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[Agora Publication Page] Agora 23, s. 396, p. 380

Paris, Musée du Louvre, F 120. Providence, Rhode Island School of Design. Paris, Musée du Louvre, F 123. Paris, Musée du Louvre, MN 704. Paris, Musée du Louvre, F 131 bis. Paris, Musée du Louvre, MN 705 ... Agora 23 380 ... Paris, Musée du Louvre, F 120 ... Paris, Musée du Louvre, F 123 ... Paris, Musée du Louvre, G 37

[Agora Publication Page] Agora 23, s. 121, p. 105

E. Vanderpool, Hesperia 7, 1938, pp. 376-378, no. 8, figs. 12, 13. One-Piece Amphorae; Panel Amphorae. Well. Other. E. Vanderpool, Hesperia 7, 1938, pp. 374-376, no. 6, figs. 9, 10. CVA, Louvre 11 [France ... Agora 23 105 P 24953 P 13387 P 1229 P 25351 P 26742 P 20892 P 13026 P 22317 P 4251 P 6070 P 444 Q 13:5 T 24:3 G 6:3 U 25:2 O 7:15 E 14:11 ... 560-550 B.C.

[Agora Object] Agora XXX, no. 195

Rim, both handles, neck, start of shoulder, with missing pieces restored in plaster and painted. Chipped in places. P.H. 0.155; diam. of rim 0.29. On Side A of neck, hanging lotus buds with dots in the ... Ca. 470 B.C ... Naples 3152 (ARV2 275, 260; Addenda 207), Vienna 3737 (ARV2 275, 61; Addenda 207); also Frankfurt, St.V.3 (ARV2 274, 37; Paralip. 353, 37; Addenda 207); Louvre G 208 (ARV2 273, 14).

[Agora Object] Agora XXX, no. 270

Fragment of cul and body. Max. dim. 0.09. On cul, chain of double lotuses and encircled palmettes. The only painter to favor the chain of double lotuses and palmettes on the culs of his calyx-kraters ... Ca. 450 B.C ... The only painter to favor the chain of double lotuses and palmettes on the culs of his calyx-kraters is Euphronios, who used it six times, always on the obverse: Louvre G 103 (ARV2 14, 2; Paralip. 322, 2; Addenda 152; Euphronios, cat. no. 3; Denoyelle, Chefs-d'oeuvre . . . Louvre, pp. 104--105, cat. no. 47); Louvre G 110 (ARV2 14, 3; Paralip. 322, 3; Addenda 152; Euphronios, cat. no. 2); Louvre G 33 (ARV2 14, 4; Euphronios, cat. no. 11); Munich inv. 8935 (ARV2 1619, 3 bis; Paralip. 322, 3 bis; Addenda 152; Euphronios, cat. no. 5); New York, M.M.A. 1972.11.10 (Euphronios, cat. no. 4); and New York, Levy and White (Euphronios, cat. no. 6). ... PE 1, pl. 91); Ferrara 2892 = T.300 in his manner (ARV2 1041, 6; Paralip. 443, 6; Addenda 319; CVA, Ferrara 1, [Italia 37], pl. 19 [1663]; Matheson, p. 443, cat. no.

[Agora Publication Page] Agora 30, s. 203, p. 184

LIMC IV, 1988, pp. 637-645, 652-654, s.v. Hephaistos (A. Hermary). Halm-Tisserant, AK 29, 1986, pp. 20-22. LIMC IV, p. 638. Froning, Dithyrambos, pp. 67-71. ARV² 1171, 1. Paralip. 459, 1. Addenda 338 ... Agora 30 184 P 13367 P 2708 G 6:3 ... 430 B.C.

[Agora Publication Page] Agora 23, s. 328, p. 312

Segment Class. ABV 214, 47. Cups; Stemless Cups; Segment Cups. Well. Boston, M.F.A. 98.916. Timiades Painter. ABV 98, 46. Paralip. 37, 46. Bothmer, Amazons, pl. 5. CVA, Boston 1 [USA 14], pl. 15 [637]:1 ... Agora 23 312 P 1157 P 1158 P 13125 P 6080 P 10203 P 12653 P 13257 G 15:1 U 24:1 I 9:1 G-H 10-11 ... 510-500 B.C.

[Agora Publication Page] Agora 23, s. 219, p. 203

Tiverios, pl. 12:α. Taranto 52130. ABV 112, 67. Paralip. 44, 67. Lekythoi; The Lekythos Painters I; Chiefly Earlier. Tiverios, pl. 13:α. Burial. London, B.M. 1948.10-15.1. ABV 108, 8. Paralip. 44, 8. Tiverios, ... Agora 23 203 P 15263 P 15376 P 18006 P 22331 P 15430 B 21:5 B 21:20 B 19:2 B 21:9 ... 3rd quarter of 6th B.C ... Louvre G 37 ... Louvre CA 178

[Agora Object] Agora XXX, no. 289

Wall fragment. Max. dim. 0.12. Schwarz, Triptolemos, p. 37, cat. no. V 49, pl. 8:14; Hayashi, Triptolemosbildes, p. 136, cat. no. 37, pl. 5:1 (wrongly called a calyx-krater); Langridge, "Eucharides Painter," ... Ca. 490-480 B.C ... The composition on 289 may have looked much like the one on Louvre G 187, the namepiece of the Triptolemos Painter (ARV2 361, 2; Paralip. 364, 2; Addenda 222; Denoyelle, Chefs-d'oeuvre . . . ... Several representations of the subject, including 289 and Louvre G 187, that depict the serpent alongside the wheel of the seat predate the play, thus indicating that the version with the snakes is not an invention of the playwright (see Pearson, p. 240, note 1): Athens Art Market by the Theseus Painter (Haspels, ABL p. 252, no. 64; snakes are present, according to Raubitschek, Hesperia Suppl. XX, p. 110); Prague 1867 by the Emporion Painter (ABV 708, 19; Paralip. 291, 19); Athens, N.M. 430 by the Beldam Painter or in his manner (ABV 587, ---, 1); Louvre G 187 by the Triptolemos Painter; London, B.M.