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| ARV² 142, 7. ARV¹ 116, 18. ARV² 140, 54. Other. E. Vanderpool, Hesperia 15, 1946, p. 280, cat. no. 37, pl. 29. E. Vanderpool, Hesperia 15, 1946, p. 288, cat. no. 60, pl. 37. ARV¹ 117, 23. ARV² 140, 37 ... Agora 30 344 P 1310 P 2800 P 5293 P 13362 P 2618 P 16821 P 20389 P 6636 P 2736 G 6:3 G 13:1 A 18-19:1 E 15:6 ... 510 B.C ... Vanderpool, Hesperia 15, 1946, p. 280, cat. no. 37, pl. 29 ... Addenda and Corrigenda, p. 1952 ... Addenda 177 |
Floor fragment with start of stem. Incised line on stem. Part of the glaze misfired to a reddish brown. Max. dim. 0.075; est. diam. of tondo 0.09. E. Vanderpool, Hesperia 15, 1946, p. 284, cat. no. 49, ... Ca. 510-500 B.C ... Vanderpool, Hesperia 15, 1946, p. 284, cat. no. 49, pl. 31:49.
... Relief contour.
In Addenda and Corrigenda, p. 1952, to ARV2 one 116--117, Beazley says that 1587 "recalls the Pithos Painter and his Circle"; not in ARV2. |
Wall fragment. Max. dim. 0.074. H. A. Thompson, Hesperia 21, 1952, pl. 31:d; Agora XXVII, p. 171, cat. no. 39, pl. 35.
Maenad (lower part of face, front of body, start of left thigh, arms) standing to ... Ca. 430 B.C ... Thompson, Hesperia 21, 1952, pl. 31:d; Agora XXVII, p. 171, cat. no. 39, pl. 35.
... Attributed to the Dinos Painter in Addenda and Corrigenda, p. 1131, 35 to ARV1 789--792; not in ARV2. ... These are the best parallels: the maenad holding the tray on Berlin 2402 (ARV2 1152, 3; Addenda 336; Matheson, Polygnotos, p. 381, cat. no. |
Floor fragment with stem and start of foot. Small area of greenish glaze on outside that may come from stacking in the kiln. P.H. 0.04; max. dim. 0.075; est. diam. of tondo 0.10.
I, archer (arms, body, ... Ca. 510-500 B.C ... In CB ii, p. 28, Beazley includes 1517 in his list of archers who test an arrow by looking along it. What remains of the archer's arms on 1517 suggests that they were positioned somewhat like those of the standing archer in the tondo of Boston, M.F.A. 10.207 by Onesimos (ARV2 321, 21; Addenda 215). This cup also demonstrates how the archer of 1517 held his bow, for it is clear that it is suspended from his left forearm.
In Addenda and Corrigenda, p. 1952, to ARV2 one 116--117, Beazley says that 1517 "looks like a superior work of the Pithos Painter"; not in ARV2. |
| Pit. Matheson, p. 454, cat. no. PGU 45. ARV² 1053, 37. Well. fig. 28. ARV² 1613. ARV² 258, 26. Addenda 204. Reeder, Pandora, pp. 408-409, cat. no. 134. H. Meyer, Media und die Peliaden: Eine attische Novella ... Agora 30 219 P 23490 P 12492 P 6193 P 19433 P 21526 P 20296 P 21697 J 15:2 P 8:5 C 19:8 O 7:10 ... 440-430 B.C ... Matheson, p. 454, cat. no. ... Addenda 204 ... Addenda and Corrigenda, p. 1131, 35 |
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