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| Early Protoattic. The Analatos Painter. Cook, B.S.A., XXXV, 1934-1935, pp. 172-176. Davison, "Geometric Workshops," pp. 51-52, figs. 59-63. Hampe, Grabfund, pp. 77ff. Burr 162. Brann F 10. The Mesogeia ... Agora 8 10 ... Last quarter of 8th century and first quarter of 7th century B.C ... The Analatos Painter ... N. Painter ... The Checkerboard Painter |
| Piece from wall with maeander, broken by checkerboard, border below. Lower part of draped standing figure facing left towards a table or couch of which right leg and corner preserved. Behind figure, part ... 23 May 1938 |
Wall fragment. Max. dim. 0.055. Burn, Meidias Painter, p. 117, cat. no. MM 144.
Woman (body, legs, start of arms) kneeling on the ground to right, dressed in a long, belted chiton. In front of her is ... Ca. 400 B.C ... Burn, Meidias Painter, p. 117, cat. no. ... Below, stopped-maeander pattern with checkerboard-squares, a dot in each reserved square. ... Manner of the Meidias Painter, xii: Sundry: Very close to the Meidias Painter, but compare the Group of the Palermo Phaon (no. 9) (Paralip. 479, 99 bis). |
| Aegina. Chronology. Aktorione-Molione. Cocks. Amphora. Color paint. Column krater. Cooking jugs. Amphoriskos. Cooking Ware fabric. Analatos Painter. Corinthian fabric. Argive Monochrome Ware. Corinthian ... Agora 8 132 ... Analatos Painter ... Dipylon painter ... Checkerboard Painter |
Floor fragment. Max. dim. 0.072; est. outer diam. of tondo 0.14.
I (illustrated), youth (most of head, shoulders) to left, wearing a himation. Around the tondo, stopped-maeander pattern with checkerboard-squares, ... Ca. 410-400 B.C ... Around the tondo, stopped-maeander pattern with checkerboard-squares, a dot in each reserved square. ... The Sub-Meidian Cup-Group (i): probably by the Painter of London E 106. |
Wall fragment from near shoulder. Max. dim. 0.039. Lezzi-Hafter, Eretria-Maler, p. 354, cat. no. 302, pl. 188:e.
Woman (head with fillet) to left, dressing. She holds the kolpos of her chiton between ... Ca. 430-420 B.C ... Above, stopped-maeander pattern with checkerboard-squares. Preliminary sketch. ... The Calliope Painter (ARV1 736, 58; ARV2 1263, 81). |
Lower part of body with start of stem above foot. Part of glaze misfired red on bottom of inside; abraded slightly on inside. P.H. 0.15; P.D. 0.22.
Very little of the figured decoration remains: feet, ... Early 4th century B.C ... Below the figures, stopped-maeander pattern with checkerboard-squares.
... What remains of 456 bears some similarity to Leyden I.1956/8.3 in the manner of the Meleager Painter (iii), Various (ARV2 1416, 2; Addenda 375). |
| Εφ. Αρχ., 1898, pl. 32, 2. CVA Berlin 1, pl. 9, 4. Fragment of Openwork Standed Bowl; Early or Middle Protoattic. Athens 894. B.S.A., XLII, 1947, pls. 21-22. Fragmentary Lid; Early Protoattic. Well. Young ... Agora 8 77 P 4352 P 7183 P 7443 P 10654 P 10200 P 26319 P 12603 D 11:5 B 14:5 J 15:1 P 7:2 ... 700 B.C ... Checkerboard Painter |
| Seven joining and two non-joining fragments of a very shallow cup with plain rim. A trace of the spring of the stem preserved beneath, and part of one handle attachment. Inside, medallion bordered by stopped ... 13 April 1935 ... Inside, medallion bordered by stopped maeander interrupted by checkerboard squares. At right, a hawk on the wing, holding in his beak and claws a snake. ... Very fine relief contours recalling the Eretria painter. The snake was painted in an added color, now gone. |
Wall fragment with start of handle in upper left. Much of the glaze fired reddish; flaked on inside. Max. dim. 0.19.
Symposion. At the left, a woman (from the shoulders down) stands to right, wearing ... Late 5th or early 4th century B.C ... Below the figured decoration, stopped-maeander pattern with checkerboard-squares, a dot in each reserved square. ... For the absence of a pattern around the handle root, a rare occurrence, see two by the Painter of Vatican 9103: the namepiece (ARV2 1438, 1); Vienna 1142 (ARV2 1438, 2; Addenda 377). |
Fragment of rim and wall with start of one handle. Glaze fired greenish in places. P.H. 0.193; est. diam. at rim 0.29. Matheson, Polygnotos, p. 395, cat. no. DM 19.
