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Herbert, Sharon ... American School of Classical Studies at Athens ... Inferior clays and glazes, unsuited to the red-figure style, means that the indigenous production of red-figure vases in Corinth was very limited. However for about 75 years, in the middle of the 5th century ... 1977 ... The Red-Figure Pottery |
Boulter, Cedric G. Bentz, Julie L ... American School of Classical Studies at Athens ... Hesperia 49.4 4 295-308 10.2307_147911 ... 1980 ... Fifth-Century Attic Red Figure at Corinth |
McPhee, Ian ... American School of Classical Studies at Athens ... Hesperia 52.2 2 137-153 10.2307_147783 ... 1983 ... Local Red Figure from Corinth, 1973-1980 |
McPhee, Ian ... American School of Classical Studies at Athens ... Hesperia 56.3 3 275-302 10.2307_148095 ... 1987 ... Attic Red Figure from the Forum in Ancient Corinth |
Sutton, Robert F ... American School of Classical Studies at Athens ... Hesperia Supplement 33 327-350 10.2307_1354076 ... 2004 ... Family Portraits: Recognizing the "Oikos" on Attic Red-Figure Pottery |
McPhee, Ian D ... American School of Classical Studies at Athens ... Hesperia 45.4 4 380-396 10.2307_147897 ... 1976 ... Attic Red Figure of the Late 5th and 4th Centuries from Corinth |
McPhee, Ian D. Kartsonaki, Efi ... American School of Classical Studies at Athens ... Hesperia 79.1 1 113-143 ... 2011 ... Red-Figure Pottery of Uncertain Origin from Corinth: Stylistic and Chemical Analyses |
| Moore, M. B ... American School of Classical Studies at Athens ... This volume presents the inventoried red-figure and white-ground pottery found in the Agora Excavations between 1931 and 1967. Although many of these vases have already been published in various reports ... 1997 ... This volume presents the inventoried red-figure and white-ground pottery found in the Agora Excavations between 1931 and 1967. ... Because almost all the shapes known in Attic red figure have been found in the Agora, these pieces provide a unique opportunity for study. The two introductory sections serve as a useful overview for the entire state of knowledge of Attic red-figure painting. The first gives a brief description of each vase shape and its development, and then shows how the Agora pieces fit into this sequence; the second follows this same format for groups of painters. |
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