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| fig. 8. ARV² 563, 4. Paralip. 389, 4. Addenda 260. ARV² 524, 25. Paralip. 383, 25. Addenda 254. ARV² 524, 26. Paralip. 383, 26. Paralip. 65. Addenda 43. ARV¹ 184, 25. ARV² 281, 30 ... Agora 30 160 P 7251 ... 480 B.C ... Addenda 260 ... Addenda 254 ... Addenda 43 |
| ARV² 235. Fill. ARV² 344, 64. Addenda 220. ARV² 407, 11. Paralip. 371, 11. Addenda 232. ARV² 367, 103. ARV² 340, 62. Paralip. 361, 62. Addenda 218. Ostraka. ARV² 182, 6. Paralip. 340, 6. Addenda 186. ARV² ... Agora 30 165 P 4242 P 7244 P 14621 P 14711 P 24268 E 14:11 D 7:2 E-F 2-3:2 G 3:1 ... 490 B.C ... Addenda 220 ... Addenda 232 ... Addenda 254 |
Inscribed fragment.
Inscribed face only preserved.
Imperial letter.
Two lines of the inscription preserved, with an erasure between them.
The marble probably Pentelic.
Grayish-white marble.
ADDENDA Joins ... 187 A.D. |
| Himation clad figure preserved from neck to knees, the garment dropped down below his right arm, leaving his chest bare, and covering his left shoulder and arm.
Besides the head and the legs below the ... 18 April 1934 |
Broken off at waist.
Woman with a wide collar or necklace, the head bent sharply to her right. The expression strained, the eyes partly pierced. Hair parted in the middle, and knotted on nape of neck; ... 20 March 1937 |
Front part of head with broad face and top knot (?).
Breaks on either side nearly converge at chin.
High roll behind front hair which waves down either side of centrally-parted projection.
White paint ... 1 April 1932 |
| ARV² 523, 1. Addenda 254. ARV² 763, 1. Paralip. 415, 1. Addenda 286. ARV² 763, 3. ARV² 94, 111. ARV² 774, 3. Paralip. 416, 3. Addenda 287. ARV² 94, 112. ARV² 775, 3. Addenda 288. Well. ARV² 1248, 8. Addenda ... Agora 30 336 P 13622 P 12776 P 4998 P 287 P 15702 G 11:3 ... 510 B.C ... Addenda 254 ... Addenda 286 ... Addenda 287 |
| Early Classical Painters of Large Pots; Other Early Classical Painters of Large Pots. Robertson, HGA, p. 252. ARV2 501-503. Paralip. 381. Addenda 151. ARV² 485, 23 and 1655. Addenda 248. ARV² 504, 8. Paralip ... Agora 30 104 P 30017 P 30019 P 30065 P 30134 ... Addenda 151 ... Addenda 254 ... Addenda 254-255 |
Two non-joining wall fragments. Max. dim. a) 0.055, b) 0.077. A. Ashmead, Hesperia 35, 1966, pl. 8.
Fragment a preserves most of the filleted head of an old man (Phoinix) to left, holding a spear or staff ... Ca. 490 B.C ... Döhle (Klio 49, 1967 [ pp. 63--143], p. 105) thinks that 254 may come from a representation of the Mission to Achilleus, based in part by the presence of Phoinix in the same scene by the Kleophrades Painter on his hydria in Munich, inv. 8770 (Paralip. 341, 73 bis; Addenda 189). ... Boardman (AK 19, 1976 [ pp. 3--23], p. 5) includes 254 in his list of Mission scenes but with a question mark and I am inclined to do the same. ... He bears a particular resemblance to Hermes on the fragmentary vase in Chiusi (1847), once thought to be a stamnos (ARV2 188, 64; Addenda 188).
The Kleophrades Painter (ARV2 185, 38; Paralip. 340, 38). |
Head broken away at back and below.
Part of high headdress (?) projects at top and left side.
Traces of white paint.
Red clay, buff surface.
Late Roman.
ADDENDA: Same mold as T 254. Leica ... 27 February 1935 ... Late Roman.
ADDENDA: Same mold as T 254. |
| Large mass of drapery folds, over-lapping.
Hung over the arm of an Eros (?).
Very complex composition with marked projection.
Finished roughly on outside. Maybe to hang over Herm (?).
Broken only at top ... 1939, 1946 |
| ARV² 185, 32. Paralip. 340, 32. Addenda 187. Well. Ostraka. Agora 27, p. 167, cat. no. 3, pl. 31. Ashmead, Hesperia 35, 1966, pl. 9. G. Neumann, Gesten und Gebärden in der griechischen Kunst, Berlin, 1965, ... Agora 30 175 P 6103 P 18278 P 19582 P 24280 P 20244 P 17211 E 15:6 A 18-19:1 ... 500-490 B.C. |
| Over life-size, broken away at neck; nose and chin badly broken; mouth and ears slightly. Minor fractures.
