, 70); Berlin 2319 (ARV2 157, 78); Providence 25.073 (ARV2 157, 88). |
Floor fragment with stem and fillet. Incised line at top and bottom of fillet. Max. dim. 0.035.
I, satyr: long beard, start of outstretched right arm, part of chest and abdomen, left hand holding the ... Late 6th century B.C ... The position of the satyr's left hand, loosely gripping the shaft of the thyrsos, resembles these, all trumpeters: one by the Bowdoin Eye-Painter, Berlin inv. 3217 (ARV2 168, 15); Louvre G 70 by the Scheurleer Painter (ARV2 169, 6; Paralip. 338, 6; Addenda 183); and Louvre G 73, near both painters, the tondo (ARV2 170, ---). |
Two non-joining rim and neck fragments from each side of the vase. Dull glaze, abraded on rim on b. P.H. a) 0.055, b) 0.053; max. dim. a) 0.096, b) 0.089. Schleiffenbaum, Volutenkrater, p. 323, cat. no ... Probably mid-5th century B.C ... For an earlier example of the lotus-palmette festoon on the neck of a volute-krater, see Louvre G 166 (joining Louvre Cp 10799) by the Berlin Painter (ARV2 206, 129--130; Addenda 194). |
Rim and wall fragment. Glaze misfired slightly in upper right on both inside and outside. Max. dim. 0.092.
Youth (left forearm and hand, both feet missing), perhaps Ganymede, running to right, looking ... Ca. 450 B.C ... If the identification of the subject is correct, Zeus would have been on the other side of the skyphos, a division of the subject similar to the one on Louvre G 175 by the Berlin Painter (ARV2 206, 124; Paralip. 342, 124; Addenda 193) or the unattributed neck-amphora Oxford 1871.84 (LIMC IV, p. 156, no. 20, pl. 77). |
Fragment of flanged handle, the underside indicating the curved surface of the loop. Glaze blistered in a few places. Max. dim. 0.117. Schleiffenbaum, Volutenkrater, p. 324,cat. no. V 204.
On flange, ... Probably mid-5th century B.C ... For spirals on the flange, see Louvre G 166 (joining Louvre Cp 10799) by the Berlin Painter (ARV2 206, 129--130; Addenda 194) and three by the Niobid Painter: Bologna 268 (ARV2 598, 1; Paralip. 394, 1; Addenda 265; Prange, Niobidenmaler, p. 180, cat. no. ... For olive leaves on the back of the handle, see Naples 3240, the namepiece of the Pronomos Painter (ARV2 1336, 1; Paralip. 480, 1; Addenda 365). |
Bowl fragment. Max. dim. 0.032; est. diam. of tondo 0.14. H. A. Thompson, Hesperia 28, 1959, pl. 22:a, c.
I, around tondo, stopped-maeander pattern with cross-squares. A, nude man or youth (from the waist ... Ca. 490-480 B.C ... Dilute glaze: muscles.
The Berlin Painter (ARV2 214, 243). In ARV2, Beazley remarked: "The maeander is not the least like the Berlin Painter's patterns." ... Kurtz (p. 70) in a brief mention of 1419 notes: "Dyfri Williams has recently assigned it [ 1419 ] to the Foundry Painter." This seems to be likely, particularly because the frontal leg does not resemble very closely those by the Berlin Painter. |
Wall fragment with start of base. Greenish glaze on inside. Max. dim. 0.059. H. A. Thompson, Hesperia 6, 1937, p. 13, fig. 6.
Symposion. Outstretched left foot and lower leg of a figure reclining to left ... Ca. 500 B.C ... Relief contour.
The Painter of Berlin 2268 (ARV1 115, 45; ARV2 157, 76). |
Wall fragment from near rim and part of reserved resting surface. Dull brownish glaze. P.H. 0.065; W. 0.086.
A woman wearing a chiton and himation stands to right, holding a mirror in her left hand. Facing ... Ca. 430-420 B.C ... Dilute glaze: folds of chiton.
The Painter of Berlin 2624 (ARV2 one 759, 4; ARV2 1225, ---, 4). |
Floor fragment with stem. Two incised lines to simulate fillet. Max. dim. 0.073.
