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Floor fragment with stem. Two incised lines to simulate fillet. Max. dim. 0.073.
I, woman (head, both feet missing) seated to right, holding a nude male child (head missing) in her outstretched arms ... Ca. 510-500 B.C ... The lively, but rather rough, drawing bears some similarity to that on two cups by one hand, a painter in the Wider Circle of the Nikosthenes Painter: Boston, M.F.A. 08.30a (ARV2 135 [a]; Addenda 177) and Berlin 1964.4 (ARV2 1700; Paralip. 334; Addenda 177). |
Floor fragment with start of stem on underside. Max. dim. 0.094. H. A. Thompson, Hesperia 27, 1958, pl. 46:a.
I, satyr (wreathed head, torso to waist, most of right arm, top of tail, and part of left ... Ca. 510-500 B.C ... Assigned by Beazley to the Painter of P 24102, a.k.a. the Painter of the Agora Chairias Cups (ARV2 176--177; Paralip. 339; Addenda 185). ... Not in ARV2.
1606 probably belongs to the Wider Circle of the Nikosthenes Painter and bears some resemblance to these satyrs: Brussels A 201 (ARV2 133, 19); Brussels A 1377 (ARV2 134, 2; Addenda 177); and Boston 08.30a (ARV2 135 [a]; Addenda 177); for the locks of hair ending in inverted question marks, cf. especially the right satyr on side B of the last. |
| ARV² 189, 76. Ashmead, Hesperia 35, 1966, p. 29. Paralip. 341, 76. Addenda 189. A. Kossatz-Deissmann, LIMC I, 1981, pp. 111-112, no. 462. P. Hellström, Achilles in Retirement, Medelhavsmuseet, The Museum ... Agora 30 177 P 10509 ... 480 B.C. |
| ARV² 321, 22. Paralip. 359, 22. Addenda 357. ARV² 139, 1. ARV² 139, 8. ARV² 139, 9. Ostraka. ARV² 143, 19. ARV¹ 118, 2. ARV² 143, 3. H.A. Thompson, Hesperia 27, 1958, pl. 46:a. ARV² 176-177. ARV¹ 118, ... Agora 30 347 P 12080 P 7258 P 25960 P 14942 P 24102 P 5093 P 2583 P 25867 D 7:2 G 6:3 ... 510 B.C ... Addenda 357 ... ARV² 176-177 ... Addenda 177 |
| Addenda 165. ARV² 26, 2. Addenda 156. ARV² 111, 13. Addenda 173. ARV² 316, 8. Addenda 214. CVA, London 9, Great Britain 17, pl. 4 [78]:1. Fill. ARV² 1570, 31. ARV² 427, 2. Paralip. 374, 2. Addenda 235 ... Agora 30 338 P 4699 P 3228 P 126 P 14949 P 25970 P 5748 P 4688 P 2581 P 312 E 14:11 F 19:5 I 6:1 G 6:3 ... 510-500 B.C ... Addenda 165 ... Addenda 156 ... Addenda 177 |
Lip and bowl fragment. Reserved line on inside and outside at rim. Max. dim. 0.059.
A, satyr with pelta riding a full wineskin. What remains besides the pelta decorated with a frontal animal's head between ... Ca. 510-500 B.C ... For a satyr with a pelta, see the one attacking Iris on Boston, M.F.A. 08.30a, also from the Wider Circle of the Nikosthenes Painter but rather rough (ARV2 135 [a]; Addenda 177). For others, also from the Wider Circle, see Florence 4 B 28 and Louvre Cp 11255 (ARV2 133, 10--11; Addenda 177: joining New York, M.M.A. 1984.500.3).
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Inscribed fragment.
Top, worn as if by water, and side picked fine, preserved; otherwise broken.
Seven letters remain.
Pentelic marble.
ADDENDA With I 5284. Found in the area of the Stoa of Attalos. Leica ... February 1936 |
Four non-joining fragments of neck and shoulder. P.H. a) 0.125; max. dim. b) 0.16, c) 0.11, d) 0.99. E. Laufer, Kaineus: Studien zur Ikonographie [Rivista di archeologia Suppl. 1], Rome 1985, pl. 12:35 ... Ca. 470-460 B.C ... From what remains of the Kaineus scene on Side A of 177, taken together with the curve of the krater's shoulder, it is likely that the composition was a symmetrical one, with the warrior flanked to left and right by a single centaur, similar to the one by the Pig Painter himself, once in the Lucerne Market, now in a Swiss private collection (ARV2 563, 7; Addenda 260).
Earlier Mannerists, i: Manner of the Pig Painter (ARV2 566, 1; Addenda 261). |
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