Hair parted at center and falls down behind as if held in net. On top of the head the marble rises ... 3 April 1935 ... Pentelic marble.
ADDENDA Athens NM 648 seems to be a duplicate.
... Hekler (1928). p.p. 253-254. |
Neck and shoulder fragment. P.H. 0.068; diam. 0.096.
On the shoulder, inverted encircled palmette, flanked by two horizontal encircled palmettes. Above, egg pattern. Matte drawing: red.
Perhaps from ... Ca. 430-420 B.C ... Cf. two by the Bird Painter himself from a grave on Lenormant Street, outside the Agora boundary, P 10280 (ARV2 1233, 16; Paralip. 467, 16) and P 10277 (ARV2 1233, 17; Paralip. 467, 17; Addenda 352) or Oxford G 254 = V 544 in his manner (ARV2 1234, 21; Addenda 352). |
Preserves part of back of nude (?) figure.
Broken all around.
Fine pink-buff clay.
ADDENDA 17/12/64: mold missing.
Cf. Hesperia 64 (1995), p. 460, n. 254. Area South of East-West late Roman Wall; dumped ... 11 March 1952 ... Fine pink-buff clay.
ADDENDA 17/12/64: mold missing.
... Hesperia 64 (1995), p. 460, n. 254. |
| ARV² 541, 1. Paralip. 449, 33 bis. Addenda 328. Paralip. 385, 1. Addenda 256. Esposito and de Tommaso, Vasi attic, p. 63, cat. no. 96. ARV² 576, 33. CVA, Vienna 2 [Österreich 2], pl. 93 [93]:5. Addenda ... Agora 30 22 ... Addenda 328 ... Addenda 256 ... Addenda 254 |
| Inscribed fragment.
Broken above, below and at left.
Part of right edge, toothed, preserved.
Back rough picked, subsequently worn nearly smooth.
Pentelic marble.
ADDENDA With I 1773. Found in the long ... 4 May 1949 |
| Inscribed fragment.
Part of left edge (toothed) and back (rough picked) preserved.
Broken above, below and at right.
Hymettian marble.
ADDENDA With I 1773. Found in the long late Roman wall east of the ... 2 May 1949 |
Inscribed fragment.
Broken above, below and at right.
Part of left edge preserved.
Back rough picked, then worn smooth.
Pentelic marble.
ADDENDA Joins I 1773 and IG II2, no. 989; with I 6169, I 6171, ... 31 March 1954 |
| J. Boardman, Archaic Greek Gems: Schools and Artists in the Sixth and Early Fifth Centuries B.C., Evanston 1968, p. 94, cat. no. 254, pl. 17. ABV 256, 14. Paralip. 113, 14. Addenda 66. Beazley, Development, ... Agora 30 83 ... Addenda 66 ... Addenda 149 ... ABV 254, 2 |
| Inscribed fragment.
Leaves incised above letters.
Citation.
Four lines of the inscription preserved.
Pentelic marble.
ADDENDA With I 6648, I 6169, I 6171; joins I 1773 and IG II2, no. 989.
Cf. Hesperia ... 20 May 1936 |
Wall fragment. Glaze rather dull. LIMC III, 1986, p. 771, no. 230, s.v. Eos.
Eos and Kephalos or Tithonos: outstretched left arm of Eos to right, adorned with a bracelet, a bit of the sleeve of her chiton ... Ca. 490-480 B.C ... The composition of 210 was probably similar to these two: Saint-Germaine-en-Laye, 7565, by the Alkimachos Painter, which shows Kephalos (ARV2 529, 8; Addenda 254); Boston, M.F.A. 03.816, the namepiece of the Tithonos Painter (ARV2 309, 1; Paralip. 357, 1; Addenda 213). |
| Intact except for about one-half of foot and chips. High echinus foot, slender body, thickened projecting lip; handle round in section, lip to shoulder; two small projections on the lip, at its upper attachment ... 4 May 1938 |
| Late Archaic Pot Painters; Other Late Archaic Painters of Large Vases. ARV² 238, 1. Paralip. 349, 1. Addenda 201. ARV² 242, 77. Paralip. 349, 77. Denoyelle, Chefs d'oeuvre-Louvre, pp. 120-121, cat. no ... Agora 30 95 ... Addenda 201 ... Addenda 202 ... Addenda 200 |
| Burial. Nakayama, Lekythen, pp. 254-255. E.D. Townsend, Hesperia 24, 1955, p. 219, cat. no. 46, pl. 77. MüJb, n.s. 2, 1925, p. 1990. Nakayama, Lekythen, p. 189, GH II 13. Other. ARV² 748, 3. Paralip. 413, ... Agora 30 258 P 21273 P 4838 P 13231 P 1518 P 5234 P 4839 P 21274 P 4844 P 3936 J 7:3 N 10:1 H 7:1 K 14:1 ... 430 B.C ... Nakayama, Lekythen, pp. 254-255 ... Addenda 284 ... Addenda 352 |
Rim fragment from kylix.
