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| Obverse: a female head, perhaps Hera, in relief, right.
Taken from a coin type ?
Reverse: plain. South triangle, layer 2 C. 781 Leica ... 20 April 1948 ... Obverse: a female head, perhaps Hera, in relief, right.
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| 11 fragments. Neck and rim shoulder have palmette decoration; figures of Hermes, Hera and others, with names above each one. Athena. 11 fragments. Carl Roebuck, Nb. No. 6.
Well A, Pit A ... Neck and rim shoulder have palmette decoration; figures of Hermes, Hera and others, with names above each one. |
| From a kantharos(?) or kalathoid(?). Trace of handle evident, however.
a) Outside lip, egg pattern; below, head of woman left, with part of a wing in front of her face.
b) Part of lip.
c) Part of standing ... 11 March 1935, 26 May 1937 ... Paris, Hermes and Hera: At right, Paris, seated on rocks beneath a tree; wearing chalmys and high-laced boots, and with his hat behind his head, a knotted stick in his hand. Hermes, who conducts Hera, wears chlamys and hat with upturned rim; Hera wears chiton himation, pointed diadem and veil; a scepter in her left hand. |
Four non-joining wall fragments, a, c, and d with part of outturned rim. Max. dim. a) 0.055, b) 0.071, c) 0.04, d) 0.169; est. diam. at rim 0.26. H. Riemann, AA, 1937, p. 94, fig. 3 (fragment d); ILN, ... Ca. 470-460 B.C ... Raab, Zu Darstellungen des Parisurteils in der griechischen Kunst, Frankfurt 1972, p. 178, cat. no. 7; LIMC IV, 1988, p. 710, no. 429, pl. 431 (fragment d), s.v. Hera.
Judgment of Paris. ... Behind Hermes comes Hera wearing a chiton and himation, a veil and diadem on her head. ... Furthermore, Clairmont's interpretation would require a seven-figure composition of Paris, Hermes, Hera, Athena, Aphrodite, Eros, and Peitho. |
Two non-joining fragments, P 5107 with rim and body, P 44 of wall. Reserved line on side at rim; another 0.06 below rim. Glaze misfired greenish and reddish in places. P.H. P 5107: 0.127; est. diam. at ... Ca. 430 B.C ... Hephaistos and p. 694, no. 314, s.v. Hera.
Upper zone: Return of Hephaistos. ... The figure of Hera on 288 with a frontal attendant is closest to the composition on the skyphos in Toledo attributed by Bothmer to the Kleophon Painter (82.88: CVA, Toledo 2 [USA 20], pl. 86 [969]:2 and p. 13 for the attribution; Matheson, Polygnotos, p. 379, cat. no. ... There, however, a satyr stands before Hera; the figure on 288, who rests a foot on a rock, is probably another attendant or a maenad. |
| Many joining fragments preserve about two-thirds of the circumference of the vase, and part of the rim. Filled out with plaster; nothing of the base preserved.
A) Four standing figures: a bearded male; ... 27 May 1937 ... (Possibly Zeus, Hera, Hermes and Apollo?) |
| Fragment a) made from three fragments: lower part of woman, in chiton and himation, left; facing her, seen in three-quarters view, Hermes, lower part preserved. Behind Hermes, at the upper left corner ... 26 May 1954 ... Black figure amphora BM, CVA, pl. 38, 1a by the Amasis painter, Zeus, Hera wedding); or Apotheosis of Herakles (e.g. black figure amphora BM, CVA, pl. 40, 1b). |
| Mended from many pieces; a few wall fragments missing. Torus mouth; rim flat on top; shoulder tending to be flat; moulded ring above foot; unusually moulded foot.
On shoulder, thin rays and palmettes ... 1 June 1954 ... Standing behind him, Hera.
Added red and white; glaze thin and brown in places. |
Shoulder fragment. Dull black glaze on inside. Glaze pitted and abraded in places. Max. dim. 0.152. Schleiffenbaum, Volutenkrater, p. 322, cat. no. V 198.
Youth (head with olive wreath, left shoulder ... Ca. 400 B.C ... For the decoration on the shoulder of the youth's chiton, cf. Hera on the namepiece of the Talos Painter, Ruvo, Jatta 1501 (ARV2 1338, ---, 1; Paralip. 481, ---, 1; Addenda 366). |
| Many fragments, giving essential parts of the walls but nothing of the foot. On each side, four figures grouped in twos.
A) Warrior to left holding shield in the left hand; Attic helmet, chiton, corselet ... 25 May 1951 ... The representation was probably of deities, which one can name as Ares, Apollo, Aphrodite and Hera or Artemis.
B) Four figures grouped in twos: two women facing each other; a man, hand extended facing a woman. |
| a) Fragment showing folds of himation over left arm. Arm was inset and attached with a square dowel.
b) Draped torso (?) fragment. On one face flat folds appropriate to himation on back of figure. This ... a)-c) (ΚΤΛ 375) November 1954
(Ι 1680) 1959 ... Pose and composition recall Hera Borghese.
Individual motifs resemble Aphrodite Frejus, Nike Parapet and Dancing Maenads.
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