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Pedestal narrow at top tapers to flaring base with moulded edge. Part of the bowl-shaped body is preserved on one side.
Pedestal decorated with two figures, one a woman clad in Doric chiton. Both arms ... 20 February 1932 |
| Floor. ARV² 545, 1. ARV² 536, 5. Addenda 255. ARV² 537, 9. ARV² 541, 4. ARV² 541, 8. Pit. ARV² 541, 1. Paralip. 385, 1. Addenda 256. Fill. ARV² 541, 2. ARV² 542, 22. ARV² 542, 26. ARV² 542, 29. ARV² 543, ... Agora 30 162 P 27686 P 17532 P 19130 P 19150 P 19447 P 24831 P 1463 P 14:3 J 18:3 C 18:4 N 10:1 ... 470-460 B.C ... Addenda 255 ... Addenda 256 ... Addenda 250 |
Three joining fragments, preserving handle, half of discus and rim, and part of wall.
Rim plain with a ridge around discus; rays on discus; handle pierced and doubly grooved.
Unglazed.
Fine deep buff clay ... 4 April 1938 |
Inscribed fragment.
Inscribed face and back preserved.
Mouldings above, back and front.
Two lines of the inscription preserved.
Pentelic marble.
ADDENDA Joins IG II2, no. 2224. Found in scarp east of ... 7 November 1949 |
| ARV² 245-246. Addenda 204-205. Paralip. 350. Addenda 202. ARV² 247. ARV² 247-248. ARV² 267-269. ARV² 352. Addenda 205-206. ARV² 271-299. ARV² 276, 76. Addenda 207. Robertson ,AK 13, 1970 [pp. 13-16], pp ... Agora 30 96 ... Addenda 204-205 ... Addenda 202 ... Addenda 205-206 |
| Early Classical Painters of Large Pots; The Pan Painter. AK 19, 1976, pl. 15. Addenda 256. Esposito and de Tommaso, Vasi attici, p. 63, fig. 96. B. Ashmole, Architect and Sculptor in Classical Greece, ... Agora 30 105 P 30013 P 30014 ... Addenda 256 ... Addenda 255-256 ... Addenda 256-259 |
Fifteen non-joining fragments of wall, P 18278 b--c and P 19582 a--d of torus rim with zone of ornament below. Glaze mottled here and there; has a greenish cast in places; abraded in part on rim. Max ... Ca. 480 B.C ... Occasionally, the Mission Scene is combined with a representation of the leading away of Briseis, as on the Louvre skyphos by Makron (G 146: ARV2 458, 2; Paralip. 377, 2; Addenda 243; Denoyelle, Chefs-d'oeuvre . . . ... GR 1843.11--3.92 = E 76: ARV2 406, 1; Paralip. 371, 1; Addenda 232; CVA, London 9 [Great Britain 17], pl. 73 [849]), Briseis is led away while Achilleus sits in his tent wrapped in his himation, but this is not comparable to 256 because the woman on 256 faces Achilleus and she does not wear traveling clothes, although this might not be necessary for movement from one tent to another within the Greek camp.
... If the Second Arming is the correct identification of the scene on 256, then the woman on P 19582 i is a Nereid and stands at the left of the composition with someone (Thetis[?]) |
| ARV² 18, 3. Paralip. 322, 3. Addenda 153. Euphronios, cat. no. 18. CVA, Parma 1 [Italia] 45, pl. 1 [2021], p. 3. Paralip. 322, 3bis. Addenda 154. Euphronios, cat. no. 61. ARV² 27, 6. ARV² 27, 7. ARV² 27, ... Agora 30 8 ... Addenda 153 ... Addenda 154 ... Addenda 256 |
Fragment from a columnar grave monument.
Broken all round.
Parts of two lines of the inscription preserved.
Pentelic marble.
ADDENDA This object was later entered and numbered again, as I 3899 (ΚΤΛ 32), ... 1st. century A.D. |
| Inscribed fragments.
Large relief shield commemorating victories.
Sepulchral monument (?).
Fragment Ο 116 a), from a circular monument, perhaps an altar. Broken all around.
Two slightly convex surfaces, ... a) (Ο 116) 25 January 1935
b) (ΣΑ 7) February 1936
c) (Τ 256) 5 March 1936 ... Fragment Τ 256 c).
Pentelic marble.
ADDENDA With I 2343 a, belong two other inscribed bits, I 2393 (O 136) and I 2399 (O 164); and two uninscribed fragments.