A, women at a laver (lower legs and ... Ca. 430-420 B.C ... Below the figures, stopped-maeander pattern with checkerboard-squares.
Manner of the Dinos Painter (ARV2 1156, 15). |
Two non-joining fragments of lip, bowl, and floor. Glaze abraded slightly on outside at rim. Max. dim. a) 0.14, b) 0.035; est. diam. at rim 0.15; diam. of tondo 0.117. R. Lamberton and S. Rotroff, Birds ... Probably mid-5th century B.C ... Around the tondo, stopped-maeander pattern with checkerboard-squares. Relief contour. ... A possible parallel appears on the namepiece of the Orchard Painter, New York, M.M.A. 07.286.74 (ARV2 523, 1; Addenda 254).
... Cf. two by the Sotades Painter, London, B.M. |
Three non-joining fragments, a and b of wall with turn of shoulder, c of neck. Burned (clay is gray). Max. dim. a) 0.032, b) 0.051, c) 0.048.
Fragment a (illustrated) preserves (on the shoulder) the feet ... Probably third quarter of the 5th century B.C ... On the body just below the shoulder on a and b, stopped-maeander pattern with checkerboard-squares, a dot in each reserved square. ... To the list compiled by Oakley (Phiale Painter, p. 53, note 361), add: Body with figures. Manner of the Berlin Painter(?), once London Market (Cat. |
Wall fragment from bottom of figured decoration. Max. dim. 0.095.
Chimaera (chest, shoulder, most of forelegs, start of belly) to left. Below, stopped-maeander pattern with checkerboard-squares. Preliminary ... Probably early 4th century ... Below, stopped-maeander pattern with checkerboard-squares. Preliminary sketch. ... For full representations, see Genoa 1911.163 near the Pronomos Painter (ARV2 1337, 6; Addenda 366); Naples 3243 from the Budapest Group (ARV2 1439, 2); and an unattributed calyx-krater, Lecce 4530 (MarbWPr 1952--1954, pl. 2). |
Preserved except for part of mouth and neck, which is restored in plaster and painted. Thin, reddish brown glaze on inside. Glaze slightly abraded on handle. Two holes in handle for ancient mend. H. 0.218; ... Ca. 410-400 B.C ... Ducat in Études Deliénnes (BCH Suppl. 1), Paris 1973, p. 38, fig. 26 (part); Burn, Meidias Painter, p. 109, cat. no. ... Above the figures, a frieze of upright encircled palmettes; below, stopped-maeander pattern with checkerboard-squares. The figures are framed by elongated chevrons. ... Assigned by Green to the Class of Ferrara T.108 A (BSA 66, 1971, p. 199, no. 1); Manner of the Meidias Painter, xii: Sundry (ARV2 1324, 40; Addenda 364). |
Almost all of Side B preserved, including the two handles. Two non-joining fragments of Side A. P.H. of a) 0.31; diam. of rim 0.38; max. dim. b) 0.123, c) 0.073.
A, subject uncertain. Fragment b preserves ... Third quarter of the 4th century B.C ... Below the figures, stopped-maeander pattern with checkerboard-squares. Preliminary sketch. Dilute glaze: decoration on garment.
The Painter of Athens 1472 (ARV2 1477, 6). |
| a)Fragment from floor only. In the medallion, a long-sleeved figure to right, preserved from shoulder to thigh, its right side only. Relief contours. Around the medallion, a maeander broken by dotted checkerboard ... 7 June 1937 ... Around the medallion, a maeander broken by dotted checkerboard squares, the black parts formed by large round dots. ... ADDENDA Painter of Heidelberg 211 (very near late painter of London E 777) (JDB letter Oct. 14, 1937). |
Wall fragment. Max. dim. 0.168. Prange, Niobidenmaler, p. 189, cat. no. N 42.
