|
|
| A single fragment, mended from nine pieces, from just below the shoulder. At the top, a wreath of small leaves, with berries between the leaves. Parts of four figures preserved; left to right: the bride ... 16-19 March 1935 |
| Ostraka. ARV² 248, 2. Addenda 202. ARV² 1639, to p. 249, 3. ARV² 249, 3. Addenda 203. ARV² 250, 16. ARV² 241, 59. ARV² 241, 61. ARV¹ 172, 3. ARV² 241, 53. ARV² 241, 52. Paralip. 349, 52. Well. ARV¹ 172, ... Agora 30 163 P 7244 P 11025 P 7250 P 10578 P 16819 P 7242 D 7:2 D 15:1 G 13:1 ... 500-490 B.C ... ARV² 1639, to p. 249, 3 ... ARV² 249, 3 ... ARV¹ 172, 3 |
| Bell-Kraters; Type 2; Bell-Kraters with Handles. ARV² 1055, 74. Matheson, Polygnotos, p. 463, cat. no. PGU 85. ARV² 496, 5. Addenda 250. ARV² 1055, 73. Matheson, Polygnotos, p. 462, cat. no. PGU 84. ARV² ... Agora 30 32 ... ARV² 1055, 74 ... ARV² 496, 5 ... ARV² 260, 3 |
| Other. Nakayama, Lekythen, p. 275. Ostraka. Pit. H.A. Thompson, Hesperia 17, 1948, pl. 67:3. ARV² 698, 47. Burial. H.A. Thompson, Hesperia 24, 1955, p. 218, cat. no. 39, pl. 77. ARV² 279, 9. Well. ARV² ... Agora 30 260 P 24837 P 17601 P 3935 P 3932 P 21266 P 2064 P 15960 P 3928 P 6504 P 24834 N 10:1 A 18-19:1 K 14:1 J 7:3 F 19:4 E 13:1 ... Late 5th B.C. |
| D. Paquette, L'instrument de musique dans la céramique de la grèce antique, Paris 1984, pp. 74-83. ARV¹ 124, 39. ARV² 186, 46. W.B. Dinsmoor, Hesperia Suppl. 5, p. 133, fig. 60:12. Paralip. 340, 46. Addenda ... Agora 30 178 P 9191 P 8447 P 25296 P 12051 P 9757 P 25565 P 10748 P 3445 P 4811 P 9462 R 13:1 B 13:6 E 13:1 B 14:6 C 9:6 ... 480 B.C. |
| fig. 36. Choes and Anthesteria, p. 143, cat. no. 663, fig. 98. CVA, Tübingen 4, Deutschland 52, pl. 40 [2557]:3. Pit. Choes and Anthesteria, p. 90, cat. no. 228 bis. Choes and Anthesteria, p. 79, cat ... Agora 30 241 P 15370 P 27841 P 15436 P 1051 I-J 18:1 ... 430 B.C. |
| ARV² 551, 5. ARV² 565, 36. Addenda 260. ARV² 555, 88. Addenda 258. ARV² 564, 21. ARV² 564, 27. Paralip. 389, 21. Ostraka. ARV¹ 193, 3. ARV² 256, 3. Well. Hesperia 18, 1949, [pp. 298-351], pp. 306-308 ... Agora 30 138 P 7257 P 23815 P 10554 D 7:2 Q 15:2 B 15:1 ... 470 B.C ... ARV² 551, 5 ... ARV¹ 193, 3 ... ARV² 256, 3 |
| ARV¹ 372, 39. ARV² 566, 11. Ostraka. H.A. Thompson, Hesperia 18, 1949, pl. 45:4. ARV² 567, 2. Paralip. 390, 2. Addenda 261. ARV² 569, 53. ARV² 567, 5. ARV² 273, 14. ARV² 273, 15. ARV² 273, 19. Addenda ... Agora 30 167 P 19282 P 14711 P 1412 P 14662 P 15628 P 6985 P 4757 P 9465 P 19577 D 7:2 G 3:1 C 18:11 C 9:6 A 18-19:1 ... 470-460 B.C. |
| ARV² 600, 14. Paralip. 395, 14. Addenda 266. ARV² 224, 1. Prange, Niobidenmaler, p. 183, cat. no. N 15. ARV² 28, 10. Addenda 156. ARV² 612, 1. Paralip. 397, 1. Addenda 268. AM 89, 1974, pl. 47:1. ARV² ... Agora 30 25 ... ARV² 260, 8 ... ARV² 589, 3 ... ARV² 608, 3 |
| Fragment preserving a little of rim and upper wall. On rim, linked palmette and lotus band. On wall, a little of the front top of a wreathed head, left. Relief contour for the ornament; red for the wreath ... February 1956 ... Agora:Object:CVA Louvre, G 33, nos. 3 and 6 ... ARV, p. 16, no. 2 ... Agora XXX, no. 260, pl. 36. |