... c) (Τ 256) 48/ΚΕ
a) (Ο 116) M-O 11-12
b) (ΣΑ 7) Q 10-11
c) (Τ 256) M 15 |
| ARV² 185, 32. Paralip. 340, 32. Addenda 187. Well. Ostraka. Agora 27, p. 167, cat. no. 3, pl. 31. Ashmead, Hesperia 35, 1966, pl. 9. G. Neumann, Gesten und Gebärden in der griechischen Kunst, Berlin, 1965, ... Agora 30 175 P 6103 P 18278 P 19582 P 24280 P 20244 P 17211 E 15:6 A 18-19:1 ... 500-490 B.C. |
A chip of the left side missing; otherwise unbroken.
A cross and three filling holes on the discus. Impressed circles on rim and bottom. Unpierced, ungrooved handle.
Pinkish buff clay, unglazed.
Type ... Mid 5th-6th c. A.D. |
Shoulder fragment with start of neck. Glaze slightly dull in places.
Max. dim. 0.142.
Youth (filleted head) to right (illustrated). At the far right, at the break, part of a thin reserved line, the hair ... Ca. 460 B.C ... Cf. these by the Florence Painter: Louvre Cp 10751 (ARV2 541, 2); Louvre G 350 (ARV2 542, 22); Louvre Cp 10760 (ARV2 542, 26); Louvre G 352 (ARV2 542, 29); and Rennes D.863.1.26 = 716 (ARV2 543, 39 bis; Addenda 256). Each of these shows three youths, and presumably 182 did also.
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| Inscribed fragment.
Broken top, bottom, and left side.
Ten lines of the inscription preserved.
Pentelic marble.
ADDENDA Probably belongs with I 432; no join.
Cf. Hesperia Suppl. 1 (1937), p. 100, no ... 199/8-189/8 B.C. |
| Cistern. Pit. R.S. Young, Hesperia 20, 1951, pl. 72:1. Agora 21, pl. 30: G 8. Addenda and Corrigenda, p. 1685. ARV¹ 779-783. Well. P.E. Corbett, Hesperia 18, 1949, pl. 80:6. Fill. ARV¹ 766, 10. ARV² 1277, ... Agora 30 155 P 16220 P 17946 P 19694 P 256 P 10539 P 17901 P 22118 P 3891 N 21:4 B 19:7 C 19:3 B 15:1 J 11:1 K 14:1 ... 2nd quarter 4th B.C. |
| Bell-Kraters. Bell-Kraters; Type 1; Bell-Kraters with Lugs. Beazley, CB ii, p. 50. Hesperia Suppl. 010, pp. 8-9. Denoyelle, Chefs d'oeuvre-Louvre, pp. 114-115, cat. no. 52. Follman, Pan-Maler, pp. 50-51 ... Agora 30 31 ... Addenda 193 ... Addenda 256 ... Addenda 251 |
| ARV² 1697, sub p. 1518. Other. J.R. Green, Hesperia 31, 1962, pl. 31:15. J.R. Green, Hesperia 31, 1962, pl. 32:18. Agora 11, pl. 63:b. LIMC II, 1984, p. 971, no. 142, pl. 720, s.v. Athena. Robertson, AVP, ... Agora 30 256 P 14793 P 16301 P 1050 P 15848 P 15849 P 6507 P 24061 P 583 U 26:1 I-J 18:1 E 13:1 Q 12:3 H 16:1 ... 410 B.C. |
| ARV² 541, 1. Paralip. 449, 33 bis. Addenda 328. Paralip. 385, 1. Addenda 256. Esposito and de Tommaso, Vasi attic, p. 63, cat. no. 96. ARV² 576, 33. CVA, Vienna 2 [Österreich 2], pl. 93 [93]:5. Addenda ... Agora 30 22 ... Addenda 328 ... Addenda 256 ... Addenda 262 |
| Agora 023, p. 100, no. 7, pl. 22. CVA, Berlin 5 [Deutchland 45], pls. 1 [2146]:1, 2 (2147). Addenda 330. CVA, pp. 11-12. R. Lullies, AK 7, 1964, [pp. 82-90], pp. 85-86, note 39. Langlotz, pl. 45. K. Schauenburg, ... Agora 30 6 ... Addenda 330 ... Addenda 199 ... Addenda 256 |
| ARV² 1154, 38. JdI 102, 1987, p. 69, fig. 5. Matheson, Polygnotos, p. 389, cat. no. D 43. ARV² 540, 4. Addenda 256. Scheiber, JdI 102, 1987, pp. 57-118, p. 75. ARV² 511, 5. Paralip. 382, 5. Addenda 252 ... Agora 30 136 P 3032 P 12374 P 21403 P 7912 P 26249 P 23834 P 27777 H 12:6 N 7:3 E 6:3 Q 15:2 ... 440-430 B.C ... Addenda 256 ... Addenda 252 ... Addenda 255 |
| ARV² 551, 5. ARV² 565, 36. Addenda 260. ARV² 555, 88. Addenda 258. ARV² 564, 21. ARV² 564, 27. Paralip. 389, 21. Ostraka. ARV¹ 193, 3. ARV² 256, 3. Well. Hesperia 18, 1949, [pp. 298-351], pp. 306-308 ... Agora 30 138 P 7257 P 23815 P 10554 D 7:2 Q 15:2 B 15:1 ... 470 B.C ... Addenda 260 ... Addenda 258 ... ARV² 256, 3 |
| CVA , Japan 1, pl. 1 [1]:1. ARV² 539, 41. Well. C. Boulter, Hesperia 22, 1953, pl. 22:4. fig. 1. J. Grossman, Six's Technique at the Getty, Greek Vases in the J. Paul Getty Museum 5 [OPA 7], Malibu 1991, ... Agora 30 134 P 21289 P 389 P 24017 P 24141 P 21859 P 16976 N 7:3 A-B 21-22:1 ... 460-450 B.C ... Addenda 256 |
Inscribed fragment.
