|
|
| Cup fragment.
Palmette.
Joined to AP 2139,c. NS-86 Carl Roebuck, Nb. No. 6.
Area A. 28 86-17-31 ... 23 March 1938 ... Six's Technique |
| Part of wall and rim only. Suspension hole near rim. Outside glazed black for ca. 0.025m.; a white line over the black near the lip. Below, unglazed. Edge of lip reserved. Inside, black glaze with two ... 27 May 1936 ... Phiale: Six's Technique |
| Many fragments of rim missing. Center and most of frieze preserved. In center, in applied white, three concentric circles enclosing a tongue pattern. Round the edge, hindquarters of two hounds, in applied ... August-September 1932 ... Mesomphalic Phiale: Six's Technique |
| Mended from 3 pieces. Rim fragment. Inside: ivy at rim; part of bird(?) to left and floral ornament. Outside: reserved except glazed band with a white line at rim.
Decoration in white; dull glaze. North ... (1955) ... Phiale Fragment: Six's Technique |
| Three joining fragments give almost whole profile except center. Blobs around center.
Man on camp stool holding staff faces right, toward a horse with a rider(?). In rim, band of short parallel bars ... 8 June 1955 ... Phiale Fragment: Six's Technique |
Sherd from closed vase. Incisions. Carl Roebuck, Nb. No. 6.
Well A. 47 ... 30 March 1938 ... Black Figure Fragment, Six's Technique |
Three fragments preserved, the largest mended from four pieces. A bit of the rim, parts of the wall and two fragments of the boss remain. Glazed outside around the rim; below, unglazed. Painted over the ... August-September 1932 ... Mesomphalic Phiale Fragment: Six's Technique |
| Mouth and handle missing. "Little Lion" shape.
Shoulder: strokes above rays.
Above scene: a pair of red lines.
Scene: warrior left attacking his kneeling opponent.
Under scene: a red band. Well beneath ... May-June 1954 ... Black Figure Lekythos: Six's Technique |
| Three rim fragments (2 joining) and two joining wall to floor fragments. Continuous curve from lip into bowl. Exterior reserved with wide black glazed band at rim. Lip reserved. Interior black glazed with ... 28 July 1994 ... Black Glaze Phiale Fragments: Six's Technique |
| Two pieces from rim of a cup in six's technique; the white is faded badly but traces of a chevron pattern are visible on the inside of a rim with red dots below. NS-86
Two pieces.
c.f. same pot as AP 2233 ... 6 June 1938 ... Cup Rim - Six's Technique (Two Fragments) |
Some of rim and body missing. Glazed interior decorated with figures in added white, now much faded. A standing woman and a woman seated and holding something in her lap alternate with each other. Rays ... 1938 ... Six's technique. |
| Mended, about two-thirds complete. Low shallow bowl, omphalos inside at center with corresponding depression on outside. Outside reserved, except for outside of lip, which is glazed, concave and slightly ... 6 July 1995 ... Black Figure Mesomphalic Phiale: Six's Technique |
Face broken all round.
Gouged technique.
Red clay.
Late Roman. In black fill. Leica ... 26 February 1934 ... Gouged technique.
Red clay.
|
Broken at back and bottom.
Broad squat face.
Gouged technique.
Late Roman. Disturbed. Leica ... 6 March 1934 ... Gouged technique.
Late Roman. |
Fragment of plaque with design in relief technique, purple paint. Carl Roebuck, Nb. No. 6.
Area A. 28 ... 23 March 1938 ... Fragment of plaque with design in relief technique, purple paint. |
Broken in back, below, and at the left.
Gouged technique. Traces of white, red and yellow paint. Leica ... 17 April 1934 ... Gouged technique. Traces of white, red and yellow paint. |
In Six's technique. Legs of figure walking right. Oscar Broneer Nb. No. 2
Pit E. of Parthenon drum. 58 ... 6 Dec 1933 ... In Six's technique. Legs of figure walking right. |
Broken off at back and at neck.
Gouged technique. Traces of white color in the eyes.
Red clay. Leica ... 24 February 1934 ... Gouged technique. Traces of white color in the eyes.
|
Broken away behind and below.
Gouged technique. Traces of white paint. Red clay.
Late Roman. In late fill. Leica ... 28 February 1934 ... Gouged technique. Traces of white paint. |
In Six's technique. Two male figures dancing, let figure has cloak over arm? C.H.M Nb. No. 17
Pit C 66 ... 1 Mar 1934 ... In Six's technique. Two male figures dancing, let figure has cloak over arm? |
A woman 's face.
Early gouged technique. Traces of white paint and of red at the mouth. In modern filling. Leica ... 1 April 1936 ... Early gouged technique. Traces of white paint and of red at the mouth. |
Fragment of left side of head of ram figurine.
Broken at neck.
Gouged technique. Remains of white paint.
Red clay. Pit. Leica ... 28 April 1932 ... Gouged technique. Remains of white paint.
|
Fragment from small plate in Six's technique; large leaf decoration in alternate red and white leaves. Carl Roebuck, Nb. No. 6.
Well A. 18 ... 22 March 1938 ... Fragment from small plate in Six's technique; large leaf decoration in alternate red and white leaves. |
Broken below the collar, and on the right side of the head.
Gouged technique.
Clay grayish-brown.
Cf. T 1422.