| ARV² 208, 150. Kaempf-Dimitriadou, Liebe der Götter, p. 36, fig. 6. ARV² 560, 3. Fill. Addenda 259. ARV² 796, 117. Addenda 290. ARV² 798, 146. Kaempf-Dimitriadou, pl. 28:3. Matheson, Polygnotos, p. 373, ... Agora 30 145 P 14514 P 20034 P 16921 P 23214 P 18999 P 25348 P 25018 P 20682 A-B 21-22:1 R 10:6 ... 460-450 B.C ... ARV² 208, 150 ... ARV² 560, 3 ... ARV² 796, 117 |
| ARV² 215, 10. Paralip. 345, 10. E.B. Harrison, Preparations for Marathon: The Niobod Painter and Herodotus, Art Bulletin 54, 1972, pp. 390-402. Addenda 197. ARV² 32, 2. Paralip. 324, 2. Addenda 157. Necropoli-Agrigento, ... Agora 30 29 ... ARV² 215, 10 ... ARV² 32, 2 ... ARV² 616, 3 |
| Volute-Kraters. Kunst der Antike: Galerie Günter Puhze 1, 1977, no. 131. ARV² 1642, 39 ter. Cat. Sotheby's 2-3 Dec., 1982, no 131. ARV² 585, 27. Paralip. 393, 27. Addenda 263. Cat. Christie's nov. 28, ... Agora 30 23 ... ARV² 1642, 39 ter ... Sotheby's 2-3 Dec., 1982, no 131 ... ARV² 585, 27 |
| Psykters. Richter and Milne, Shapes and Names, pp. 12-13. Drougou, Der attische Psykter [Beiträge zur Archäologie 9], Würzburg 1975. Agora 023, pp. 20-22. Vierneisel, Kunst der Schale, pp. 259-264. NumAntClass ... Agora 30 36 ... ARV² 173, 5 ... ARV² 54, 7 ... ARV² 1621, 3 bis |
| Lebetes Gamikoi. Richter and Milne, Shapes and Names, p. 11. F. Harl-Schaller, JOAI Beiblatt 50, cols. 157-180. D.M. Robinson, AJA 40, 1936, pp. 507-519. J. Boardman, BSA 47, 1952 [p. 1-48], pp. 31-32 ... Agora 30 18 ... ARV² 1103, 6 ... ARV² 1322, 18 ... ARV² 1250, 34 |
| Neck-Amphorae; Standard Neck-Amphorae. Well. CVA, Munich 8 [Germany 37], pl. 383 [1801]:1. Munich 1557. Painter of Boulougne 441. Boulougne 441. ABV 290, -, 3. CVA, Munich 8 [Germany 37], pl. 395, [1813]:1 ... Agora 23 127 P 8883 P 12994 P 3167 P 19879 P 419 P 7446 P 20018 P 16814 T 19:1 G 13:1 G 15:1 ... 4th quarter of 6th B.C ... ABV 290, -, 3 ... ABV 260, 29 ... ABV 260, 30 |
| Painter of London B 343. London B 343. Edinburgh Painter. Leagros Group. Theseus Painter. ABV. Paralipomena. Heron Class. Painter of Rodin 1000. Rodin 1000. Nicosia C 975. Amasis Painter. D. von Bothmer, ... Agora 23 94 ... ARV (2) 4, 8 ... CVA, Gela 3 [Italy 54], pls. 17 [2394]:3, 4 and 18 [2395]:3, 4 ... Paralip. 255-260 |
Six non-joining fragments, a of rim, neck, shoulder, and start of one handle column, b + d of shoulder with swelling for handle root and part of wall, c, f, and g of wall. Glaze dull in places on outside; ... Ca. 480 B.C ... There are not very many red-figured examples of satyrs making wine, and 173 seems to be one of the earliest, preceded slightly by the scene on a bell-krater in Basel, Antikenmuseum und Sammlung Ludwig, BS 482, attributed to the Kleophrades Painter (ARV2 1632, 49 bis; Addenda 188; CVA, Basel 3 [Schweiz 7], pl. 11 [323]:2, 4); 173 seems to be the only example in which there are four satyrs by themselves. ... Normally this is a simple, plain vessel without handles (e.g., Lecce 602; Naples, Capodimonte 960 by the Pig Painter: ARV2 563, 4; Paralip. 389, 4; Addenda 260). The one on 173 is clearly set inside another vessel and presumably should be thought of as having a sieve in the bottom (for such a vessel with a strainer or shallow dish set into it, but without a satyr standing in it, see Basel, Antikenmuseum und Sammlung Ludwig, Kä 420 by the Amasis Painter: Paralip. 65; Addenda 43). ... The Flying Angel Painter (ARV 1 184, 25; ARV2 281, 30). |
|
|