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| Early Classical Painters of Large Pots; Earlier Mannerists. Beazley, Vases in America, p. 113. Addenda 260-261. ARV² 567-574. Beazley, Pan Painter, p. 2. Paralip. 390-391. Addenda 261-262. ARV² 556, 101 ... Agora 30 106 ... Addenda 260-261 ... Addenda 261-262 ... Addenda 260 |
| Inscribed fragment.
Inscribed face only preserved.
Mentions the Propylaea.
Nine lines of the inscription preserved.
Hymettian marble.
ADDENDA Belongs with I 6915 (shelved in box with it). Temporarly in ... 4th. century B.C. |
| Inscribed fragment.
Inscribed face only preserved.
Hymettian marble.
ADDENDA With I 6057. Found in marble pile, in the southwestern corner of the Market Square. Leica ... 12 May 1954 |
| D. Paquette, L'instrument de musique dans la céramique de la grèce antique, Paris 1984, pp. 74-83. ARV¹ 124, 39. ARV² 186, 46. W.B. Dinsmoor, Hesperia Suppl. 5, p. 133, fig. 60:12. Paralip. 340, 46. Addenda ... Agora 30 178 P 9191 P 8447 P 25296 P 12051 P 9757 P 25565 P 10748 P 3445 P 4811 P 9462 R 13:1 B 13:6 E 13:1 B 14:6 C 9:6 ... 480 B.C. |
| Left corner, and top of pediment of stele broken away; otherwise complete save for minor fractures on surface and edges.
The front of the stele is rough at the bottom for 0.39m. and uninscribed for 0.39m ... 283/2 B.C. |
| ARV¹ 372, 39. ARV² 566, 11. Ostraka. H.A. Thompson, Hesperia 18, 1949, pl. 45:4. ARV² 567, 2. Paralip. 390, 2. Addenda 261. ARV² 569, 53. ARV² 567, 5. ARV² 273, 14. ARV² 273, 15. ARV² 273, 19. Addenda ... Agora 30 167 P 19282 P 14711 P 1412 P 14662 P 15628 P 6985 P 4757 P 9465 P 19577 D 7:2 G 3:1 C 18:11 C 9:6 A 18-19:1 ... 470-460 B.C ... Addenda 261 ... Addenda 207 ... Addenda 260 |
| Psykters. Richter and Milne, Shapes and Names, pp. 12-13. Drougou, Der attische Psykter [Beiträge zur Archäologie 9], Würzburg 1975. Agora 023, pp. 20-22. Vierneisel, Kunst der Schale, pp. 259-264. NumAntClass ... Agora 30 36 ... Addenda 72 ... Addenda 51 ... Addenda 73 |
| Chip missing from exterior of mould; otherwise complete.
Head with rather melancholy expression, tipped slightly to the figure 's right. The hair worn in short curling locks.
The positive shows a very ... 7 June 1939 ... Fine pinkish-buff clay.
ADDENDA: Bronze style-impression (?). ... A230, pp. 260-261, fig. 57. |
| Ostraka. ARV² 563, 7. Addenda 260. ARV² 566, 1. Addenda 261. Well. ARV¹ 189, 72. ARV² 295, 85. ARV¹ 374, 18. ARV² 568, 23. E. Läufer, Kaineus: Studien zur Ikonographie [Rivista di archaeologia Suppl. 1], ... Agora 30 161 P 7251 P 12511 P 5094 P 17916 P 7259 P 7243 P 6896 D 7:2 O 19:4 A 18-19:1 D 11:4 ... 470-460 B.C ... Addenda 260 ... Addenda 261 |
Four non-joining fragments of neck and shoulder. P.H. a) 0.125; max. dim. b) 0.16, c) 0.11, d) 0.99. E. Laufer, Kaineus: Studien zur Ikonographie [Rivista di archeologia Suppl. 1], Rome 1985, pl. 12:35 ... Ca. 470-460 B.C ... From what remains of the Kaineus scene on Side A of 177, taken together with the curve of the krater's shoulder, it is likely that the composition was a symmetrical one, with the warrior flanked to left and right by a single centaur, similar to the one by the Pig Painter himself, once in the Lucerne Market, now in a Swiss private collection (ARV2 563, 7; Addenda 260).
Earlier Mannerists, i: Manner of the Pig Painter (ARV2 566, 1; Addenda 261). |
Six non-joining fragments, a of rim, neck, shoulder, and start of one handle column, b + d of shoulder with swelling for handle root and part of wall, c, f, and g of wall. Glaze dull in places on outside; ... Ca. 480 B.C ... Usually, Dionysos is present, as in the scene by the Cleveland Painter in New York (M.M.A. 41.162.10: ARV2 516, 4; Paralip. 382, 4; Addenda 253) or there may be three satyrs by themselves (e.g., Lecce 602 by the Leningrad Painter: ARV2 569, 39; Paralip. 390, 39; Addenda 261).
173 presents a number of problems concerning interpretation of details. ... Normally this is a simple, plain vessel without handles (e.g., Lecce 602; Naples, Capodimonte 960 by the Pig Painter: ARV2 563, 4; Paralip. 389, 4; Addenda 260). The one on 173 is clearly set inside another vessel and presumably should be thought of as having a sieve in the bottom (for such a vessel with a strainer or shallow dish set into it, but without a satyr standing in it, see Basel, Antikenmuseum und Sammlung Ludwig, Kä 420 by the Amasis Painter: Paralip. 65; Addenda 43). ... A good parallel is the trough on Bologna 241 by the Orchard Painter (ARV2 524, 25; Paralip. 383, 25; Addenda 254) or Ferrara 42684 = T.254 C VP, a later work by the same artist (ARV2 524, 26; Paralip. 383, 26; Addenda 254). |
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