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| Protoattic. Andokides, potter. Analatos Painter. Antidoros. Kynosarges Painter. Antimenes Painter. Cactus Painter. Pair Painter. Camtar Painter. Ram-jug Painter. Capodimonte Group. Caylus Painter. Corinthian ... Agora 23 355 P 1241 P 7891 P 24327 P 24340 P 24366 P 24377 P 24381 P 24402 P 24486 ... Analatos Painter ... Kynosarges Painter ... Athena Painter |
| Haimon Group. Class of Athens 581. Diosphos Painter. Sappho Painter. Hound-and-hare Group. Edinburgh Painter. Athena Painter. Alabastron. ABL, p. 98. ABL, p. 147. Richter and Milne, Shapes and Names, p ... Agora 23 47 ... Diosphos Painter ... Sappho Painter ... Athena Painter |
| Lekythoi; The Lekythos Painters VII; The Haimon Group. Hound-and-hare Group. ABV 515, 7. Paralip. 253, 7. Other. Lekythoi; The Lekythos Painters V; The Sappho Painter and the Diosphos Painter. Paralip ... Agora 23 245 P 13266 P 1356 P 1301 P 7826 P 1285 P 15953 P 19319 G-I 11-12 G 6:3 D 7:2 F 19:4 B 18:6 ... 500-490 B.C ... Lekythoi; The Lekythos Painters V; The Sappho Painter and the Diosphos Painter ... Lekythoi; The Lekythos Painters VI; The Theseus Painter and the Athena Painter ... Athena Painter |
| Four pieces not all joining (one mended from two) from a squat lekythos. Bust of Athena to right: helmet, laurel sprig at right. Traces of white line below protome. Reserved groove at junction of ring ... 27 April 1933 |
| Athena Painter. Pholos Painter. Little-lion Class. Haimon Painter. Painter of Elaious I. CHC Group. Pistias Class. Dog Group. Group of Ferrara T.800. Leafless Group. Caylus Painter. Painter of Oxford 236 ... Agora 23 96 ... Athena Painter ... Pholos Painter ... Haimon Painter |
| Oinochoai; Oinochoai; Shape 3; Chous. Other. E. Vanderpool, Hesperia 15, 1946, p. 313, no. 210, pl. 62. Well. Fill. Athena Painter. Paralip. p. 296. Painter of Villa Giulia M. 482. Villa Giulia M. 482 ... Agora 23 199 P 1559 P 24675 P 5209 P 6091 P 24681 P 4573 P 15723 P 4276 P 1397 P 1558 P 9278 P 15957 P 23342 G 6:3 R 12:4 E-F 12-14 E 14:11 M 17:4 F 19:4 H 12:15 ... Early 5th B.C ... Athena Painter ... Painter of Villa Giulia M. 482 |
Wall fragment, with spring of rim above.
Athena, standing facing, looking left. She wears bordered Doric chiton, aegis with gorgoneion, and necklace.
Relief contour for profile. Brown for underpainting ... 26 December 1930 ... Wall fragment, with spring of rim above.
Athena, standing facing, looking left. ... By the painter of the Louvre Centauromachy (Beazely) |
| Volute-Kraters. Calyx-Kraters. Lebetes Gamikoi. Kraters; Type Uncertain. Stands. Stands; Conical Supports. Stands; Cylindrical Supports. Stands; Type Uncertain. Stands; Sosian Stand. Louteria. Dinoi. Dinoi; ... Agora 23 x ... Lekythoi; The Lekythos Painters II; The Gela Painter ... Lekythoi; The Lekythos Painters V; The Sappho Painter and the Diosphos Painter ... Lekythoi; The Lekythos Painters VI; The Theseus Painter and the Athena Painter |
Wall fragment. Max. dim. 0.03.
Discus decorated with an owl, surrounded by a circle of dots. At left, part of a figure or an object. Below, lines.
For the decoration on the discus, see these by the Bowdoin ... Ca. 480-470 B.C ... For the decoration on the discus, see these by the Bowdoin Painter: Athens, N.M. 17281 (ARV2 684, 145; Mind and Body, p. 163, cat. no 48); Cab. ... Surely by the Bowdoin Painter is the lekythos found in a tomb at Nea Kallikratia in Macedonia (Δελτ 30, 1975 [1983], pl. 165: γ). 833 is closest to the last.