I, woman (head, both feet missing) seated to right, holding a nude male child (head missing) in her outstretched arms ... Ca. 510-500 B.C ... The lively, but rather rough, drawing bears some similarity to that on two cups by one hand, a painter in the Wider Circle of the Nikosthenes Painter: Boston, M.F.A. 08.30a (ARV2 135 [a]; Addenda 177) and Berlin 1964.4 (ARV2 1700; Paralip. 334; Addenda 177). |
Mended from many fragments, with missing pieces restored in plaster and painted, notable among them the left horizontal handle and part of the wall below it. Glaze fired greenish around left handle; abraded ... Ca. 430 B.C ... Münster, no no. by the Eucharides Painter (K. Stähler, Eine unbekannte Pelike des Eucharides-Malers im Archäologischen Museum der Universität Münster, Cologne 1967, pls. 2, 4:a); Berlin inv. 4496 by Syriskos (ARV2 262, 30; Addenda 205); London Market, attributed to the Methyse Painter (Cat. ... E 719 (ARV2 1560, ---); Naples inv. 126055 by the Persephone Painter (ARV2 1013, 13); Petit Palais 318 by the Barclay Painter (ARV2 1068, 20); Newton, Walston, akin to the Clio Painter (ARV2 1083, 1); Berlin 2393 by the Cassel Painter (ARV2 1085, 33); Athens, Vlasto by the Kleophon Painter (ARV2 1147, 60; Matheson, p. 419, cat. no. ... CURM 2: manner of the Curti Painter).
Manner of the Kleophon Painter (ARV1 788, ---, 2; ARV2 1149, 24). |
Two non-joining fragments, a of wall, b of rim and neck with start of handle zone at far left. Glaze pitted on inside of a. Max. dim. a) 0.077, b) 0.14; W. of rim 0.025; H. of neck 0.063. W. B. Dinsmoor, ... Ca. 480 B.C ... Hektor may have looked something like his counterpart on the volute-krater in London by the Berlin Painter that names the figures (E 468: ARV2 206, 132; Paralip. 343, 132; Addenda 194) or the kalpis in the Vatican, H 545, by the Eucharides Painter (ARV2 229, 38; Paralip. 347, 38; Addenda 199). ... E 165 by the Tyszkiewicz Painter (ARV2 294, 62; Addenda 211). ... The ornament on the side of the mouth and on the upper zone of the neck is best paralleled on two volute-kraters by the Berlin Painter, London, B.M. |
Floor fragment with start of stem. Part of surface pitted. Max. dim. 0.082. H. A. Thompson, Hesperia 23, 1954, pl. 15:d.
I, symposiast (head, shoulders, upper part of left arm, both legs from the knee ... Ca. 500 B.C ... For a symposiast with a stick, but not holding it, see Göttingen, no no. by the Antiphon Painter (Paralip. 362, 9 ter; Addenda 218); Berlin 2286 by the Triptolemos Painter (ARV2 365, 59; Addenda 223); two by the Foundry Painter: Kassel T 664 (ARV2 401, 10 bis; Paralip. 370, 10 bis) and Christchurch, N.Z., Univ. of Canterbury 17 (ARV2 403, 34; Paralip. 370, 34); two by the Painter of the Paris Gigantomachy: Toronto 357 (ARV2 419, 34) and Seattle 20.35 (ARV2 420, 62); Munich 2646 by Douris (ARV2 437, 128; Paralip. 375, 128; Addenda 239; Buitron-Oliver, Douris, p. 83, cat. no. 173, pl. 96). |
Bowl fragment. Max. dim. 0.082; est. diam. of tondo 0.16.
I, jockey (head with long hair streaming behind him; shoulder) to right. Around tondo, stopped-maeander pattern. A, horse race. At the left, one ... Ca. 470-460 B.C ... Not enough remains of 1429 to offer a firm attribution, but the character of the horses recalls those on three cups by the Pistoxenos Painter: Berlin inv. 4982.19 (ARV2 860, 5; CVA, Berlin 3 [Deutschland 22], pl. 104 [1033]); Louvre G 108 (ARV2 860, 9; Addenda 298); Louvre C 235 (ARV2 862, 24). |
Three non-joining fragments, a and b of wall with turn of shoulder, c of neck. Burned (clay is gray). Max. dim. a) 0.032, b) 0.051, c) 0.048.