Bottom and left side, picked fairly smooth, preserved.
Along the left side is a band, cut back ca. 0.013m. from the inscribed face and picked.
Eight lines of the inscription preserved ... 193 B.C . |
| Cups; Type B. J.-G. Szilagyi, Bulletin des musées hongrois 28, 1996 [pp. 13-29], p. 22. Bloesch, FAS, pp. 12-16. Cohen, Attic Bilingual Vases, p. 247: C 6. B. Cohen, Greek Vases in the J. Paul Getty Museum ... Agora 30 68 ... Addenda 167 ... ABV 256, 21 ... Addenda 170 |
| Part of one handle and fragments of body missing. Shape similar to P 19405 (ΟΟ 725) but smaller and the foot less projecting. Resting surface reserved and space within foot, with small central circle ... 1947 |
| Three joining fragments from the wall of a bell krater; the rim broken off along the upper edge of the fragment. Head and right shoulder and upper arm of a youth, looking left. He wears a thin chiton and ... 8 August 1947 |
| Late Archaic Cup Painters; Douris. ARV² 401, 3. ARV² 425-451. Paralip. 374-375. Addenda 235-242. Paralip. 370, 3. Addenda 230. CVA, London 9 [Great Britain 17], pl. 69 [845]:c. Immerwahr, Attic Script, ... Agora 30 100 ... Addenda 235-242 ... Addenda 230 ... Addenda 231 |
From a closed vase.
Red on buff.
ADDENDA 2018: Single sherd to a kylix with no preserved features.
The exterior decoration consists of four narrow bands at the junction between the bowl and stem ... LH IIIA2 ... Red on buff.
ADDENDA 2018: Single sherd to a kylix with no preserved features.
... Furumark Shape: 256; Furumark Motif 1: 21 |
| Two fragments.
a) Broken at top, bottom, back and right end. The left end preserved, with well worked anathyrosis.
b) Broken on all faces save the front.
The molding consist of a cavetto above a cyma ... 1932 ... This architrave is probably to be associated with the geison A 256 and to be assigned to the Bouleuterion.
... Shoe (1936), pl. 27.7.
ADDENDA Later assigned to the Temple of Apollo Patroos, see Hesperia 39 (1970), p. 194. |
Wall fragment. Glaze thin in places on outside. Max. dim. 0.113.
A, male pursuing a woman. Parts of three figures remain: at the left, a bit of the himation and chiton, and left foot of a woman running ... Ca. 460 B.C ... For a good comparison, see a stamnos attributed to the Painter of the Birth of Athena, Kassel, Alg. 59 (ARV2 495, 8; Addenda 250). For the subject, see LIMC I, 1981, pp. 367--371, s.v. ... The border of esses for the bottom of the woman's chiton is a distinctive pattern that appears in the work of both painters: the Boreas Painter: New York, M.M.A. 96.19.1 (ARV2 536, 5; Addenda 255) and Munich 2375 (ARV2 537, 9; Addenda 255); the Florence Painter: Syracuse 21189 (ARV2 541, 4) and Louvre G 360 (ARV2 541, 8). What remains on 183 suggests an ambitious composition, with considerable overlapping of the figures and hence seems a bit closer to the Boreas Painter than to the Florence Painter, who, except for the Centauromachy on his namepiece (Florence 81268 = 3997: ARV2 541, 1; Paralip. 385, 1; Addenda 256), tends to prefer quieter and simpler compositions. |
| J. Boardman, Archaic Greek Gems: Schools and Artists in the Sixth and Early Fifth Centuries B.C., Evanston 1968, p. 94, cat. no. 254, pl. 17. ABV 256, 14. Paralip. 113, 14. Addenda 66. Beazley, Development, ... Agora 30 83 ... ABV 256, 14 ... Addenda 66 ... Addenda 149 |
