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[Agora Publication Page] Agora 30, s. 151, p. 132

ARV² 1510-1516. Paralip. 499-500. Addenda 383-384. ARV² 1522. Paul-Zinserling, Jena-Maler. ARV² 1522-1525. Paralip. 501. Addenda 384-385. ARV² 1518-1521. Paralip. 500-501. Addenda 384. ARV² 1526-1527 ... Agora 30 132 ... Paralip. 499-500 ... Addenda 383-384 ... Paralip. 501

[Agora Object] Agora XXX, no. 384

Wall fragment. Surface abraded and pitted. Max. dim. 0.078. A, symposion. A man (chin, body to hips, right arm outstretched) reclines to left on a couch, looking back at a woman (part of body and legs) ... Ca. 400 B.C ... The composition on 384 may have looked something like the one on the painter's dinos, London, B.M. E 811 (ARV2 1334, 26; Paralip. 480, 26) or the one on his bell-krater in Madrid 11020 (ARV2 1333, 7). 384 seems to be more carefully drawn.

[Agora Publication Page] Agora 30, s. 124, p. 105

Early Classical Painters of Large Pots; The Pan Painter. AK 19, 1976, pl. 15. Addenda 256. Esposito and de Tommaso, Vasi attici, p. 63, fig. 96. B. Ashmole, Architect and Sculptor in Classical Greece, ... Agora 30 105 P 30013 P 30014 ... Paralip. 384 ... Paralip. 385 ... Paralip. 384, 4

[Agora Publication Page] Agora 30, s. 192, p. 173

ARV² 536, 1. Paralip. 384, 1. Addenda 255. ARV² 206, 129-130. Addenda 194. Pit. Fill. Prange, Niobidenmaler, p. 216, cat. no. G 57, pl. 21. Schleiffenbaum, Volutenkrater, p. 324, cat. no. V 203. ARV² 599, ... Agora 30 173 P 19174 P 23202 P 24784 P 6857 P 7586 P 26550 P 19152 C 18:7 M-N 15:1 C 14:7 C 18:4 ... 460-450 B.C ... Paralip. 384, 1 ... Paralip. 395, 8 ... Paralip. 394, 1

[Agora Object] Agora XXX, no. 271

Fragment of cul with start of handle at far right. Glaze much pitted. Max. dim. 0.087. Chain of double lotuses and encircled palmettes. For this pattern on the culs of other calyx-kraters, see 270 ... Ca. 450 B.C ... PEM 7, pl. 153); also on the necks of these volute kraters, only there and on Ferrara 2892 = T.300), the lines serve to separate long fronds from short petals: Ferrara 2739 = T.749 by the Boreas Painter (ARV2 536, 1; Paralip. 384, 1; Addenda 255; CVA, Ferrara 1 [Italia 37], pl. 5 [1649]:3); two by the Niobid Painter: Bologna 268 (ARV2 598, 1; Paralip. 394, 1; Addenda 265; Prange, Niobidenmaler, p. 180, cat. no. N 1) and Ferrara 2652 = T.740 (ARV2 599, 6; Paralip. 394, 6; Addenda 266; CVA, Ferrara 1, [Italia 37], pl. 7 [1651]:1; Prange, p. 181, cat. no. ... GN 62); and Ferrara 45685 = T.19 C VP by the Chicago Painter (ARV2 628, 1; Paralip. 399, 1; Addenda 272).

[Agora Publication Page] Agora 30, s. 123, p. 104

Early Classical Painters of Large Pots; Other Early Classical Painters of Large Pots. Robertson, HGA, p. 252. ARV2 501-503. Paralip. 381. Addenda 151. ARV² 485, 23 and 1655. Addenda 248. ARV² 504, 8. Paralip ... Agora 30 104 P 30017 P 30019 P 30065 P 30134 ... Paralip. 381 ... Paralip. 381, 8 ... Paralip. 383-384

[Agora Object] Agora XXX, no. 240

Rim and neck fragment. Edge of rim chipped. Max. dim. 0.09. Schleiffenbaum, Volutenkrater, p. 325, cat. no. V 207. Symposion. On the right, the top of the filleted head of a symposiast reclining to left ... Ca. 460-450 B.C ... The small amount of the symposion that remains bears some resemblance to that on the neck of the volute-krater that is the namepiece of the Boreas Painter, which also has the key pattern to right on the side of the rim (Ferrara 2739 = T.749: ARV2 536, 1; Paralip. 384, 1; Addenda 255).

[Agora Publication Page] Agora 30, s. 43, p. 24

F. Hitzl, Die Entstehung und Entwicklung des Volutenkraters von den frühesten Anfängen bis zur Ausprägung des kanonischen Stils in der attisch schwarzfigurigen Vasenmalerei, Frankfurtam-Main 1982[Archäologische ... Agora 30 24 ... Paralip. 384, 1 ... Paralip. 395, 13 ... Paralip. 394, 2