Fragment a (illustrated) preserves (on the shoulder) the feet ... Probably third quarter of the 5th century B.C ... To the list compiled by Oakley (Phiale Painter, p. 53, note 361), add: Body with figures. Manner of the Berlin Painter(?), once London Market (Cat. ... Uncertain if body decorated or black: Paros 96, probably by the Phiale Painter (AA 1995, p. 499, cat. no. 7). |
| From the shoulder of a large vase, the neck (of which the start is preserved at the top of the fragment) glazed inside, but not the body. The shoulder is nearly horizontal with a sharp downward curve at ... 490-480? ... Perhaps from an amphora of Panathenaic shape, like those of the Berlin painter: Cf. |
Wall fragment with a little of projecting rim. Glaze misfired reddish brown in places on outside; a bit greenish on inside. Max. dim. 0.074.
Fight(?). The fragment preserves the raised, bent right arm ... Ca. 510-500 B.C ... For ivy on the rim, the closest parallels appear on the rims of these four calyx-kraters: Villa Giulia, no no. by Epiktetos (ARV2 77, 90; Addenda 169); Copenhagen, N.M. 126 by the Troilos Painter (ARV2 297, 11; Addenda 211); Louvre CA 5950, which may be by Psiax (p. 27, note 2 and p. 88, note 6 above); and Lecce, inv. 610 (CVA, Lecce 1 [Italia 4] pl. 10 [161]:1, 2). ... Other more ornamental examples are Berlin 2180 by Euphronios (ARV2 13, 1; Paralip. 321, 1; Addenda 152; Euphronios, cat. no. 1); St. ... For an encircled palmette-and-lotus configuration at the handle, see Louvre G 48 + New York, M.M.A. 1978.429.1:a--v by the Kleophrades Painter (ARV2 185, 33; Paralip. 340, 33; Addenda 187) and Basel, Cahn H.C. 537 by the Berlin Painter (Paralip. 344, 116 bis; Addenda 193); Louvre CA 5950; London Market (Cat. |
Wall fragment with start of rim. Narrow reserved band on inside near top. Max. dim. 0.044.
Wreathed head of man emerging from between a pair of wings. Preliminary sketch. Relief contour: profile. White ... Third quarter of the 5th century B.C ... The identity of the figure is puzzling because the presence of the beard rules out the usual characters who appear in a winged context, namely Triptolemos and Hyacinth, also Bellerophon and, occasionally, Apollo (for the latter, see the namepiece of the Painter of Vienna 202, in which the god rides a griffin: ARV2 1523, 1; Addenda 385). A possibility for the figure on 346 is Hephaistos, who appears on a winged throne in the tondo of Berlin 2273 by the Ambrosios Painter (ARV2 174, 31; Addenda 184) and in the tondo of a contemporary unattributed cup, Florence 81600 (LIMC IV, 1988, p. 633, no. 44, pl. 388, s.v. |
Wall fragment. Max. dim. 0.096.
The fragment preserves the lower right leg, shown frontally, of someone wearing Thracian boots with fur tops, and moving to right, because in the lower right there is the ... Ca. 460-450 B.C ... P 23, pl. 51); Ferrara 26902 = T.1039 by the Eretria Painter (ARV2 1252, 51; Paralip. 469, 51; Lezzi-Hafter, Eretria-Maler, p. 314, cat. no. 25, pl. 20). ... E 439, compared with the Hephaisteion Painter (ARV2 298; Addenda 211); Boston, M.F.A. 00.342 by the Blenheim Painter (ARV2 598, 4; Addenda 265). ... Thamyras: two by the Phiale Painter, Vatican 16549 (ARV2 1020, 92; Paralip. 441, 92; Addenda 316; Oakley, Phiale Painter, p. 81, cat. no. 92, pls. 72:a, 73:b) and Naples 81531 = 3143 (ARV2 1020, 93; Addenda 316; Oakley, p. 81, cat. no. 93, pls. 72:b, 73:c). |
Lid fragment with part of rim, unglazed on underside. Inside and outside of rim glazed. Burned (clay is gray). Max. dim. 0.075; est. diam. 0.10.
On top side, encircled palmettes.
