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[Agora Publication Page] Agora 30, s. 148, p. 129

Fourth-Century Painters. ARV² 1361-1362. Paralip. 484. Addenda 372. ARV² 1363-1364. ARV² 1391, 1. ARV² 1391-1397. ARV² 1362-1363. Addenda 370. Paralip. 487. Addenda 373. ARV² 1364, 1. ARV² 1364. ARV² 1398-1399 ... Agora 30 129 P 16879 ... Paralip. 484 ... Paralip. 487 ... Paralip. 488

[Agora Object] P 1547: Black Figure Skyphos Fragment

Mended from many pieces. Nearly half of the body and the rim is preserved. The foot is entirely missing. Traces of one handle. In center, a nude flute player to right. On either side, two male dancers ... August-September 1932

[Agora Publication Page] Agora 23, s. 179, p. 163

Column-Kraters. Fill. Painter of Louvre C 11266. Louvre C 11266. Paralip. 154, 1. Louvre C 11277. Paralip. 155, 1. Volute-Kraters. Well ... Agora 23 163 P 4685 P 26630 P 268 P 1127 P 3650 P 18795 E-F 12-14 B 19:10 ... Late 6th B.C.

[Agora Object] P 19150: Red Figure Column Krater Fragment

Four joining pieces give part of the lower wall of a large partly closed pot: column krater? Glaze inside firm, but dull and streaked. Of the scene, parts of three figures remain; the border below the ... 3-7, 14-19 July 1947

[Agora Publication Page] Agora 23, s. 113, p. 97

Snake-and-spots Group. Red-line Painter. Painter of the Rhodes Pelike. Painter of Villa Giulia M. 482. Villa Giulia M. 482. Painter of Half Palmettes. Salax. Group of Copenhagen 99. Copenhagen 99. Kleophrades ... Agora 23 97 ... Paralip. 175-176 ... Paralip. 177 ... Paralip. 300-304

[Agora Publication Page] Agora 30, s. 33, p. 14

Loutrophoroi. Richter and Milne, Shapes and Names, pp. 5-6. Ginouvés, Balaneutiké, pp. 257-276. ARV² 1250, 34. Paralip. 469, 34. L. Ghali-Kahil, Gestalt und Geschichte: Geschrift Karl Schefold zu seinem ... Agora 30 14 ... Paralip. 469, 34 ... ARV² 488, 80 ... ARV² 488, 81

[Agora Publication Page] Agora 30, s. 91, p. 72

Bloesch, FAS, pp. 118-119. J.R. Mertens, Attic White-Ground Cups: A Special Class of Vase, MetMusJ 9, 1974, pp. 91-108. ABV 212-215, 690. Paralip. 102-103. Wehgartner, Attisch weissgrundige Keramik, pp ... Agora 30 72 P 2578 ... Paralip. 102-103 ... Paralip. 488, 2 ... Paralip. 339

[Agora Publication Page] Agora 30, s. 46, p. 27

H. Hinkel, Der giessener Kelchkrater, Giessen 1967, pp. 38-67. D. von Bothmer, AA, 1976 [pp. 485-512], p. 488-489. Euphronios, cat. no. 1. ARV² 14, 2. Paralip. 322, 2. Tiverios, Περίκλεια, pp. 59-80. Addenda ... Agora 30 27 ... D. von Bothmer, AA, 1976 [pp. 485-512], p. 488-489 ... Paralip. 322, 2 ... Paralip. 322, 3

[Agora Object] Agora XXX, no. 309

Rim fragment. Narrow reserved band on inside at rim. Max. dim. 0.097. Below rim, egg pattern with dots on fascia; then a concave molding decorated with a ribbon pattern with dots in the interstices. ... Ca. 440 B.C ... For the ribbon pattern, not common on the rims of bell-kraters, see Villa Giulia 50590 by the Hischylos Painter (ARV2 162, 5; Addenda 182); Argos, C 909 by Hermonax (ARV2 485, 23; Addenda 248); Oxford 1954.246, probably by the Painter of the Woolly Satyrs (ARV2 614, ---, 2); Boston, M.F.A. 10.215 by the Chicago Painter (ARV2 629, 20); two by the Barclay Painter: Louvre A 488 (ARV2 1067, 2) and Basel, Antikenmuseum und Sammlung Ludwig, Kä 404 (ARV2 1067, 2 bis; 1681; Paralip. 447, 2 bis; Addenda 325; CVA, Basel 3 [Schweiz 7], pl. 12 [324]:1,2); Syracuse 22886 by the Eupolis Painter (ARV2 1073, 3); four unattributed examples: from Olynthos inv. 8.56 (Robinson, Olynthos V, pl. 65:110), Louvre G 485 (CVA, 5 [France 8], pl. 32 [373]:1, 3, 4, 6), Delos, no no.

[Agora Publication Page] Agora 30, s. 164, p. 145

ARV² 208, 150. Kaempf-Dimitriadou, Liebe der Götter, p. 36, fig. 6. ARV² 560, 3. Fill. Addenda 259. ARV² 796, 117. Addenda 290. ARV² 798, 146. Kaempf-Dimitriadou, pl. 28:3. Matheson, Polygnotos, p. 373, ... Agora 30 145 P 14514 P 20034 P 16921 P 23214 P 18999 P 25348 P 25018 P 20682 A-B 21-22:1 R 10:6 ... 460-450 B.C ... ARV² 488, 83 ... Paralip. 452, 2 ... Paralip. 453, 18

[Agora Publication Page] Agora 30, s. 94, p. 75

Lezzi-Hafter, Eretria-Maler, pp. 253-262. A. Petridou-Gorecki, Mode im Antiken Griechenland, Munich 1989, pp. 16-20 and p. 138, notes 15-18. ARV² 1250, 34. Paralip. 469, 34. Addenda 354. Lezzi-Hafter, ... Agora 30 75 ... Paralip. 469, 34 ... Paralip. 375, 95 ... Robinson, AJA 49, 1945 [pp. 480-490], pp. 488-489

[Agora Object] Agora XXX, no. 234

Four non-joining fragments of rim and neck, P 25978 a preserving the spiral of one handle, P 28759 with start of shoulder. Two small fragments (P 25978 b and c) give a bit of the flange of a handle and ... Ca. 500-490 B.C ... The nudity of the youth seems more suitable for Theseus, although on many occasions Herakles appears nude, even in a scene where he captures the Cretan Bull (see Basel, Antikenmuseum und Sammlung Ludwig BS 488 by the Delos Painter, on which the hero's name is inscribed: ARV2 172, 4; Addenda 184; there he restrains the beast as it leaps forward). ... For encircled palmettes on the necks of red-figured volute-kraters, cf. the following, all in the upper zone and all in reserve, not black glaze: one by the Nikoxenos Painter, Munich 2381 (ARV2 221, 14; Addenda 198); another akin to him, Toronto 959.17.187 (ARV2 223, ---, 2; Paralip. 346, 2); two by the Karkinos Painter: New York, M.M.A. 59.11.20 (ARV2 224, 1) and New York, M.M.A. 21.88.74 (ARV2 224, 2; Addenda 198). 234 probably belongs among those vases akin to the Nikoxenos Painter rather than those by the painter himself or in his manner. ... The column with the top-heavy capital is best paralleled on Athens, N.M. 1425 (ARV2 223, 6; Paralip. 346, 6), which is akin to the painter.