... Beazley, JHS 28, 1908 [ pp. 313--318], pp. 316--317, who says that on marble votive diskoi, these images would be incised and that the owl would signal good luck in the city of Athena.
The Bowdoin Painter (ARV2 684, 151). |
| Androkles: demagogue. Areopagus. Andronikos of Kyrrhos. Antalkidas, peace of. Antenor. Ares. Antidosis. Antigonos. Areskousa. Antigrapheus. Argives, agora of. Antimachos. Argonauts. Antiochis. Argyrokopeion ... Agora 3 248 ... Athena ... Athena Agelaa ... Athena Ergane |
Part of body and ring base, mended and strengthened with plaster. Red wash on underside of base. P.H. 0.063; max. dim. 0.078. J. Oakley, The Achilles Painter (Mainz 1996), cat. no. L 29.
Head and shoulders ... Ca. 440-430 B.C ... Oakley, The Achilles Painter (Mainz 1996), cat. no. ... Head and shoulders of Athena (part of head and helmet missing) to right, facing an olive sprig. |
| Oinochoai; Oinochoai; Type Uncertain. Oinochoai; Olpai or Oinochoai. Lekythoi; Earliest. Lekythoi; The Lekythos Painters III; The Edinburgh Painter. Lekythoi; The Lekythos Painters IV; The Class of Athens ... Agora 23 43 ... Lekythoi; The Lekythos Painters III; The Edinburgh Painter ... Lekythoi; The Lekythos Painters V; The Sappho Painter and the Diosphos Painter ... Lekythoi; The Lekythos Painters VI; The Theseus Painter and the Athena Painter |
Fragment, slightly domed. Glazed on underside. Max. dim. 0.077.
Athena (helmeted head, shoulders with aegis, raised right hand with spear) in three-quarter view to right. In front of her is a nude youth ... Ca. 350 B.C ... Max. dim. 0.077.
Athena (helmeted head, shoulders with aegis, raised right hand with spear) in three-quarter view to right. ... Perhaps by the Eleusinion Painter. Cf. the figure of Athena on St. |
Wall fragment. Glaze thin in places on outside. Max. dim. 0.113.
A, male pursuing a woman. Parts of three figures remain: at the left, a bit of the himation and chiton, and left foot of a woman running ... Ca. 460 B.C ... For a good comparison, see a stamnos attributed to the Painter of the Birth of Athena, Kassel, Alg. 59 (ARV2 495, 8; Addenda 250). ... The Florence Painter or the Boreas Painter (ARV2 545, 1). The border of esses for the bottom of the woman's chiton is a distinctive pattern that appears in the work of both painters: the Boreas Painter: New York, M.M.A. 96.19.1 (ARV2 536, 5; Addenda 255) and Munich 2375 (ARV2 537, 9; Addenda 255); the Florence Painter: Syracuse 21189 (ARV2 541, 4) and Louvre G 360 (ARV2 541, 8). |
Wall fragment with return. Thin reddish brown glaze on inside. Glaze fired greenish on outside. Max. dim. 0.122.
Athena (most of head, upper torso) standing frontally, head in profile to right, her hair ... Ca. 460 B.C ... Max. dim. 0.122.
Athena (most of head, upper torso) standing frontally, head in profile to right, her hair bound with a fillet. ... Near Hermonax and his follower, the Painter of the Birth of Athena (ARV2 494, top: the number incorrectly given as P 25105). |
| Neck, handle, shoulder and most of upper walls preserved.
Ivy wreath around neck. Red line at joint of neck.
Shoulder: strokes above seven circurmscribed palmettes and dots.
Above scene: key right.
Scene: ... May-June 1954 ... Scene: Athena in a chariot right holding the reins (head, right shoulder, arms), Herakles standing beside the horses, addresses her (above chest preserved), club in the left.
By the Phanyllis painter.
For the decorative scheme cf. |
| Fragment from near top. Head, shoulders and right hand of Athena, her face seen three-quarters to right. Spear in right hand. At right, a nude standing male figure, right; his right arm bent. Applied white ... 1947 ... Head, shoulders and right hand of Athena, her face seen three-quarters to right. ... Schefold (1934), pl. 35; Eleusinian painter; the style very close. |
| Mended from many fragments; complete except for small holes in body.