Encircled palmettes ... Ca. 460 B.C ... Encircled palmettes sideways on the top side of the lid of a pyxis Type A are chiefly known from pyxides of the Class of Berlin 3308, a mid-5th-century class put together by Roberts (Pyxis, pp. 95--103). Elsewhere: Athens, N.M. 1708 by the Amphitrite Painter (ARV2 833, 46; Addenda 295); Vienna 3719 (CVA, Vienna 1 [Österreich 1], pl. 48 [48]:8); 1007. 1006 seems closest to Athens, N.M. 1708. |
Shoulder fragment. Background glaze fired gray. Max. dim. 0.058.
Youth (filleted head) to right. In front of him, the top of an unintelligible object. Behind him, at the break, the end of a contour line ... Ca. 470 B.C ... For hanging lotus buds above the figures, a rather rare ornament in this area, see Kassel 78La, ex Basel Market by the Nikoxenos Painter (Auktion 51. ... Kunstwerke der Antike. 14.15 März, 1975, no. 152; Lissarrague, The Aesthetics of the Greek Banquet: Images of Wine and Ritual,
Princeton 1990, p. 97, fig. 78); these by the Leningrad Painter: Milan, Torno H.A., C 278 (ARV2 571, 73; Paralip. 390, 73; Addenda 261); Boston, M.F.A. 03.788 (ARV2 571, 75; Paralip. 390, 75; Addenda 261); Warsaw 142290 (ARV2 571, 76; Paralip. 390, 76; for actual examples of the supports in the picture on this vase, see S. ... Much later is one by the Nausicaa Painter, Berlin inv. 30928 (ARV2 1109, 38; Paralip. 452, 38; Addenda 330). |
Two non-joining fragments, a of wall with start of return, b of handle, round in section. Thin glaze on inside of a. Surface pitted. Max. dim. a) 0.059, b) 0.115. Prange, Niobidenmaler, p. 216, cat. no ... Ca. 450-440 B.C ... Perhaps similar in composition to that on side A of a pelike in the manner of the Niobid Painter once in the Athens Market (ARV2 610, 25), now in a Berlin private collection (Paralip. 396, 25; Addenda 268; Prange, Niobidenmaler, p. 213, cat. no. ... This is an odd gesture that I have not been able to parallel with a figure wearing a petasos, but compare the warrior on a lekythos by the Terpaulos Painter who puts his hand to the visor of his helmet (Agrigento 23: ARV2 308, 5; Paralip. 357, 5; Addenda 212).
Manner of the Niobid Painter (ARV1 960, 27 bis; ARV2 612, 45). |
Wall fragment. Max. dim. 0.074. H. A. Thompson, Hesperia 21, 1952, pl. 31:d; Agora XXVII, p. 171, cat. no. 39, pl. 35.
Maenad (lower part of face, front of body, start of left thigh, arms) standing to ... Ca. 430 B.C ... Attributed to the Dinos Painter in Addenda and Corrigenda, p. 1131, 35 to ARV1 789--792; not in ARV2. Probably by the Dinos Painter. These are the best parallels: the maenad holding the tray on Berlin 2402 (ARV2 1152, 3; Addenda 336; Matheson, Polygnotos, p. 381, cat. no. |
Fragment of outturned mouth and wall. Glaze abraded on rim. Reserved line on inside at junction of mouth and body. Est. diam. of mouth 0.12; P.H. 0.05. H. A. Thompson, Hesperia 17, 1948, pp. 185--186, ... Ca. 500 B.C ... For the ostracism of Kallixenos, see 167.
The Painter of Berlin 2268 (ARV2 157, 82). |
Bowl fragment. Max. dim. 0.035. LIMC IV, 1988, p. 232, no. 337, s.v. Gigantes.
A, Hephaistos(?): in the Gigantomachy(?). The fragment preserves the face of a man with a very long beard, to right, with ... Ca. 490-480 B.C ... A good example, contemporary with 1424, is Hephaistos in the big Gigantomachy on Berlin 2293 by the Brygos Painter (ARV2 370, 10; Paralip. 365, 10 and 367, 10; Addenda 224). ... Méd. 385 by the Kleophrades Painter (ARV2 186, 50; Addenda 188). |
Wall fragment from lower part. P.H. 0.209; P.W. 0.155.
