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[Agora Publication Page] Agora 30, s. 148, p. 129

Fourth-Century Painters. ARV² 1361-1362. Paralip. 484. Addenda 372. ARV² 1363-1364. ARV² 1391, 1. ARV² 1391-1397. ARV² 1362-1363. Addenda 370. Paralip. 487. Addenda 373. ARV² 1364, 1. ARV² 1364. ARV² 1398-1399 ... Agora 30 129 P 16879 ... Paralip. 484 ... Paralip. 485-486 ... Paralip. 486-487

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[Agora Publication Page] Agora 30, s. 160, p. 141

LIMC III, 1986, pp. 133-142, s.v. Boreas, S. Kaempf-Dimitriadou. LIMC IV, 1988, pp. 937-938, s.v. Erechtheus, U. Kron. Neuser, Anemoi, pp. 61-65, 77-87. ARV² 485, 33. Paralip. 379, 33. Addenda 248. ARV² ... Agora 30 141 P 10581 P 18411 P 21534 P 17001 P 23203 P 17137 P 7303 P 8:2 M-N 15:1 A 20:6 B 12:6 ... 450 B.C ... ARV² 485, 33 ... Paralip. 379, 33 ... ARV² 486, 34

[Agora Object] Agora XXX, no. 36

Fragment of torus mouth, neck, and start of shoulder, part of body on each side. Neck glazed on inside. Glaze misfired reddish brown; abraded in places, especially on mouth and on Boreas. P.H. 0.14; diam ... Ca. 460 B.C ... The composition on each side of 36 was probably a simpler version of those on the pelike in the Villa Giulia signed by Hermonax (ARV2 485, 33; Paralip. 379, 33; Addenda 248). Beazley (ARV2 486, 34) suggested that the woman on Side B of 36 is either Herse or Aglauros, most likely on the strength of two representations of this subject where their names are inscribed, both by the Oreithyia Painter: Berlin 2165 (ARV2 496, 1; Paralip. 380, 1) and Munich 2345 (ARV2 496, 2; Paralip. 380, 2; Addenda 250; Reeder, Pandora, p. 40, figs. 2--3 and p. 75, fig. 2). ... Hermonax (ARV1 318, 26; ARV2 486, 34; 1655; Paralip. 379, 34).