Shape 1 oinochoe, with offset neck and trefoil mouth. Flaring ring foot, raised line at juncture of body and neck. Deeply pinched mouth, ... 6 July 1995 ... They approach, to the right, an armed Athena seated left. ... Behind Herakles and the bull, balancing Athena, is Hermes, also seated (right) on a stool. ... Attributed by D. von Bothmer (August 1995) to the Athena Painter. Cf dissertation by Andrew Clark. |
Shoulder fragment with start of neck. Glaze pitted in places. Part of the glaze fired brown. Max. dim. 0.077.
Youth or woman (wreathed head), then part of a wing of someone, both to right. Relief contour: ... Ca. 480-470 B.C ... Petersburg inv. 2070 = 805 (ARV2 484, 10; Paralip. 512; Addenda 248) and Rome, Villa Giulia (ARV2 485, 33; Paralip. 379, 33; Addenda 248); Hamburg 1980.174 attributed to the Painter of the Birth of Athena by D. ... Eos: Naples 116119 by the Nausicaa Painter (ARV2 1108, 15; LIMC III, 1986, p. 762, no. 105, pl. 569, s.v. |
| Broken all around. From lower wall of lekythos. Above ground line, a discus with an owl in silhouette; around the owl black dots. At left, part of uncertain object.
A lekythos in the National Museum ... 10 May 1951 ... A lekythos in the National Museum (N.M. 17281) assigned to the Bowdoin painter (S.K.) has just such a discus, set up on the ground, in front of an athlete with jumping weights. ... Yalouris, "Athena als Herrin der Pferde), MH (Museum Helveticum) VII (1950), p. 53, note 307a. |
| Bearded god or hero, "Munich King". Paris, Louvre. Archaic engraved and painted grave stele. Tenea Kouros. Archaistic Athena, Minerva of Poitiers. Tyche, archaistic. Archaistic dancers from theater at ... Agora 11 191 ... Archaistic Athena, Minerva of Poitiers ... Archaistic Athena ... Archaistic Athena from Herculaneum |
| Index. General Index. Acropolis. Archaistic art. Aegina. archaic Temple of Aphaia. Ageladas. Archaistic drapery. Agora. Aiantis. Aigeis. Aigeus. Archaistic dress. Aischines. Archaistic sculpture. Akamas ... Agora 11 178 ... Amasis Painter ... Athena ... Athena Parthenos: shield, so-called "Capaneus" |
Two non-joining fragments, a of wall, b of rim and neck with start of handle zone at far left. Glaze pitted on inside of a. Max. dim. a) 0.077, b) 0.14; W. of rim 0.025; H. of neck 0.063. W. B. Dinsmoor, ... Ca. 480 B.C ... Hektor may have looked something like his counterpart on the volute-krater in London by the Berlin Painter that names the figures (E 468: ARV2 206, 132; Paralip. 343, 132; Addenda 194) or the kalpis in the Vatican, H 545, by the Eucharides Painter (ARV2 229, 38; Paralip. 347, 38; Addenda 199). For the composition, cf. also the giant attacked by Athena on London, B.M. E 165 by the Tyszkiewicz Painter (ARV2 294, 62; Addenda 211). |
Wall fragment. Glaze cracked near top. Max. dim. 0.083.
Nike (middle of body dressed in a peplos, arms) flying to left, holding something (shaft), probably a torch, in her right hand. At the left, lower ... Ca. 440-430 B.C ... What remains on 630 bears some resemblance to the style of the Kadmos Painter. For the drapery, compare that of the woman holding the hydria on her head on Munich 2360 (ARV2 1186, 30; Addenda 341; LIMC V, 1990, p. 128, no. 2916, pl. 120, s.v. ... For the hand with the fleshy thumb, cf. Athena on the same vase and the woman with a torch on Bologna 303 (ARV2 1184, 6; Paralip. 460, 6; Addenda 341). |
Five non-joining fragments of shoulder and wall. Glaze dull on outside. Surface of figures rather abraded. Max. dim. a) 0.089, b) 0.077, c) 0.147, d) 0.102, e) 0.092.
Athena and the Giant. Fragment a ... Ca. 490-480 B.C ... Max. dim. a) 0.089, b) 0.077, c) 0.147, d) 0.102, e) 0.092.
