|
|
| a) Preserves the upper part, with part of the head, of a bearded male figure, draped, facing left. His left arm, held acros his body, holds a slender staff-like object. Behind this, the edge of the panel, ... March 1936 ... Paralip., p. 65, p. 688, Amasis painter. |
| Two non-joining fragments from the same panel of a round-bodied closed pot.
a) The upper body of a maenad, left. In front of her, a bit of another figure and a garland. The panel is framed by a single ... March 1936 ... Paralip., p. 65, p. 688, Amasis painter. |
Moderately high ring foot; vertical handle at top of shoulder.
The characteristic shape for the later second and the third quarters of the 6th century, although other examples show variations in the height ... Context ca. 575-550 B.C ... Cf., e.g., found with an alabastron by the Amasis painter, P 14047 Q 18:1-POU Hesperia, VIII, 1939, p. 257, fig. 13, 5. |
| Fragment a) made from three fragments: lower part of woman, in chiton and himation, left; facing her, seen in three-quarters view, Hermes, lower part preserved. Behind Hermes, at the upper left corner ... 26 May 1954 ... Black figure amphora BM, CVA, pl. 38, 1a by the Amasis painter, Zeus, Hera wedding); or Apotheosis of Herakles (e.g. black figure amphora BM, CVA, pl. 40, 1b). |
| Mended from many pieces; profile almost complete. Missing: most of mouth, of back and of foot, handle and much of the front.
Panel: above, palmettes and lotus flower band; below and at the sides a glaze ... 13 March 1955 ... By the Amasis painter in his middle period (540-530 B.C.). |
| Fragmentary; restored in plaster. Missing, the lower part of the handle and its attachment, about half the rim and much of the walls. The figured panel is not set square with the handle, but begins close ... 8 October 1932 ... III, 28. (Amasis painter, middle to third quarter of 6th. c.). |
Six non-joining fragments, a of rim, neck, shoulder, and start of one handle column, b + d of shoulder with swelling for handle root and part of wall, c, f, and g of wall. Glaze dull in places on outside; ... Ca. 480 B.C ... Usually, Dionysos is present, as in the scene by the Cleveland Painter in New York (M.M.A. 41.162.10: ARV2 516, 4; Paralip. 382, 4; Addenda 253) or there may be three satyrs by themselves (e.g., Lecce 602 by the Leningrad Painter: ARV2 569, 39; Paralip. 390, 39; Addenda 261).
173 presents a number of problems concerning interpretation of details. ... The one on 173 is clearly set inside another vessel and presumably should be thought of as having a sieve in the bottom (for such a vessel with a strainer or shallow dish set into it, but without a satyr standing in it, see Basel, Antikenmuseum und Sammlung Ludwig, Kä 420 by the Amasis Painter: Paralip. 65; Addenda 43). ... The Flying Angel Painter (ARV 1 184, 25; ARV2 281, 30). |
|
|