At the left, part of a stool (seat, cushion, one leg), then a woman (from the hips down) standing to left, holding a phorminx ... Ca. 460 B.C ... Below, stopped-maeander with checkerboard-squares. Preliminary sketch. ... The Niobid Painter (ARV1 420, 25; ARV2 603, 32). |
Five non-joining fragments, d of floor with ring base, a of body with start of neck, the rest, body fragments. Glazed black on inside, streaked in places. Max. dim. a) 0.129, b) 0.057, c) 0.11, e) 0.063; ... Ca. 410-400 B.C ... Chr., Aschendorff, Münster Westfalen 1973, pl. 14:b; Lezzi-Hafter, Eretria-Maler, p. 341, cat. no. 224, pl. 65:b; Burn, Meidias Painter, p. 108, cat. no. ... Fragment b preserves the toes of her right foot and part of the pattern below, a maeander with checkerboard squares. Fragments c -- e are without decoration. ... Manner of the Meidias Painter (ARV1 837, 29 bis); may be by the painter himself (ARV2 1323, 35; Addenda 363). |
Five non-joining fragments c and d of lip and bowl, b and e of bowl, b of one handle, a of floor. Reserved line at rim. Glaze abraded on handle. Max. dim. a) 0.077, b) 0.092, c) 0.092, d) 0.08, e) 0.038; ... Ca. 450-440 B.C ... Around the tondo, stopped-maeander pattern with checkerboard-squares, a dot in each reserved square. ... Relief contour: I.
The Painter of London E 777 (ARV2 one 619, 40); Manner of the Painter of London E 777, i: The Painter of Heidelberg 211 (ARV2 945, 28). |
Mended with the missing pieces restored in plaster and painted, notably much of the figured part. Glaze has abraded in many places. The panel is not placed exactly opposite the handle but slightly to the ... Mid-5th century B.C ... Below the figures, stopped-maeander pattern with checkerboard-squares, a dot in the center of each reserved square. ... The composition on 793 was probably similar to the one on the obverse of Boston, M.F.A. 01.8032 by the Penthesilea Painter (ARV2 888, 155; Paralip. 428, 155; Addenda 302).
Linked by Boulter with the Chicago Painter (Hesperia 22, 1953, pp. 68--69) and attributed to his workshop by Lezzi-Hafter (Schuwalow-Maler, p. 102, cat. no. |
Mended with missing pieces restored in plaster and painted, notably, all of one handle and much of the bowl around it, most of the other handle, nearly all of the foot plate. Top of rim reserved. On underside ... Ca. 450-440 B.C ... Around the tondo, stopped-maeander pattern with checkerboard-squares, a dot in each reserved square. ... Manner of the Painter of London E 777, i: The Painter of Heidelberg 211 (ARV2 944, 3). |
Five non-joining neck and body fragments, k with part of rim. Thin brownish black glaze on inside. Max. dim. a) 0.092, b) 0.086, j) 0.064, k) 0.055, l) 0.048. Choes and Anthesteria, p. 80, cat. no. 171, ... Ca. 425-420 B.C ... Below, stopped-maeander pattern with checkerboard-squares, a dot in each reserved square. ... For the combination of a frieze of upright palmettes above the figures and chevron side frames, see these three by the Eretria Painter: New York, M.M.A. 08.258.22 (ARV2 1249, 12; Addenda 354; Lezzi-Hafter, Eretria-Maler, p. 339, cat. no. 213, pl. 135:a, b); Athens, N.M. 15308 (ARV2 1249, 17; Lezzi-Hafter, p. 339, cat. no. 216, pl. 138:a--c); Louvre L 64 attributed by Lezzi-Hafter (p. 340, cat. no. 219, pl. 141:d). It is not certain if 639 is by the Eretria Painter, but it seems close to him. |
Floor, bowl, and lip fragment, strengthened with plaster. Reserved line on inside of rim. P.H. 0.051; est. diam. of rim 0.27; est. outer diam. of tondo 0.15.
I, youth leaving home. All that remains of ... Ca. 410-400 B.C ... Around the tondo, stopped-maeander pattern with checkerboard-squares, a dot in each reserved square. ... The Sub-Meidian Cup-Group (i): Mouret Painter (ARV2 1393, 25). |
Three non-joining wall fragments, P 34 a/P 22761 a with half of one handle. Narrow reserved band on inside. Glaze abraded and flaked in places. P.H.P 34 a/P 22761 a) 0.23; max. dim. P 34 b) 0.107, P 22761 ... Probably early 4th century B.C ... Below the figures, stopped-maeander pattern with checkerboard-squares, a dot in each reserved square. ... Dilute glaze: necklace.
