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Lip and bowl fragment. Reserved line on top of rim. Max. dim. 0.041.
A, youth (head) to right, muffled in his cloak. In front of him is a large, curved, reserved area with a thin contour strip, probably ... Ca. 470 B.C ... For a similar shield, see Basel, Antikenmuseum und Sammlung Ludwig Kä 415 by the Tarquinia Painter (ARV2 868, 45; Paralip. 426, 45; Addenda 299).
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Floor fragment. Max. dim. 0.055; est. outer diam. of tondo 0.13.
I, man (head) to left. Behind him:
retrograde. Around the tondo, stopped-maeander pattern. A, warrior or Amazon (short chiton, right ... Ca. 470 B.C ... For the ear, cf. the runner in the tondo of Basel, Antikenmuseum und Sammlung Ludwig, Kä 415 (ARV2 868, 45; Paralip. 426, 45; Addenda 299). |
Wall fragment. Glaze pitted in places on outside. Max. dim. 0.076.
Man (lower part of fringed garment, start of legs) pursuing a woman (drapery, right hand about to take hold of a fold) to right. Preliminary ... Ca. 460 B.C ... Berlin 2186 by the Berlin Painter (ARV2 208, 150; Kaempf-Dimitriadou, Liebe der Götter, p. 36, fig. 6); Naples, inv. 81529 = 3139 from the Circle of the Pan Painter (ARV2 560, 3; Addenda 259); two by the Euaion Painter, Frankfurt VF 406 (ARV2 796, 117; Addenda 290) and Athens, N.M. 1586 (ARV2 798, 146; Addenda 290); Basel, Antikenmuseum und Sammlung Ludwig, LU 53, a stamnos attributed by Lullies to the Christie Painter (Kaempf-Dimitriadou, pl. 28:3; Matheson, Polygnotos, p. 373, cat. no. |
Rim fragment. Narrow reserved band on inside at rim. Max. dim. 0.097.
Below rim, egg pattern with dots on fascia; then a concave molding decorated with a ribbon pattern with dots in the interstices.
... Ca. 440 B.C ... For the ribbon pattern, not common on the rims of bell-kraters, see Villa Giulia 50590 by the Hischylos Painter (ARV2 162, 5; Addenda 182); Argos, C 909 by Hermonax (ARV2 485, 23; Addenda 248); Oxford 1954.246, probably by the Painter of the Woolly Satyrs (ARV2 614, ---, 2); Boston, M.F.A. 10.215 by the Chicago Painter (ARV2 629, 20); two by the Barclay Painter: Louvre A 488 (ARV2 1067, 2) and Basel, Antikenmuseum und Sammlung Ludwig, Kä 404 (ARV2 1067, 2 bis; 1681; Paralip. 447, 2 bis; Addenda 325; CVA, Basel 3 [Schweiz 7], pl. 12 [324]:1,2); Syracuse 22886 by the Eupolis Painter (ARV2 1073, 3); four unattributed examples: from Olynthos inv. 8.56 (Robinson, Olynthos V, pl. 65:110), Louvre G 485 (CVA, 5 [France 8], pl. 32 [373]:1, 3, 4, 6), Delos, no no. |
Fragment of cul with start of handle at far right. Glaze much pitted. Max. dim. 0.087.
Chain of double lotuses and encircled palmettes.
For this pattern on the culs of other calyx-kraters, see 270 ... Ca. 450 B.C ... N 1) and Ferrara 2652 = T.740 (ARV2 599, 6; Paralip. 394, 6; Addenda 266; CVA, Ferrara 1, [Italia 37], pl. 7 [1651]:1; Prange, p. 181, cat. no. N 7); Basel, Antikenmuseum und Sammlung Ludwig, BS 486 by the Painter of Bologna 279 (ARV2 612, 2; Addenda 268; CVA, Basel 3 [Schweiz 7], pl. 3 [315]; Prange, p. 217, cat. no. |
| Athens, once private. Beaulieu-sur-Mer, Villa Grecque. Athens, National Museum, Akropolis Collection, 471. Athens, National Museum, Akropolis Collection, 1296. Athens, National Museum, Akropolis Collection, ... Agora 23 373 ... Basel, Antikenmuseum und Sammlung ... Basel, Antikenmuseum und Sammlung, B.S. 405 ... Basel, Antikenmuseum und Sammlung, 421 |
Five non-joining fragments, d of floor with ring base, a of body with start of neck, the rest, body fragments. Glazed black on inside, streaked in places. Max. dim. a) 0.129, b) 0.057, c) 0.11, e) 0.063; ... Ca. 410-400 B.C ... /10 1605 = E 120 is now published in CVA, Tübingen 4 [Deutschland 52], pl. 36 [2553]: there Böhr (p. 83) adds a further example of the pattern, an oinochoe in Basel, Antikenmuseum und Sammlung Ludwig BS 407 (ARV2 1688, 12 bis; Paralip. 469, 12 bis; CVA, Basel 3 [Schweiz 7], pl. 42 [354]:3, 4; Lezzi-Hafter, Eretria-Maler, p. 338, cat. no. 212, pl. 134; Addenda 354).
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Six non-joining fragments, a of rim, neck, shoulder, and start of one handle column, b + d of shoulder with swelling for handle root and part of wall, c, f, and g of wall. Glaze dull in places on outside; ... Ca. 480 B.C ... There are not very many red-figured examples of satyrs making wine, and 173 seems to be one of the earliest, preceded slightly by the scene on a bell-krater in Basel, Antikenmuseum und Sammlung Ludwig, BS 482, attributed to the Kleophrades Painter (ARV2 1632, 49 bis; Addenda 188; CVA, Basel 3 [Schweiz 7], pl. 11 [323]:2, 4); 173 seems to be the only example in which there are four satyrs by themselves. ... The one on 173 is clearly set inside another vessel and presumably should be thought of as having a sieve in the bottom (for such a vessel with a strainer or shallow dish set into it, but without a satyr standing in it, see Basel, Antikenmuseum und Sammlung Ludwig, Kä 420 by the Amasis Painter: Paralip. 65; Addenda 43). |
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