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| Harrison, E. B ... The American School of Classical Studies at Athens ... Although the famous bronze statues seen by the Roman tourist Pausanias have been melted down, the Agora preserves a number of fine portraits in stone. While a few of these are named, most of the portraits ... 1960 ... Although the famous bronze statues seen by the Roman tourist Pausanias have been melted down, the Agora preserves a number of fine portraits in stone. While a few of these are named, most of the portraits in this booklet represent ordinary men and women; priests, athletes, and officials. |
| Karneades base inscription. I.G. II 2, 3781 ... Horizontal (normal) ... 1978 ... Richter, Portraits of the Greeks II, p. 250. |
de Wald, Ernest ... American School of Classical Studies at Athens ... Hesperia 13.1 1 78-86 10.2307_146899 ... 1944 ... The Comnenian Portraits in the Barberini Psalter |
Sutton, Robert F ... American School of Classical Studies at Athens ... Hesperia Supplement 33 327-350 10.2307_1354076 ... 2004 ... Family Portraits: Recognizing the "Oikos" on Attic Red-Figure Pottery |
Brown, Amelia R ... American School of Classical Studies at Athens ... Hesperia 81.1 1 141-176 ... 2012 ... Last Men Standing: Chlamydatus Portraits and Public Life in Late Antique Corinth |
Riccardi, Lee Ann ... American School of Classical Studies at Athens ... Hesperia 69.1 1 105-132 10.2307_148367 ... 2000 ... Uncanonical Imperial Portraits in the Eastern Roman Provinces: The Case of the Kanellopoulos Emperor |
| Preface. List of Plates. Abbreviations and Bibliography. Introduction. Catalogue. Observations on Athenian Portrait Style in the Roman Period. The Romanization of Greek Portraits. The Late Republican Period ... Agora 1 vii ... The Romanization of Greek Portraits ... Athenian Portraits in the Style of the Roman Empire ... The Kosmetai and Related Portraits |
| Harrison, E. B ... American School of Classical Studies at Athens ... Presented in catalogue form are 64 portrait heads, headless torsos, and fragments (of both categories) ranging in date from the first half of the 1st century B.C. to the 5th century A.D. The catalogue ... 1953 ... The catalogue is preceded by an introduction dealing with “finding-places,” “material,” “forms of portraits,” and “subjects.” ... As the author says in her introduction, “the Agora portraits interest us, not because they are unique, but because they are representative.” |
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