The Painter of the Oxford Grypomachy (ARV1 877, 11; in Addenda and Corrigenda, p. 2505, to ARV1 p. 877, delete no. 11; not in ARV2). |
Three non-joining fragments, a / b of rim, much of body, and all of one handle, strengthened with plaster. Fragment c belongs to the rim with part of handle zone; d is a wall fragment. Narrow reserved ... Ca. 420 B.C ... Below the figures, stopped-maeander pattern with checkerboard-squares, a dot in the center of each reserved square. ... The Kadmos Painter (ARV2 1186, 22). |
Mended with the missing pieces restored in plaster and painted, notable among them, both handles, all of stem and foot, a large section of the bowl. Reserved line on inside at rim. Rest. H. 0.095; rest ... Mid-4th century B.C ... Around the tondo, stopped-maeander pattern with checkerboard-squares. A--B, three youths, each dressed in a himation. ... Group YZ (ii): the Painter of Vienna 202 (ARV2 1523,---, 5). |
Lower part of wall and all of ring base. On underside of floor, three concentric circles with central dot. Most of the glazed fired red on the inside and on the outside below the figures. P.H. 0.15; diam ... Ca. 430 B.C ... Below the figures, stopped-maeander pattern with saltire- and checkerboard-squares. Below each handle, encircled palmette configuration.
... Cf. just a few examples that may stand for many: two by the Veii Painter: South Hadley, Mass., Mount Holyoke College, 1932 BS II.5 (ARV2 906, 109; Addenda 303) and Berlin 2261 (ARV2 906, 116; Addenda 303); Oxford 1961.468 by the Painter of Bologna 417 (ARV2 917, 202; Addenda 304); the namepiece of the Group of Athens 1591 (ARV2 955, 1; Addenda 307).
... KL 30, pl. 131: the painter himself). |
Two non-joining fragments, a of lip and bowl, b of bowl. Stubs of one handle on a. Reserved line on rim. Glaze cracked and fired brown in places. Max. dim. a) 0.158, b) 0.047; diam. at rim 0.18; est. diam ... Ca. 420-410 B.C ... I, pattern around the tondo: stopped-maeander pattern with checkerboard-squares, a dot in each reserved square. ... The Fauvel Painter (ARV2 one 772, 7; ARV2 1285, 7). |
Mended from many fragments with the missing pieces restored in plaster and painted, notably much of the wall under each handle and much of Side B. Ring on neck. Neck glazed on inside. Glaze abraded here ... Ca. 410 B.C ... Below the figures, stopped-maeander pattern with checkerboard-squares. Inscribed on A, starting just above the forehead of the first youth:
above the head of the third:
on B, above the amphora:
Partial dilute glaze for hair. ... Corbett saw that the drawing on 22 resembled that of the Talos Painter, but he concluded from the treatment of the hair and drapery that it is by another, less talented artist, a conclusion that seems correct, although one should mention specific similarities that draw 22 closer to the Talos Painter than to his contemporaries. ... For the profiles of our youths, cf. especially that of Athena on a fragment near the painter in Boston, M.F.A. 03.845 (ARV2 1340, 7). |
Four non-joining fragments: a shoulder and wall fragment of lebes with start of handle; b + c, and e of stand, d of foot. Stand strengthened with plaster and painted. Glaze fired brownish on lebes; flaked ... Ca. 410 B.C ... Above the figures, stopped-maeander pattern with checkerboard-squares. Dilute glaze: folds of himation of 3.
132 seems closest to these three in the manner of the Meidias Painter: Athens, N.M. 1681 (ARV2 1322, 16; Burn, Meidias Painter, p. 106, cat. no. |
Mended with missing pieces restored in plaster and painted, notable among them nearly half of the rim, a section of the wall at handle B/A, about half of foot. Narrow reserved line at rim on inside; another ... Ca. 430-420 B.C ... Below the figures, stopped-maeander pattern with checkerboard-squares. Relief contour for profiles on Side A. ... Manner of the Dinos Painter (ARV1 792, 4; ARV2 1156, 9). |
Broken and mended with small missing pieces restored in plaster and painted. Reserved groove at top of foot on outside. Reserved line on inside just below rim; another, 0.055 below rim. Glaze misfired ... Late 5th century B.C ... Below the figures, trapped maeander with checkerboard-squares. White (flaked): berries of wreaths; Athena's bracelet; stone beneath satyr's foot.
Compare the Painter of Athens 13908 (ARV2 1404, ---; Addenda 374). |
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