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Wall fragment. Max. dim. 0.096.
The fragment preserves the lower right leg, shown frontally, of someone wearing Thracian boots with fur tops, and moving to right, because in the lower right there is the ... Ca. 460-450 B.C. |
Floor fragment with start of stem. Incised line on stem. Max. dim. 0.057.
I, nude male (part of left side of torso, legs except for calves and feet) bending forward about to lift a pointed amphora (lower ... Ca. 520-510 B.C. |
Wall fragment. Glaze pitted in places on outside. Max. dim. 0.076.
Man (lower part of fringed garment, start of legs) pursuing a woman (drapery, right hand about to take hold of a fold) to right. Preliminary ... Ca. 460 B.C. |
| Most of rim and one handle preserved; little of floor. Offset rim. Of the medallion, framed by a single reserved line, remains only, at left, a heel, right, and the end of a staff(?); at right, an aryballos, ... 28 May 1936 ... Kilmer (1993), pp. 16, 19, 238, pl. R 31 ... ARV, p. 19, no. 7 ... ARV2, p. 20. |
| Early Red-Figure Cup Painters; Other early Red-Figured Painters. ARV² 129, 21. ARV2 131, 21. Addenda 176. Addenda 179-180. ARV² 139, top, and 139-141. Paralip. 334-335. Addenda 178. ARV² 153-158. Paralip ... Agora 30 91 ... ARV2 131, 21 ... ARV² 143, 19 ... ARV² 146-153 |
| ABV 146, 20. Addenda 41. A-P 1044. ARV2 145, 19. Paralip. 60, 19. Addenda 40. Immerwahr, Attic Script, pp. 32-36. Cohen, Attic Bilingual Vases, pp. 3-4. Cohen, Attic Bilingual Vases, pp. 105-117, esp ... Agora 30 82 ... ABV 146, 20 ... ARV2 145, 19 ... Paralip. 60, 19 |
| H. Hinkel, Der giessener Kelchkrater, Giessen 1967, pp. 38-67. D. von Bothmer, AA, 1976 [pp. 485-512], p. 488-489. Euphronios, cat. no. 1. ARV² 14, 2. Paralip. 322, 2. Tiverios, Περίκλεια, pp. 59-80. Addenda ... Agora 30 27 ... ARV2 146, 19 ... Paralip. 60, 19 |
Fifteen non-joining fragments of wall, P 18278 b--c and P 19582 a--d of torus rim with zone of ornament below. Glaze mottled here and there; has a greenish cast in places; abraded in part on rim. Max ... Ca. 480 B.C ... Occasionally, the Mission Scene is combined with a representation of the leading away of Briseis, as on the Louvre skyphos by Makron (G 146: ARV2 458, 2; Paralip. 377, 2; Addenda 243; Denoyelle, Chefs-d'oeuvre . . . ... (Iris wears a similar headdress on Munich 2426: ARV2 189, 76; Paralip. 341, 76; Addenda 189.) ... The Kleophrades Painter (ARV2 185, 39; Paralip. 340, 39). |
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