Athena and the Giant. ... For a parallel, see Athena and her giant in the representation of ca. 470 by the Altamura Painter, London, B.M. ... Perhaps by the Goettingen Painter or in his manner. |
Wall fragment of stand. Glaze pitted and flaked in places. P.H. a) 0.175, b) 0.086. E. Papoutsaki-Serbeti, Ὀ Ζωγράφος τῆς Providence, Athens 1983, pl. 33; K. Arafat, Classical Zeus, Oxford 1990, pl. 31 ... Ca. 470 B.C ... Zeus, Athena, and a god (Poseidon[?]). ... Around his head is a fillet. Athena stands before him, pouring wine from the oinochoe she holds in her outstretched right hand. ... The Providence Painter (ARV1 4, 48; ARV2 639, 61; Addenda 274). |
Floor fragment with part of narrow ring base. Circle on underside. Max. dim. 0.055. H. A. Thompson, Hesperia 23, 1954, pl. 15:a.
I, nude hetaira (legs, part of left shoulder and arm, right forearm and ... Ca. 520-510 B.C ... Hebe on Tarquinia RC 6848 (ARV2 60, 66; Paralip. 327, 66; Addenda 165); Athena on Florence 1 B 24, which belongs to the same cup as Copenhagen, Thor. 100 and Rome, Villa Giulia no no. ... There is also some resemblance to 1562 by the Painter of the Agora Chairias Cups. |
Wall fragment. Glaze fired brownish on outside. Max. dim. 0.084.
Apotheosis of Herakles, to left. What remains of Herakles is most of his body, his left hand holding the club, a little of his outstretched ... First quarter of the 4th century B.C ... Next to him, Nike or Athena (drapery at thigh level; left forearm) drives the vehicle. ... The subject of 441 is identified by comparison with the namepiece of the Painter of London F 64 (ARV2 1419, 1; LIMC V, 1990, p. 129, no. 2922, pl. 121, s.v. |
Four non-joining wall fragments, a, c, and d with part of outturned rim. Max. dim. a) 0.055, b) 0.071, c) 0.04, d) 0.169; est. diam. at rim 0.26. H. Riemann, AA, 1937, p. 94, fig. 3 (fragment d); ILN, ... Ca. 470-460 B.C ... Nothing remains of the next figure, who would be Athena. Fragment a shows the head with diadem of Aphrodite to left and the tip of the left wing of Eros. ... E 155 by the Amphitrite Painter (ARV2 832, 37; Paralip. 422, 37; Addenda 295); London, B.M. ... S 46) has reattributed this kantharos to the Shuvalov Painter. |
| Kallimachos relief, archaistic Pan and Nymphs, Stanze dei Filosofi. Sardis. Woman in archaistic dress. Conservatori. Siena, Chigi Collection. Rome, Conservatori, Ort. Mecen. 1, 19, 20, 24. Archaistic Athena ... Agora 11 192 ... Archaistic Athena ... Archaistic relief, Athena ... Neck-amphora, manner of Niobid Painter |
Seven non-joining fragments, mostly of wall, a / e and f with shoulder, g of overhang of rim from near handle plate. Glaze rather dull on b and d. Max. dim. a/e) 0.107, b) 0.088, c) 0.073, d) 0.053, f) ... Ca. 500-490 B.C ... Koumanoudi, ἈρχἘφ 1976, p. 214, fig. 1 (fragment b); Langridge, "Eucharides Painter," p. 348, cat. no. ... GR 1861.4--25.50 = B 197 by the Painter of Berlin 1686 (ABV 296, 1; Paralip. 128, 1; Addenda 77). ... The Eucharides Painter (ARV2 230, 50; Addenda 199). |
Broken and mended with small missing pieces restored in plaster and painted. Reserved groove at top of foot on outside. Reserved line on inside just below rim; another, 0.055 below rim. Glaze misfired ... Late 5th century B.C ... Herakles.
