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[Agora Publication Page] Agora 30, s. 147, p. 128

Late Fifth-Century Pot Painters; Late-Fifth Century Pot Painters of Small Pots. ARV² 1335, 31. Addenda 365. ARV² 1343-1344. Addenda 367. ARV² 1338, 1. Paralip. 481, 1. Addenda 366. ARV² 1344-1346. Paralip ... Agora 30 128 ... Paralip. 481, 1 ... Paralip. 482 ... Paralip. 482, 1

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[Agora Object] P 1406: Olpe Fragments with Dipinto

The pieces come from the neck and shoulder; b) and c) join. Above a narrow black band, three painted letters preserved. a) b) For the shape, cf. P 1210. The unglazed surface is grayed and darkened (from ... August-September 1932

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[Agora Publication Page] Agora 23, s. 215, p. 199

Oinochoai; Oinochoai; Shape 3; Chous. Other. E. Vanderpool, Hesperia 15, 1946, p. 313, no. 210, pl. 62. Well. Fill. Athena Painter. Paralip. p. 296. Painter of Villa Giulia M. 482. Villa Giulia M. 482 ... Agora 23 199 P 1559 P 24675 P 5209 P 6091 P 24681 P 4573 P 15723 P 4276 P 1397 P 1558 P 9278 P 15957 P 23342 G 6:3 R 12:4 E-F 12-14 E 14:11 M 17:4 F 19:4 H 12:15 ... Early 5th B.C ... Paralip. p. 296 ... Painter of Villa Giulia M. 482 ... Villa Giulia M. 482

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[Agora Publication Page] Agora 23, s. 113, p. 97

Snake-and-spots Group. Red-line Painter. Painter of the Rhodes Pelike. Painter of Villa Giulia M. 482. Villa Giulia M. 482. Painter of Half Palmettes. Salax. Group of Copenhagen 99. Copenhagen 99. Kleophrades ... Agora 23 97 ... Painter of Villa Giulia M. 482 ... Villa Giulia M. 482 ... Paralip. 175-176

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[Agora Publication Page] Agora 30, s. 88, p. 69

ARV² 8, 9. Addenda 151. ARV² 9, 2 and 41, 38. ARV² 16, 17. Paralip. 322, 17. Addenda 153. Euphronios, cat. no. 41. Mertens, AK 22, 1979, pl. 14:1-3, 6. ARV² 9, 1. Seki, Gefässform-Schalen, pp. 60-61 and ... Agora 30 69 ... Paralip. 322, 17 ... Paralip. 365-374 ... ARV² 458-482

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[Agora Publication Page] Agora 23, s. 85, p. 69

Epinetra. Sappho Painter. Diosphos Painter. Golonos Group. Thymiateria. Agora XII, p. 230. D. M. Robinson, AJA 49, 1945, pp. 480-490. ABL, p. 228, nos. 53-54 bis. ABL, p. 237, no. 118. Paralip. 250. Pamela ... Agora 23 69 ... Paralip. 250 ... Paralip. 220, 4 ... Paralip. 220

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[Agora Object] P 43: White Ground Cup: Type C and Inscribed

The base, most of the central medallion, and one handle are preserved. Medallion is outlined with a single line of brown glaze. The figure is that of a standing youth (Apollo?) facing right and playing ... 2 July 1931 ... AJA 39 (1935), pp. 482, 483 ... Paralip., p. 389.

[Agora Object] Agora XXX, no. 173

Six non-joining fragments, a of rim, neck, shoulder, and start of one handle column, b + d of shoulder with swelling for handle root and part of wall, c, f, and g of wall. Glaze dull in places on outside; ... Ca. 480 B.C ... Usually, Dionysos is present, as in the scene by the Cleveland Painter in New York (M.M.A. 41.162.10: ARV2 516, 4; Paralip. 382, 4; Addenda 253) or there may be three satyrs by themselves (e.g., Lecce 602 by the Leningrad Painter: ARV2 569, 39; Paralip. 390, 39; Addenda 261). 173 presents a number of problems concerning interpretation of details. ... Normally this is a simple, plain vessel without handles (e.g., Lecce 602; Naples, Capodimonte 960 by the Pig Painter: ARV2 563, 4; Paralip. 389, 4; Addenda 260). ... A good parallel is the trough on Bologna 241 by the Orchard Painter (ARV2 524, 25; Paralip. 383, 25; Addenda 254) or Ferrara 42684 = T.254 C VP, a later work by the same artist (ARV2 524, 26; Paralip. 383, 26; Addenda 254).