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Black figure animal frieze style ... First Half of 6th B.C ... Black figure animal frieze style. |
Polos style black figure ... Early 6th B.C ... Polos style black figure. |
| Red figure cup. Late Severe style. Side B ... Slide set: 9.16 and 9.17 see also other views Horizontal (normal) ... 1 Jun 2000 ... Red figure cup. Late Severe style. |
| Red figure cup. Late Severe style. View of the exterior wall: four figures ... Slide set: 9.16 and 9.17 see also other views. Horizontal (normal) ... 1 Jun 2000 ... Red figure cup. Late Severe style. |
| Red figure cup. Late Severe style. View of the exterior wall: departure of warrior ... Slide set: 9.16 and 9.17 see also other views. Horizontal (normal) ... 1 Jun 2000 ... Red figure cup. Late Severe style. |
| Red figure cup. Late Severe style. Tondo: youthful warrior pouring a libation over an altar ... Bruce Hartzler ... Slide set: 9.16 and 9.17 see also other views. Horizontal (normal) ... 1 Jun 2000 ... Red figure cup. Late Severe style. |
| Fragment a) from shoulder, b) from wall, both non-joining and broken all around. From a closed large vase of which the neck was painted inside. On the outside a helmeted head, to left, in black figure ... 10 May 1935 ... On the outside a helmeted head, to left, in black figure style, accompanied by an inscription ΔΗ]ΜΟ[ΣΙΟΝ. |
Fragment from mid-part of figure, holding a child in right arm.
Gouged style. No color.
Light red clay. Cistern, strosis II. Leica ... 13-19 June 1937 ... Fragment from mid-part of figure, holding a child in right arm.
Gouged style. No color.
Light red clay. |
Herbert, Sharon ... American School of Classical Studies at Athens ... Inferior clays and glazes, unsuited to the red-figure style, means that the indigenous production of red-figure vases in Corinth was very limited. However for about 75 years, in the middle of the 5th century ... 1977 ... Inferior clays and glazes, unsuited to the red-figure style, means that the indigenous production of red-figure vases in Corinth was very limited. ... The author discusses the reasons for the production of Corinthian red figure even in limited quantities. ... Thirteen deposits provide chronological evidence to supplement that of the painting style. The volume serves to bring forward a small but significant segment of the non-Attic pottery industries, and should stimulate interest in other unpublished, unreported examples. |
| Two joining fragments from near handle attachment. Komast Group style. Komast to left. Added red on chiton. Catalogued May 1960. Well AB, layer 3. Leica ... July 1959 |
Head and part of back of figure.
Draped, and with a hood over her head.
Extremely coarse gouged style. White wash; traces of red paint.
Late Roman. Cistern, lower fill. Leica ... 13 February 1937 ... Head and part of back of figure.
Draped, and with a hood over her head.
Extremely coarse gouged style. White wash; traces of red paint.
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| Triangular tripod base with a relief figure on each side. Face B: Maenad. Neo-Attic archaistic style. Pentelic marble ... Triangular tripod base with a relief figure on each side. ... Neo-Attic archaistic style. Pentelic marble. |
| Triangular tripod base with a relief figure on each side. Face C: Herakles. Neo-Attic archaistic style. Pentelic marble ... Triangular tripod base with a relief figure on each side. ... Neo-Attic archaistic style. Pentelic marble. |
| Triangular tripod base with a relief figure on each side. Face B: Maenad. Neo-Attic archaistic style. Pentelic marble ... Triangular tripod base with a relief figure on each side. ... Neo-Attic archaistic style. Pentelic marble. |
| Triangular tripod base with a relief figure on each side. Face A: Dionysos. Neo-Attic archaistic style. Pentelic marble ... Triangular tripod base with a relief figure on each side. ... Neo-Attic archaistic style. Pentelic marble. |
| Triangular tripod base with a relief figure on each side. Face C: Herakles. Neo-Attic archaistic style. Pentelic marble ... Triangular tripod base with a relief figure on each side. ... Neo-Attic archaistic style. Pentelic marble. |
| Part of neck and wall. Below red band (pattern?) head to right with Phrygian cap.
Poor style and glaze. Street of the Marble Workers. Leica ... May 1964 |
Polos-style amphora fragment mended from two pieces. Part of the lowest animal frieze, with rays below. Siren to right; incised rosettes in field.
Clay burned gray, and glaze badly peeled. Second layer ... 11 February 1935 |
| Deinos rim fragment. Glazed inside and on both edges of the rim; the flat top reserved, ornamented with a large rosette carefully incised; center and alternate petals red.
Attic Orientalizing style. Well ... 22-25 February 1935 |
| Fragment from base and lower wall. Low base and side wall, slightly inclined inward. Around the lower wall a frieze of which there remain parts of a mounted horseman, in front of him and facing him one ... 16 March 1938 ... Around the lower wall a frieze of which there remain parts of a mounted horseman, in front of him and facing him one cloaked and scepterd and one uncloaked figure; facing in the other direction, one uncloaked figure. Delicate work of Little Master style. |
| Triangular base with a relief figure on each side. For a tripod: Pentelic marble. Face A: Dionysos. Neo-Attic archaistic style ... Triangular base with a relief figure on each side. ... Neo-Attic archaistic style. |
| From the shoulder of a large polos-style closed pot; head of siren left. Hair, neck and start of wing retouched with violet red. Coarse incision. Part of blob rosette in field.
