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Bowl fragment. Traces of burning at left (surface is gray). Max. dim. 0.04. H. A. Thompson, Hesperia 6, 1937, p. 13, fig. 6:a.
A, two women (bottom of chiton, left foot of one; right foot, a little of ... Ca. 510-500 B.C ... The drawing of the drapery folds and the horizontal line across one of them are closest to these two by the Hermaios Painter: the maenad in the tondo of Boston, M.F.A. 95.33 (ARV2 110, 3; Addenda 173) and the warrior or Amazon in that of Bochum S 489 (Paralip. 332, 8 ter; Addenda 173); the maenads on Munich 2589 by the Chelis Painter (ARV2 112, 1; Addenda 173). 1404 may be by either painter. |
| Plain rim, narrow.
On discus, pointed rosette, with dots between the tips of the petals; central filling hole. Handle solid, with hatched band.
On reverse, double circular groove with signature: "K Y" ... 17 July 1931 |
Preserved is front half of torso from neck to pelvis.
Mold made. Articulated seated doll.
Traces of white paint.
Buff clay.
Cf. T 173.
ADDENDA Joins to T 3822. Well and cistern. 5061-5063 Leica ... 5-9 August 1968 ... Buff clay.
Cf. T 173.
ADDENDA Joins to T 3822. |
| Inscribed fragment of plaque.
Smooth-finished back and left side preserved.
Two lines of the inscription preserved.
Pentelic marble.
ADDENDA Joins I 6499a. Found in modern wall west of the Panathenaic ... 27 March 1939 |
| ARV² 168, 15. ARV² 169, 6. Paralip. 338, 6. Addenda 183. ARV² 170. Well. ARV² 75, 56. Addenda 168. ARV² 75, 57. ARV² 84, 16. Addenda 170. ARV² 112, 1. Addenda 173. ARV² 113. ARV² 125, 20. Paralip. 333, ... Agora 30 346 P 20868 P 8794 P 20597 P 31009 P 23172 P 1915 P 18346 D 17:10 E 14:5 Q 12:3 H 12:15 ... Late 6th B.C ... Addenda 183 ... Addenda 168 ... Addenda 173 |
| Addenda 165. ARV² 26, 2. Addenda 156. ARV² 111, 13. Addenda 173. ARV² 316, 8. Addenda 214. CVA, London 9, Great Britain 17, pl. 4 [78]:1. Fill. ARV² 1570, 31. ARV² 427, 2. Paralip. 374, 2. Addenda 235 ... Agora 30 338 P 4699 P 3228 P 126 P 14949 P 25970 P 5748 P 4688 P 2581 P 312 E 14:11 F 19:5 I 6:1 G 6:3 ... 510-500 B.C ... Addenda 165 ... Addenda 156 ... Addenda 173 |
Six non-joining fragments, a of rim, neck, shoulder, and start of one handle column, b + d of shoulder with swelling for handle root and part of wall, c, f, and g of wall. Glaze dull in places on outside; ... Ca. 480 B.C ... There are not very many red-figured examples of satyrs making wine, and 173 seems to be one of the earliest, preceded slightly by the scene on a bell-krater in Basel, Antikenmuseum und Sammlung Ludwig, BS 482, attributed to the Kleophrades Painter (ARV2 1632, 49 bis; Addenda 188; CVA, Basel 3 [Schweiz 7], pl. 11 [323]:2, 4); 173 seems to be the only example in which there are four satyrs by themselves. Usually, Dionysos is present, as in the scene by the Cleveland Painter in New York (M.M.A. 41.162.10: ARV2 516, 4; Paralip. 382, 4; Addenda 253) or there may be three satyrs by themselves (e.g., Lecce 602 by the Leningrad Painter: ARV2 569, 39; Paralip. 390, 39; Addenda 261).
173 presents a number of problems concerning interpretation of details. ... Normally this is a simple, plain vessel without handles (e.g., Lecce 602; Naples, Capodimonte 960 by the Pig Painter: ARV2 563, 4; Paralip. 389, 4; Addenda 260). The one on 173 is clearly set inside another vessel and presumably should be thought of as having a sieve in the bottom (for such a vessel with a strainer or shallow dish set into it, but without a satyr standing in it, see Basel, Antikenmuseum und Sammlung Ludwig, Kä 420 by the Amasis Painter: Paralip. 65; Addenda 43). |
| ARV² 536, 1. Paralip. 384, 1. Addenda 255. ARV² 206, 129-130. Addenda 194. Pit. Fill. Prange, Niobidenmaler, p. 216, cat. no. G 57, pl. 21. Schleiffenbaum, Volutenkrater, p. 324, cat. no. V 203. ARV² 599, ... Agora 30 173 P 19174 P 23202 P 24784 P 6857 P 7586 P 26550 P 19152 C 18:7 M-N 15:1 C 14:7 C 18:4 ... 460-450 B.C. |
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