Late Roman. Disturbed. Leica ... 8 March 1934 ... Gouged technique.
Clay grayish-brown.
|
Mended from two pieces; left leg and body from back of neck missing.
Gouged technique. Unglazed.
Pinkish buff clay.
Cf. T 1422. Well. Black fill. Leica ... 27 February 1934 ... Gouged technique. Unglazed.
|
Flat bottom, Ladder pattern on handle.
Black glaze.
For imitation of the Corinthian Light-on-Dark technique in which white paint was used cf. Brann N 8 ... LG II ... For imitation of the Corinthian Light-on-Dark technique in which white paint was used cf. |
Broken away below the nose and behind.
High headdress. Flat on top.
Gouged technique. Red glaze. Pink clay.
Late Roman. Late fill just over bedrock. Leica, LXIX-10 ... 2 April 1934 ... Gouged technique. Red glaze. |
Front of head only.
Gouged technique, very coarse. Traces of white paint (?) Unglazed.
Red clay.
Late Roman. ca. 2.10m. below surface Ca. 2.10m. below surface.
Late Roman. Leica ... 27 February 1936 ... Gouged technique, very coarse. |
Only the left side of the head of the cock preserved.
Couged technique. Heavy fabric, burnt gray.
Late Roman. Grey ash fill over curved foundation trench.
Late Roman. Leica ... 27 February 1934 ... Couged technique. Heavy fabric, burnt gray.
|
| Broken at neck and behind.
Head in high headdress.
Gouged technique.
Restored with T 511.
Late Roman. In red fill. Found with L 1259. Leica, color slide, 81-385 ... 13 February 1934 ... Gouged technique.
Restored with T 511.
|
Six's technique; dolphins with red dots. NS-86
Two fragments.
c.f. AP 2439 (same pot). Carl Roebuck, Nb. No. 8.
Well B, 14-15.50; 15.50-16.60m. 547 86-17-29 ... 2 June 1938 ... Six's technique; dolphins with red dots. |
Seated maltese dog.
Left part of head preserved.
Crude gouged technique. Yellow near surface; unglazed.
Brick red clay.
Cf. T 1140. above 1.00 m. General area. Above 1.00 m. Leica ... 1931 ... Crude gouged technique. Yellow near surface; unglazed.
|
Broken away behind and below. Headdress broken at the top.
A high headdress.
Gouged technique. Remains of pale slip.
Red clay.
ADDENDA: Same mold as T 1120. Disturbed late Roman. Leica ... 29 March 1934 ... Gouged technique. Remains of pale slip.
|
Front part of head.
Features chipped away.
Central parting of hair gives herringbone effect.
Mould-made; hollow. Gouged technique. Traces of white and yellow paint on hair.
Red clay. Disturbed deposit ... 13 May 1932 ... Gouged technique. Traces of white and yellow paint on hair.
|
Small Plate.
Part of rim missing.
Very small, flaring ring foot; rounded resting surface; flat underside. Foot pierced for hanging in such a way that griffin is upright. Shallow plate with convex-concave ... Context of 115-50 ... On floor, griffin leaping left in pseudo red-figured technique, white dot rosettes in field. ... This so-called pseudo red-figured technique is well known in Etruria and Apulia (Beazley 1947, pp. 195--229), though I know of no close parallel there for our figure. For griffins in this technique see CVA, British Museum 7 [Great Britain 10], pl. 4 [479]:3 (from Fasano), with a pointed stroke for the penis, but otherwise very different from the griffin on 1682; Jacobsthal 1927, pl. 114:b. |
Kantharos?
Single fragment preserving parts of upper and lower body and half of one handle.
Convex lower body, slightly concave upper body, with scraped groove where they meet. Delicate recurved handle, ... Context of 225-165 ... Hellenistic Pottery and Wheelmade Table Ware | Imported Pottery | Miscellaneous Wares In West Slope Technique |
Large Skyphos?: Italian?
Wall fragment, with lower handle attachment.
Wall nearly vertical, with vertical grooves bordered below by horizontal glazed groove above scraped groove. Below these is an ovolo ... Context of before ca. 150 ... Hellenistic Pottery and Wheelmade Table Ware | Imported Pottery | Miscellaneous Wares In West Slope Technique |
Bolsal: Boiotian?
One-fourth of wall preserved.
Base of wall concave, with groove at top. Lower wall faceted, upper wall nearly vertical. Trace of handle attached below rim. Spearhead necklace with double ... Context of 320-240 ... Hellenistic Pottery and Wheelmade Table Ware | Imported Pottery | Miscellaneous Wares In West Slope Technique |
Hellenistic Baggy Kantharos: Boiotian?
Part of wall, rim, and lower handle attachment.
Convex upper wall, incurved rim. Groove well below lower handle attachment. Below rim, ivy garland with incised ... Context of 325-275 ... Hellenistic Pottery and Wheelmade Table Ware | Imported Pottery | Miscellaneous Wares In West Slope Technique |
Hellenistic Kantharos.
One handle and fragments of rim and body missing.
Well-made molded foot; beveled resting surface; pointed underside.
Foot and underside unglazed. Scraped groove below lower handle ... Context of 225-190 ... Hellenistic Pottery and Wheelmade Table Ware | Imported Pottery | Miscellaneous Wares In West Slope Technique |
|
|