Buff clay, dull black glaze ... 11 February 1935 |
| From a closed pot (squat small amphora?).
Below, rays. Frieze of animals: preserved, two sirens facing; in field, incised rosettes. Above, double line of dots separating it from next frieze. Added purple ... 27 March 1935 |
Small bowl with flaring rim, attachments for vertical band handle. Inside, black glaze with broad red band edged with white? On rim, glazed band and dots. Outside, incised blob rosettes and at right edge ... 22-28 February 1935 |
| About half the foot, less than half the walls, preserved. Base a high ring. Between palmettes, a quadriga, right, with a charioteer and a lyre player; an attendant beyond. Style and top-knots much as on ... 19-23 March 1936 |
Rim fragment.
I. Trace of two reserved lines from medallion border; wreath with dotted rosettes on rim in faded white.
A. Upper part of cloaked youth left, not far in style from fragment Agora P 16652 ... 1931 |
Fragment from upper wall.
Bearded head, wearing a fur conical hat, right; in front of him a white leaf in the field.
No relief contour.
White for the hat, with yellow overpainting.
"Style of the Naples ... 1931 |
| From wall of stout pot; probably just below rim of krater. Woman right with outstretched arms. Frontal eye. Fine relief lines. Glazed inside. Indifferent work of severe style.
Glaze good but crackled ... 16 March 1932 |
| From the wall of a closed pot; Attic animal style. Lion, rampant, with head turned back; flame mane and purple details. Under the lion's paws, a narrow brown line; band of panel, or object? Sand below ... 10 June 1947 |
Rim fragment. Flat projecting rim with thickened edge. On rim, fat birds to left; compact rosettes. On edge, blobs. Mended in antiquity.
For the shape cf. P 3434, for the style the Polos P. and his companions ... June 1931 |
Refuse pit at 51/Ζ; it had been partly cut away at the north by the late Roman retaining wall; the dumped filling a homogeneous deposit of figured, black and plain wares. Red figure oinochoe in the style ... Ca. 450-420 B.C ... Red figure oinochoe in the style of Meidias painter; red-figured pieces, black glazed ware; two ribbed mugs; fragmentary lamps; fragmentary terracotta figurine. |
Two fragments from lekanis of Attic animal frieze style.
a) The handle and a bit of the figured zone.
b) A row of dots on the slightly raised band below the rim, and fragments of a winged figure and a ... 31 May-5 June 1933 ... Two fragments from lekanis of Attic animal frieze style.
a) The handle and a bit of the figured zone.
b) A row of dots on the slightly raised band below the rim, and fragments of a winged figure and a lion(?) |
A woman, seated (?) left, looking at a mirror she holds in her right hand; at the left the right hand of another figure.
No relief contour.
Possibly from a lekanis lid; if from a pyxis, then one of type ... 1931 ... left, looking at a mirror she holds in her right hand; at the left the right hand of another figure.
No relief contour.
Possibly from a lekanis lid; if from a pyxis, then one of type III, similar in shape and style (?) to P 104 |
Wall fragment.
Bearded figure reclining on cushions, left; a cloak is thrown over his legs, and a part of the drapery of another reclining figure appears behind him at right.
Relief contour for chest ... 1931 ... Bearded figure reclining on cushions, left; a cloak is thrown over his legs, and a part of the drapery of another reclining figure appears behind him at right.
... "By a contemporary of the painting of London F4, the style something like him. |
| Panel amphora. Early black figure style. Rosettes on rim, palmettes above panels. Five pieces join to the large neck fragment; nine others, of which three join together, probably belong lower down. The ... August-September 1932 ... Early black figure style. Rosettes on rim, palmettes above panels. ... Three of the odd fragments appear to belong to the warrior group: bits of shields and of a human figure. The rest belong to the lions: three together give most of the body of the right figure; two, bits of curving tail by the edge of the panel; the remaining one, the nose and chin of the left hand lion with part of a lotus-bud filling ornament.
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| Wall fragment depicting one leg with red greave; hand and arm hanging down behind leg - warrior being carried off battlefield? Fine style.
Interior red glaze. Ground line stripes also in brownish glaze ... July 1964 |
| Preserved: proper left side from shoulder to knee, one arm to elbow, and also part of support.
Draped female figure with left arm resting on support consisting of upper part of female figure wearing polos ... 14 May 1964 ... Draped female figure with left arm resting on support consisting of upper part of female figure wearing polos. Metal, perhaps lead, preserved at elbow of main figure, for attachment of lower arm.
... Close in style and scale to S 1534 (Π 819), but does not join. |
| Mouth, neck, most of handle and fragments of body missing.
Body: Dionysos, right, preceded and followed by a dancing satyr. Shoulder: cock between ivy leaves.
Red for beards, tails, folds and dots ... 2-4 July 1932 |
Eight fragments mending to five from rim and wall of a skyphos of Heron shape. Concave rim decorated with ivy wreath; scenes on wall in very late black figured style. Uncertain scene: preparations for ... 26 February 1957 |
Uncertain shape: rhyton? Small fragment with sharp horizontal curve, glazed glossy black inside and out. Two horses of a chariot team, right. The tip of the driver's goad at the left edge of the fragment ... 30 June 1954 |
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