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Floor fragment. Glaze pitted. Max. dim. 0.041.
I, uncertain subject. The fragment preserves part of a barbiton (upper section of arms, crosspiece, and strings). A sash hangs from the lower arm. In the ... Probably late 6th or early 5th century B.C ... For the barbiton, see 196.
The musician on 1628 probably held his instrument by its arm in his left hand. |
Two non-joining wall fragments. Streaky blackish brown glaze on inside. Max. dim. a) 0.064, b) 0.051.
Musical contest. Fragment a preserves an aulos-player (most of head, lower part of garment, and feet ... Ca. 430-420 B.C ... Fragment b shows the head and shoulders of a man, probably seated (he looks upward) to left, facing the musician. Around his head is a fillet with three spikes; over his shoulder, a himation. |
| Mended from several pieces. Almost complete except for sections of rim and body. Torus ring foot, concave lip, canted handles. Reserved: underside with two concentric circles, outside of foot, resting ... 6 July 1995 ... Protrusion from area of head toward raised hand. A musician (?). Branches radiate toward handles and palmettes. |
| Human foreparts. Hunter. Iolaos. Iris. Pantheress. Funeral Games for Patroklos. Javelin thrower. Judge. Pegasos. Judgment of Paris. Jumper. Funeral Games for Pelias. Peleus: seizing Thetis. Kerberos. Chorus ... Agora 23 361 ... Musician |
Preserved except for mouth and handle, part of wall in back, and a little in front. Chips in base. Streaky brownish black glaze on inside. P.H. 0.22; diam. 0.177. H. A. Thompson, Hesperia 17, 1948, pl ... Late third quarter of the 5th century B.C ... Dilute glaze: muscles on hip of musician. White: band on wreaths of youths; flames of torch. |
Lower half of body, all of torus foot, start of handle B/A. Strengthened with plaster. Thin reddish glaze on inside. Misfired reddish in places on outside. Pitted here and there. P.H. 0.035. R. R. Holloway, ... Ca. 440-430 B.C ... At the left, Nike (drapery from the knees down, feet) flies to right toward a musician (lower part of chiton with a decorated robe over it, feet) who stands to right on a two-stepped platform playing the kithara (the ends of its sash hang down in front of him). ... At the left, Nike (lower part of himation and chiton, feet) flies to right toward a musician (head, shoulders missing) who plays the aulos (most of each pipe). ... There, the moment shown is a slightly earlier one, for the musician mounts the bema. |
Five non-joining wall fragments, a with start of keel. Glaze much pitted on underside of bowl. P.H. a) 0.18; max. dim. a) 0.25, b) 0.174, c) 0.087, d) 0.107, f) 0.062; est. circumference at ground line ... Ca. 500 B.C ... Fragment b gives more of the pattern, the lower parts of a musician to right draped in a long chiton decorated with a vertical stripe. ... Next probably comes fragment b with the musician and the acontist (the character of the glaze and the potting lines on the inside suggest this arrangement). ... If this is correct, then the small bit of relief contour at the break just behind the heels of the musician on fragment b could be the end of a javelin. |
Two non-joining wall fragments, a with turn of shoulder. Max. dim. a) 0.20, b) 0.069.
A (illustrated), komast ("Anacreontic") standing to right, playing the barbiton. Fragment a preserves the end of his ... Ca. 470-460 B.C ... The figures were unframed, because the glaze in front of the musician on Side A is applied vertically.
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Five non-joining fragments, a and b of wall with turn of shoulder, c and d of rim and neck, e of handle and loop. Glaze slightly greenish on c. Matte on inside. Flaked a bit on b. Max. dim. a) 0.102, b) ... Ca. 500-490 B.C ... Behind her is a musician (crosspiece with tuning knobs, strings, ends of arms of his barbiton). |
| Mended; almost complete, except for parts of rim and body. Attic type skyphos. Strong torus foot, deep body, slightly out-turned concave lip, canted horseshoe handles.
Reserved: underside with two glazed ... 6 July 1995 ... Central figure, a musician playing a flute, sits left. |
Broken and mended with many missing pieces restored in plaster and painted, notably a large amount of the rim. Three concentric circles on underside of foot. Glaze misfired on A--B from stacking in the ... Ca. 480 B.C ... Behind the musician, the king clad in a himation and chiton, stands to right, holding a phiale in his outstretched right hand, which the woman facing him fills from an oinochoe held in her right hand (liquid pours from the vessel). |
Thirteen non-joining wall fragments with thin reddish wash on inside. Mended in antiquity (part of lead repair in b; hole in d). Glaze pitted and abraded here and there. P.H. a) 0.14; max. dim. a) 0.281, ... Ca. 440 B.C ... Fragment b (illustrated) shows the feet and lower drapery (chiton under a himation) of the musician, who stands frontally on a platform, probably with head turned to right. |
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