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Wall fragment. Glaze slightly pitted on outside. Max. dim. 0.087.
Barbiton-player (most of instrument except for tips of arms and crosspiece; hands, right forearm of player) to right. Also preserved is ... Probably late third quarter of the 5th century B.C ... Max. dim. 0.087.
Barbiton-player (most of instrument except for tips of arms and crosspiece; hands, right forearm of player) to right. ... Relief contour: barbiton and strings. ... For the barbiton, see 196. |
Floor fragment with start of stem. Max. dim. 0.052. H. A. Thompson, Hesperia 23, 1954, pl. 15:c.
I, man (end of beard, arms, torso, start of legs) seated or reclining to right, playing the barbiton (top ... Ca. 510-500 B.C ... I, man (end of beard, arms, torso, start of legs) seated or reclining to right, playing the barbiton (top of arms, tuning bar missing). ... For the barbiton, see 196. |
Rim and wall fragment. Band on inside at rim; another 0.041 below rim. Glaze slightly abraded on rim. Max. dim. 0.248; est. diam. at rim 0.30. C. Boulter, Hesperia 22, 1953, pl. 25.
Komasts. The fragment ... Mid-5th century B.C ... The fragment preserves most of the head with woolen fillet, left shoulder, and arm of one to left, facing another who plays the barbiton (all that remains are the ends of the arms and the crosspiece; also, the strings in relief). ... For the barbiton, see 196. |
Floor fragment. Glaze pitted. Max. dim. 0.041.
I, uncertain subject. The fragment preserves part of a barbiton (upper section of arms, crosspiece, and strings). A sash hangs from the lower arm. In the ... Probably late 6th or early 5th century B.C ... The fragment preserves part of a barbiton (upper section of arms, crosspiece, and strings). ... For the barbiton, see 196.
The musician on 1628 probably held his instrument by its arm in his left hand. |
Floor fragment with start of stem on underside. Max. dim. 0.037.
I, part of draped figure who holds the plektron of a lyre or barbiton in his right hand. A bit of one arm of the instrument appears in ... Probably early 5th century B.C ... I, part of draped figure who holds the plektron of a lyre or barbiton in his right hand. |
Part of bowl, all of one handle restored in plaster and painted. H. 0.07; diam. at rim 0.175; diam. of tondo 0.107; diam. of foot 0.073. L. Talcott, Hesperia 24, 1955, pl. 33:d; S. Roberts, Hesperia 55, ... Ca. 510-500 B.C ... A youthful komast (right foot missing) with a wreath around his head and a cloak over his left shoulder bends forward to right, holding a barbiton. Inscribed behind him:
in front of him:
Uneven reserved line for tondo border. ... For the barbiton, see 196.
The Painter of the Agora Chairias Cups (ARV2 176, 3; Addenda 185). |
Wall fragment from just below rim. Reserved line on inside near top.
Komos ("Anacreontic"). Youth (head with woolen fillet) looking downward. The curved object in front of him is the arm of his barbiton ... Ca. 470-460 B.C ... The curved object in front of him is the arm of his barbiton. Relief contour: chin and neck; arm of instrument. |
Two non-joining wall fragments, a with turn of shoulder. Max. dim. a) 0.20, b) 0.069.
A (illustrated), komast ("Anacreontic") standing to right, playing the barbiton. Fragment a preserves the end of his ... Ca. 470-460 B.C ... A (illustrated), komast ("Anacreontic") standing to right, playing the barbiton. Fragment a preserves the end of his beard, most of his chiton and himation, both hands, most of instrument except the tip of one arm and one end of the crossbar). ... Strings of barbiton in relief.
... For the barbiton, see D. Paquette, L'instrument de musique dans la céramique de la Grèce antique, Paris 1984, pp. 173--184; M. |
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