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| Repaired; bits missing. Quadriga with charioteer. Behind horses, armed warrior. In background, ivy spray with white berries. Above, double dotted line. On shoulder, rays. Red for horses' manes, tails and ... 23 March 1936 ... ADDENDA The style of the Diosphos and Haimon painters overlap, and this is one of those difficult cases. |
| Repaired. Parts missing. Neck does not join. Hermes, Herakles, two other draped figures. Background, ivy sprays. Above, double dotted line. On shoulder, palmettes and rays. Ground a light buff slip as ... 23 March 1936 ... ADDENDA Style of Diosphos and Haimon painters; may be a careless work by one of these two. |
Floor fragment with stem and fillet. Incised line at top and bottom of fillet. Max. dim. 0.035.
I, satyr: long beard, start of outstretched right arm, part of chest and abdomen, left hand holding the ... Late 6th century B.C ... The position of the satyr's left hand, loosely gripping the shaft of the thyrsos, resembles these, all trumpeters: one by the Bowdoin Eye-Painter, Berlin inv. 3217 (ARV2 168, 15); Louvre G 70 by the Scheurleer Painter (ARV2 169, 6; Paralip. 338, 6; Addenda 183); and Louvre G 73, near both painters, the tondo (ARV2 170, ---). |
Wall fragment from top of stand with molding and bottom of lebes.
Glaze abraded along edge of rim. P.H. 0.09.
Woman (most of head with sakkos) to right. Behind her, traces of an object, perhaps a chest ... Ca. 410-400 B.C ... For a chest held at this height, see Athens, N.M. 1659 from the Sundry Group of Painters in the Manner of the Meidias Painter (ARV2 1322, 11; Burn, Meidias Painter, p. 106, cat. no. |
Wall fragment of stand. Glaze fired brownish. P.H. 0.067; max. dim. 0.08.
Woman (torso, right arm) standing to right, wearing a peplos and holding a box on her left forearm. Preliminary sketch.
Probably ... Ca. 410 B.C ... Probably from the Sundry Group of Painters in the Manner of the Meidias Painter. |
Floor fragment. Max. dim. 0.041.
I, youths (top of head of one; head of other) facing. Around tondo, stopped-maeander pattern. A, feet, start of drapery of man to right; toes of another facing. Between ... Ca. 450-440 B.C.? ... For the two lines below the figures on the outside, cf. 1447 and 1448 by his companion, the Painter of Heidelberg 211. 1450 seems to share features of both painters. |
Rim fragment. Glaze misfired reddish on outside; much abraded on rim and on neck. Max. dim. 0.092.
Below the torus rim, chain of lyre lotuses and encircled palmettes.
For this ornament, only with lyre ... Ca. 480 B.C ... Paul Getty Museum 92.AE.6) signed by Syriskos as painter: A, Pantelea seated between Okeanos and Dionysos; B, Themis between Balos (seated) and Ephaphos (all names inscribed) and the namepiece of the Tyszkiewicz Painter, Boston 97.368 (ARV2 290, 1; Paralip. 355, 1; Addenda 210). 259 is too abraded to be sure if it is by one of these two painters, but it is fairly close. |
Fragment from near top with hole for suspension made after the plaque broke. Max. dim. 0.059; Th. 0.0081. W. B. Dinsmoor, Hesperia Suppl. V, p. 132, fig. 58:10.
Combat. At the left is part of a round ... Ca. 520 B.C ... Sundry Very Early Red-figure Pots by Various Painters (ARV2 12, 14). |
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