Warriors (part of legs of each): lower part of short chiton and round shield (seen in three-quarter view) of left, part of chlamys of right, who ... Ca. 400 B.C ... Preliminary sketch.
90 is best compared with the large loutrophoros Athens (ex Schliemann)--Berlin 3209, published by G. ... Beazley, in an oral communication reported by Bakalakis (AK 14, 1971, p. 76), saw the stylistic relationship with the Talos Painter, and Bakalakis (p. 77) pointed to specific details on the namepiece and on 388. Cf. also Amsterdam inv. 2474, a fragmentary loutrophoros by the Talos Painter (ARV2 1339, 4; Addenda 367).
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Shoulder fragment with part of ring at junction with neck. Max. dim. 0.095.
Woman (head with hair tied up with fillets) to left before a loutrophoros-hydria (mouth, start of vertical handle, top of neck) ... Ca. 450 B.C ... Hydria type: Houston 37.10 by the Pan Painter (ARV2 554, 79; Addenda 258); London, B.M. GR 1931.1--14.3 by the Washing Painter (ARV2 1127, 9); Eleusis 635 by the Painter of the Naples Hydriskai (ARV2 1266, 1); Athens, N.M. 12540, near the Eretria Painter (ARV2 1256, 11; Oakley and Sinos, Wedding . . . ... Near the Boreas Painter (ARV2 540, 6). |
Fragment of shoulder and neck. Thin, brownish black glaze on inside. Max. dim. 0.076. Choes and Anthesteria, p. 86, cat. no. 203, fig. 309 (now augmented).
Boy (legs missing) riding a fawn (top of head ... Late 5th century B.C ... For the subject, see Athens, N.M. 1736, which may be an imitation of the Eretria Painter (ARV2 1258, ---; Addenda 355); two unattributed examples in Berlin, 2419 (Choes and Anthesteria, p. 104, cat. no. 317, fig. 307) and 3242 (p. 106, cat. no. 339, fig. 310). |
Two non-joining fragments, a with torus rim, b from near knee end with part of curve and reserved resting surface. P.L. a) 0.08, b) 0.14; P.W. a) 0.14.
Fragment b (illustrated) shows, on the far left, ... Ca. 430-420 B.C ... Near the Painter of Berlin 2624 (ARV2 one 759, 2; ARV2 1225, ---, 2). |
Two non-joining body fragments, a strengthened with plaster and painted. Start of handle at far left of fragment a. Good glaze, slightly brownish on b. P.H. a) 0.18, b) 0.112; max. dim. a) 0.223, b) 0.162 ... Ca. 470 B.C ... Munich 2343 by the Alkimachos Painter (ARV2 531, 27).
For an amphora with somewhat similar decoration, see the pair carried by Herakles on Berlin 4027 by the Pan Painter (ARV2 551, 5); the horizontal lines on the fishermen's baskets on Vienna 3727 also by the Pan Painter (ARV2 555, 88; Addenda 258) and the stripes on the baskets held by the man on the Pig Painter's namepiece, Cambridge 9.17 (ARV2 564, 27; Addenda 260).
Probably by a painter from the group of Earlier Mannerists. |
Wall fragment from bottom of figured decoration. Max. dim. 0.095.
Chimaera (chest, shoulder, most of forelegs, start of belly) to left. Below, stopped-maeander pattern with checkerboard-squares. Preliminary ... Probably early 4th century ... For full representations, see Genoa 1911.163 near the Pronomos Painter (ARV2 1337, 6; Addenda 366); Naples 3243 from the Budapest Group (ARV2 1439, 2); and an unattributed calyx-krater, Lecce 4530 (MarbWPr 1952--1954, pl. 2). The Chimaera on 445 is closest to the one on a fragmentary Faliscan calyx-krater, Berlin inv. 4542 (JdI 71, 1956, p. 68, fig. 11). |
P 134 andThree non-joining wall fragments, P 5110 a with roots of one handle. Glaze flaked in many places; fired brown on much of inside. P.H. of P 5110 a) 0.185; P.W. 0.29; max. dim. P 134: 0.184, P 5110 ... Third quarter of the 5th century B.C ... For a good parallel, see Munich inv. 8738 by the Berlin Painter (ARV2 209, 161; Paralip. 343, 161; Addenda 195). |
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