|
|
| Sophilos. Dinoi; Bowls. Dinoi. Dinoi; Stands. Gorgon Painter. Athens N.M. 16385. ABV 40, 19. Paralip. 18, 19. Athens, N.M. 15920. Callipolitis-Feytmans, "Loutéria," p. 49, no. M 8. Richter and Milne, Shapes ... Agora 23 33 ... Paralip. 18, 19 ... Paralip. 18, 21 and 36 ... Paralip 2, 8 |
| P. Mingazzini, Un nuovo nome antico per designare una forma di vasi, RM 46, 1931, pp. 150-152. P. Jacobsthal, MetMusSt 5, 1934-1936 [pp. 117-145], p. 117, note 2. Prange, Niobidenmaler, pp. 34-35. Agora ... Agora 30 33 |
| Sophilos. ABV 43, 5. One-Piece Amphorae; Panel Amphorae. Fill. AJA 39, 1935, p. 133, fig. 3. Louvre C 10627. CVA, Louvre 11 [France 18], pl. 122 [795]:5. fig. 3. Other. ABV 76, 1. Paralip. 29, 1. E. Vanderpool, ... Agora 23 104 P 5300 P 1250 P 22840 P 22532 P 1246 E-F 12-14 G 6:3 H-K 12-14 Q 17:2 ... 580 B.C ... Paralip. 29, 1 ... Paralip. 33, 16 bis ... Paralip. 33, 13 |
| Oxford 1920.107. Burgon Group. Princeton Painter. Swing Painter. Rycroft Painter. Neck-Amphorae; Standard Neck-Amphorae. ABV 89, 2. Paralip. 33, 2. London, B.M. B 130. ABV 89, 1. Paralip. 33, 1. Acheloös ... Agora 23 11 ... Paralip. 33, 2 ... Paralip. 33, 1 ... Paralip. 168, 2 bis |
Fragment of cul and body. Max. dim. 0.09.
On cul, chain of double lotuses and encircled palmettes.
The only painter to favor the chain of double lotuses and palmettes on the culs of his calyx-kraters ... Ca. 450 B.C ... The only painter to favor the chain of double lotuses and palmettes on the culs of his calyx-kraters is Euphronios, who used it six times, always on the obverse: Louvre G 103 (ARV2 14, 2; Paralip. 322, 2; Addenda 152; Euphronios, cat. no. 3; Denoyelle, Chefs-d'oeuvre . . . Louvre, pp. 104--105, cat. no. 47); Louvre G 110 (ARV2 14, 3; Paralip. 322, 3; Addenda 152; Euphronios, cat. no. 2); Louvre G 33 (ARV2 14, 4; Euphronios, cat. no. 11); Munich inv. 8935 (ARV2 1619, 3 bis; Paralip. 322, 3 bis; Addenda 152; Euphronios, cat. no. 5); New York, M.M.A. 1972.11.10 (Euphronios, cat. no. 4); and New York, Levy and White (Euphronios, cat. no. 6). ... N 32); Rome, Villa Giulia 909, the namepiece of the Villa Giulia Painter (ARV2 618, 1; Paralip. 398, 1; Addenda 270); Ferrara 2893 = T.617, the namepiece of the Peleus Painter (ARV2 1038, 1; Paralip. 443, 1; Addenda 319; CVA, Ferrara 1 [Italia 37], pl. 22 [1666]:2, 3; Reeder, Pandora, pp. 349--351, cat. no. 110; Matheson, Polygnotos, p. 436, cat. no. |
| One-Piece Amphorae; Panel Amphorae. Lydos. Akropolis 607. ABV 107, 1. Tiverios, pl. 1:α. Fill. ABV 113, 81. Paralip. 45, 81. Tiverios, pl. 42. Munich 1681. ABV 108, 12. Tiverios, pl. 2. Louvre E 804. ABV ... Agora 23 107 P 26632 P 5895 P 19129 P 12669 P 16563 P 1684 P 26975 P 4671 P 17800 C 18:4 V 24:2 T 25:2 E-F 12-14 J 18:4 ... 560-550 B.C ... Paralip. 45, 81 ... Tiverios, pl. 2 ... CVA, Boston 1 [USA 14], pl. 33 [655]:2 |
| Two fragments from a cup with rim offset inside.
a) A bit of the rim with a reserved band. The head and shoulders of a woman looking left (moving right?). She wears a chiton and over it an himation falling ... 27 February 1937 |
| Early Classical Painters of Smaller Pots. ARV² 618, 3. Addenda 270. ARV² 628-632. Paralip. 399-400. Addenda 272. ARV² 619, 15. ARV² 628, 1. Paralip. 399, 1. ARV² 619, 18. ARV² 629, 23. Paralip. 399, 23 ... Agora 30 110 P 30009 P 30040 P 31539 P 31521 ... Paralip. 399-400 ... Paralip. 399, 1 ... Paralip. 399, 23 |
|
|