A, Athena and Herakles. ... Next comes Athena standing frontally, head turned to right toward Herakles. ... Compare the Painter of Athens 13908 (ARV2 1404, ---; Addenda 374). |
Mended from many fragments with the missing pieces restored in plaster and painted, notably much of the wall under each handle and much of Side B. Ring on neck. Neck glazed on inside. Glaze abraded here ... Ca. 410 B.C ... Corbett saw that the drawing on 22 resembled that of the Talos Painter, but he concluded from the treatment of the hair and drapery that it is by another, less talented artist, a conclusion that seems correct, although one should mention specific similarities that draw 22 closer to the Talos Painter than to his contemporaries. ... For the profiles of our youths, cf. especially that of Athena on a fragment near the painter in Boston, M.F.A. 03.845 (ARV2 1340, 7). |
Four non-joining fragments, a -- c of shoulder, d of neck. Glaze misfired slightly on tongue pattern on fragment a. From a very large krater. Max. dim. a) 0.127, b) 0.15, c) 0.089, d) 0.093. G. Schwarz, ... Ca. 460 B.C ... For Demeter with the torch against her shoulder, see the figure of her in the Triptolemos scene on the calyx-krater in Lyons by the Altamura Painter, E 120 (ARV2 591, 24; Prange, Niobidenmaler, p. 164, cat. no. ... E 140: ARV2 459, 3; Paralip. 377, 3; Addenda 243), on which the god's name is inscribed just as it is on 238; Athena appears in one of the very earliest examples, Reggio 4001, which is probably by Exekias himself, not in his manner (ARV2 147, 6; Paralip. 61, 6; Addenda 41; Schwarz, p. 29, cat. no. ... The Altamura Painter (ARV2 589, 2). |
| Bearded herm with hanging corkscrew curls. Isthmia. Hearded herm from House of the Herm. Bronze heads of horses. Beardless miniature herms from House of the Herm. Kassel. Apollo. Hekate herm from House ... Agora 11 190 ... Fragments of archaic marble Athena Promachos ... St. 1791, lekanis by Eleusinian Painter ... Eleusinian Painter |
Three non-joining fragments, a + b of lip, bowl, and one handle, c of lip and bowl, d of bowl. Reserved line on inside of lip. Glaze on c and on handle slightly abraded. Est. diam. at rim 0.20; max. dim ... Ca. 500 B.C ... On the left of fragment a + b, Athena (most of low-crested helmet, left arm outstretched with the aegis over it, a bit of drapery) faces to right, her spear (head, part of shaft) held in her right hand (now missing). ... The Ashby Painter (ARV2 one 299, 1; ARV2 455, 12). |
Profile complete. Mended with the missing pieces restored in plaster and painted, notably most of one side of the bowl, about half of the other, both handles. H. 0.077; rest. diam. at rim 0.185; diam ... Ca. 500 B.C ... Robertson (Στη'λη , pp. 125--129) suggested that 1411 is an early work by the Kleophrades Painter, an attribution he has since withdrawn orally. The face of the woman shares some similarities with the work of the Nikoxenos Painter, especially the shape of the nose and the slightly downturned mouth, but the rest of the drawing is too rough to be his. Cf., e.g., the maenad looking toward Dionysos on Munich 2304 (ARV2 220, 1; Paralip. 346, 1; Addenda 198) or Athena on Boston, M.F.A. 95.19 (ARV2 220, 5; Addenda 198). |
| New York Kouros. Metropolitan Museum of Art, 32.11.1, Fletcher Fund, 1932. Dipylon Head. Athens, National Museum 3372. German Institute neg. N.M. 4594. Dipylon Hand. Athens, National Museum 3965. German ... Agora 11 xii P 14793 P 15850 ... Athena. Photo Alison Frantz ... Pelike by the Pan Painter. Paris, Louvre 10793 |
| The Athenian Agora; Volume 014; The Agora of Athens; The History; Index; General; Archons; Polemarchos. The Athenian Agora; Volume 014; The Agora of Athens; The History; Index; General; Autolykos; Pancratiast ... Agora 14 244 ... The Athenian Agora; Volume 014; The Agora of Athens; The History; Index; General; Berlin Painter ... The Athenian Agora; Volume 014; The Agora of Athens; The History; Index; General; Athena ... The Athenian Agora; Volume 014; The Agora of Athens; The History; Index; General; Athena; Boulaia |
Ten non-joining fragments, f with start of handle, i part of handle (not illustrated). Max. dim. a) 0.42, b) 0.232, c) 0.239, d) 0.243, e) 0.085, f) 0.10, g) 0.149, h) 0.068, i) 0.057, j) 0.077. P.H. of ... Ca. 440 B.C ... Then comes Iolaos (right forearm with hand on hip, chlamys fastened at right shoulder [now missing, but the arrangement of the folds confirms this], lower legs with boots) standing frontally, probably looking to right and holding two spears (shafts) in his left hand; next is Athena (a bit of peplos, right hand with spear) to right. ... Near the Curti Painter and also near the Peleus Painter (ARV2 1043, top). |
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