| Pausanias, I, 22, 3. Judeich, p. 285. Judeich, pp. 62, 285. R. Martin, Recherches sur l'agora grecque, pp. 256-261. Hesperia, Suppl. VIII, p. 54, p. 140. I.G. II (2), 5183. Athenaeus, XIII, 569d. Hesperia, ... Agora 3 225 I 5128 I 4572 I 4659 I 4913 I 6794 I 4918 I 6793 I 3394 I 4685 I 4441 G 11:2 ... Martin, Recherches sur l'agora grecque, pp. 256-261 ... Addenda |
| ARV² 906, 109. Addenda 303. ARV² 906, 116. Well. ARV² 917, 202. Addenda 304. ARV² 955, 1. Addenda 307. Odyssey 19.378-384. F. Brommer, Odysseus: Die Taten und Leiden der Helden in antiker Kunst und Literatur, ... Agora 30 301 P 24227 P 19976 P 4845 P 420 P 16424 P 27428 P 3518 H 13:4 H 7:1 F 14:2 E 19:5 E 14:11 ... 430 B.C ... Addenda 303 ... Addenda 304 ... Addenda 307 |
| Oinochoai; Shape 3; Chous. J.R. Green, Choes of the Later Fifth Century, BSA 66, 1971, pp. 189-228. ARV² 689, 256. ARV² 689, 257. ARV² 606, 83. Paralip. 267. Prange, Niobidenmaler, p. 202, cat. no. N 104, ... Agora 30 41 ... ARV² 689, 256 ... Addenda 174 ... Addenda 196 |
| Early Red Figure Pot Painters. Early Red Figure Pot Painters; The Andokides Painter and the Earliest Red Figure. P. Charbonneaux, Archaic Greek Art, New York 1971, p. 312, fig. 357. A. Rumpf, Malerei und ... Agora 30 81 ... Addenda 149-150 ... Addenda 149 ... Addenda 150 |
Four non-joining wall fragments, a and d with start of neck. Thin reddish glaze on inside. Glaze thin in places. Max. dim. a) 0.08, b) 0.17, c) 0.06, d) 0.065. C. Boulter, Hesperia 22, 1953, pl. 22:2; ... Ca. 450 B.C ... For a parallel (but with the figures reversed), see each side of Louvre CA 1852, an amphora Type B near the Boreas Painter (ARV2 540, 4; Addenda 256). The two amphorae on this vase are without decoration. ... on Ferrara 2739 = T.749 by the Boreas Painter (ARV2 536, 1; Paralip. 384, ---, 1; Addenda 255).
Not from the same amphora as 11 or 12: the glaze on the outside of 10 is duller than on 11; on the inside it is reddish; the hearts of the palmettes are differently treated. |
| a) through d) Rim fragments with palmette band.
e) From upper wall just below rim; elbow of arm, raised and bent; in front, the edge of a shield?
f) From upper wall just below rim, the edge of a curved ... 24 April-13 June 1947 |
| K. Pittakys, Ἐφ. Ἀρχ., no. 2614. S. Koumanoudes, Ἐπγ. Ἐπιτ., no. 2904. J. Kirchner, I.G., II², 11471a. J. Kirchner, I.G., II², 11466. I.G., II, 3720. W. Peek, G.V.I., no. 1755. W. Peek, G.G., no. 74. B ... Agora 17 151 I 936 I 5442 I 5316 I 5939 I 3514 I 4150 I 4821 I 1114 ... 5 June 1933 ... S.E.G., XIV, 256 ... Kirchner, I.G., II², 11490 and Addenda Nova |
Wall fragment. Glaze mottled on outside. Max. dim. 0.063. A. Ashmead, Hesperia 35, 1966, pl. 10:o (mispoised); A. Bélis, BCH 110, 1986, p. 213, fig. 12 (mispoised).
Trumpeter (most of face, a little of ... Ca. 480 B.C ... Ashmead (Hesperia 35, 1966, p. 26) wants 257 to be part of 256, Corbett (p. 25, note 25a) to keep it separate. ... Also, given what remains of the subjects on each side of 256, it is difficult to see how a trumpeter fits in.
... The Kleophrades Painter (ARV1 124, 39; ARV2 186, 46; Paralip. 340, 46; Addenda 187). |
Four non-joining wall fragments, b with part of neck, c with start of one handle; a and b strengthened with plaster and painted. Thin brownish glaze on inside. Max. dim. a) 0.298, b) 0.279, c) 0.161, d) ... Ca. 460-450 B.C ... Louvre Cp 10751 (ARV2 541, 2); Louvre G 360 (ARV2 541, 8); Louvre G 350 (ARV2 542, 22); Rennes D.863.1.26 = 716 (ARV2 543, 39 bis; Addenda 256); and London, B.M. |
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