Addenda 255-256 - ASCSA.net Search

Show

Objects (3)

View as

List

Icons

Table

Map

Results per page

4 | 8 | 20 | 40 | 100

Provide feedback

Anything not working? Typos? Let us know.

[Agora Publication Page] Agora 30, s. 194, p. 175

ARV² 185, 32. Paralip. 340, 32. Addenda 187. Well. Ostraka. Agora 27, p. 167, cat. no. 3, pl. 31. Ashmead, Hesperia 35, 1966, pl. 9. G. Neumann, Gesten und Gebärden in der griechischen Kunst, Berlin, 1965, ... Agora 30 175 P 6103 P 18278 P 19582 P 24280 P 20244 P 17211 E 15:6 A 18-19:1 ... 500-490 B.C.

[Agora Object] I 6058: Marble Fragment: Prytany List

Inscribed fragment. Broken top, bottom, and left side. Ten lines of the inscription preserved. Pentelic marble. ADDENDA Probably belongs with I 432; no join. Cf. Hesperia Suppl. 1 (1937), p. 100, no ... 199/8-189/8 B.C.

[Agora Publication Page] Agora 30, s. 124, p. 105

Early Classical Painters of Large Pots; The Pan Painter. AK 19, 1976, pl. 15. Addenda 256. Esposito and de Tommaso, Vasi attici, p. 63, fig. 96. B. Ashmole, Architect and Sculptor in Classical Greece, ... Agora 30 105 P 30013 P 30014 ... Addenda 256 ... Addenda 255-256 ... Addenda 255

[Agora Publication Page] Agora 30, s. 181, p. 162

Floor. ARV² 545, 1. ARV² 536, 5. Addenda 255. ARV² 537, 9. ARV² 541, 4. ARV² 541, 8. Pit. ARV² 541, 1. Paralip. 385, 1. Addenda 256. Fill. ARV² 541, 2. ARV² 542, 22. ARV² 542, 26. ARV² 542, 29. ARV² 543, ... Agora 30 162 P 27686 P 17532 P 19130 P 19150 P 19447 P 24831 P 1463 P 14:3 J 18:3 C 18:4 N 10:1 ... 470-460 B.C ... Addenda 255 ... Addenda 256 ... Addenda 250

[Agora Publication Page] Agora 30, s. 87, p. 68

Cups; Type B. J.-G. Szilagyi, Bulletin des musées hongrois 28, 1996 [pp. 13-29], p. 22. Bloesch, FAS, pp. 12-16. Cohen, Attic Bilingual Vases, p. 247: C 6. B. Cohen, Greek Vases in the J. Paul Getty Museum ... Agora 30 68 ... Addenda 167 ... ABV 255, 7 ... ABV 256, 21

[Agora Publication Page] Agora 30, s. 41, p. 22

ARV² 541, 1. Paralip. 449, 33 bis. Addenda 328. Paralip. 385, 1. Addenda 256. Esposito and de Tommaso, Vasi attic, p. 63, cat. no. 96. ARV² 576, 33. CVA, Vienna 2 [Österreich 2], pl. 93 [93]:5. Addenda ... Agora 30 22 ... Addenda 328 ... Addenda 256 ... Addenda 255

[Agora Publication Page] Agora 30, s. 102, p. 83

J. Boardman, Archaic Greek Gems: Schools and Artists in the Sixth and Early Fifth Centuries B.C., Evanston 1968, p. 94, cat. no. 254, pl. 17. ABV 256, 14. Paralip. 113, 14. Addenda 66. Beazley, Development, ... Agora 30 83 ... ABV 256, 14 ... Addenda 66 ... ABV 255, 4

[Agora Publication Page] Agora 30, s. 155, p. 136

ARV² 1154, 38. JdI 102, 1987, p. 69, fig. 5. Matheson, Polygnotos, p. 389, cat. no. D 43. ARV² 540, 4. Addenda 256. Scheiber, JdI 102, 1987, pp. 57-118, p. 75. ARV² 511, 5. Paralip. 382, 5. Addenda 252 ... Agora 30 136 P 3032 P 12374 P 21403 P 7912 P 26249 P 23834 P 27777 H 12:6 N 7:3 E 6:3 Q 15:2 ... 440-430 B.C ... Addenda 256 ... Addenda 252 ... Addenda 255

[Agora Publication Page] Agora 30, s. 60, p. 41

Oinochoai; Shape 3; Chous. J.R. Green, Choes of the Later Fifth Century, BSA 66, 1971, pp. 189-228. ARV² 689, 256. ARV² 689, 257. ARV² 606, 83. Paralip. 267. Prange, Niobidenmaler, p. 202, cat. no. N 104, ... Agora 30 41 ... ARV² 689, 256 ... Addenda 174 ... Addenda 196

[Agora Object] Agora XXX, no. 183

Wall fragment. Glaze thin in places on outside. Max. dim. 0.113. A, male pursuing a woman. Parts of three figures remain: at the left, a bit of the himation and chiton, and left foot of a woman running ... Ca. 460 B.C ... For a good comparison, see a stamnos attributed to the Painter of the Birth of Athena, Kassel, Alg. 59 (ARV2 495, 8; Addenda 250). For the subject, see LIMC I, 1981, pp. 367--371, s.v. ... The border of esses for the bottom of the woman's chiton is a distinctive pattern that appears in the work of both painters: the Boreas Painter: New York, M.M.A. 96.19.1 (ARV2 536, 5; Addenda 255) and Munich 2375 (ARV2 537, 9; Addenda 255); the Florence Painter: Syracuse 21189 (ARV2 541, 4) and Louvre G 360 (ARV2 541, 8). What remains on 183 suggests an ambitious composition, with considerable overlapping of the figures and hence seems a bit closer to the Boreas Painter than to the Florence Painter, who, except for the Centauromachy on his namepiece (Florence 81268 = 3997: ARV2 541, 1; Paralip. 385, 1; Addenda 256), tends to prefer quieter and simpler compositions.

[Agora Object] Agora XXX, no. 10

Four non-joining wall fragments, a and d with start of neck. Thin reddish glaze on inside. Glaze thin in places. Max. dim. a) 0.08, b) 0.17, c) 0.06, d) 0.065. C. Boulter, Hesperia 22, 1953, pl. 22:2; ... Ca. 450 B.C ... For a parallel (but with the figures reversed), see each side of Louvre CA 1852, an amphora Type B near the Boreas Painter (ARV2 540, 4; Addenda 256). The two amphorae on this vase are without decoration. ... on Ferrara 2739 = T.749 by the Boreas Painter (ARV2 536, 1; Paralip. 384, ---, 1; Addenda 255). Not from the same amphora as 11 or 12: the glaze on the outside of 10 is duller than on 11; on the inside it is reddish; the hearts of the palmettes are differently treated.