Lustrous black paint inside and out with reserved decoration pinkish buff clay.
ADDENDA 2018: Single sherd to a small goblet with slightly flaring rim.
The exterior decoration ... 5-13 May 1937;
21-22 March 1938 ... Lustrous black paint inside and out with reserved decoration pinkish buff clay.
ADDENDA 2018: Single sherd to a small goblet with slightly flaring rim.
... Furumark Shape: 254; Furumark Motif 1: 32 |
Foot and stem of kylix.
Dull brownish black paint inside, unpainted outside (on underside).
ADDENDA 2018: Single sherd to a goblet with short stem and splaying base.
The interior and exterior decoration ... LH IIB-IIIA ... Dull brownish black paint inside, unpainted outside (on underside).
ADDENDA 2018: Single sherd to a goblet with short stem and splaying base.
... Furumark Shape: 254 |
| Inscribed fragment.
Inscribed face only preserved.
The diagonal cutting across the upper right corner is clearly a cutting and not a break, but in all probability post-dates the inscription.
Seems to be ... 24 June 1935 ... Hymettian marble.
ADDENDA Does not belong with IG II2, no. 254.
|
| Inscribed fragments.
Mended from five fragments, the inscribed face and the left face preserved.
Ten lines of the inscription preserved, the first and last, traces only.
Pentelic marble.
ADDENDA Belongs ... 24 May and 8 June 1937 ... Pentelic marble.
ADDENDA Belongs with I 4522, I 4758, I 4798 ... (ΘΘ 251), found under base I 4922 (ΘΘ 254). |
| ARV² 1659, 3 bis. Addenda 261. CVA, Vienna 2 [Österreich 2], pl. 89 [89:1]. ARV² 1109, 27. ARV² 1120, 6. Pit. ARV² 1409, 2. Volute-Kraters. H.A. Thompson, Hesperia 27, 1958, pl. 45:b (fragment a). Schleiffenbaum, ... Agora 30 169 P 14627 P 25872 P 25978 P 28759 E 2:3 Q 20:1 ... 3rd quarter 5th B.C ... Addenda 261 ... Addenda 184 ... Heldensage³ 254-257 |
| Two joining fragments preserve about a quarter of the mold for a circular plaque.
Mold finished with plain raised ledge.
The design seems to be a rosette with broad shallow rounded petals, surrounded by ... 19 June 1939 ... Good pinkish-buff clay.
ADDENDA: Cental octagonal design with bosses in center. ... Hesperia 64 (1995), p. 460, n. 254. |
| Inscribed fragments.
Three non-joining pieces, each broken on all sides.
On fragments Β 541a-b), twelve lines of the inscription preserved, with one to four letters in each.
On fragment Β' 559 c), four ... Shortly before 104/3 B.C. |
Two non-joining fragments of lip, bowl, and floor. Glaze abraded slightly on outside at rim. Max. dim. a) 0.14, b) 0.035; est. diam. at rim 0.15; diam. of tondo 0.117. R. Lamberton and S. Rotroff, Birds ... Probably mid-5th century B.C ... A possible parallel appears on the namepiece of the Orchard Painter, New York, M.M.A. 07.286.74 (ARV2 523, 1; Addenda 254).
The finely incised, elegant reeds find their best parallels with those painted on white-ground cups. ... D 6 (ARV2 763, 1; Paralip. 415, 1; Addenda 286), which shows apple pickers, and London, B.M. D 7 (ARV2 763, 3; Addenda 286), which depicts a huge serpent springing from feathery reeds, hissing and about to attack a man; also, Louvre CA 483 by the Hesiod Painter (ARV2 774, 3; Paralip. 416, 3; Addenda 287), on which a Muse plays a cradle kithara next to a stand of wispy reeds; the reeds behind the seated woman on side B of a bobbin by the Sotheby Painter, Athens, N.M. 2350 (ARV2 775, 3; Addenda 288); and the lekythos in Kansas City, Nelson Gallery-Atkins Museum of Art 31.80 by the Eretria Painter (ARV2 1248, 8; Addenda 353; Lezzi-Hafter, Eretria-Maler, p. 344, cat. no. 240, pl. 157:f, g): there, the child Kephalos appears in a garden with goddesses. |
| ARV² 772, 2. Cistern. C. Clairmont, AK 6, 1963, pl. 8:1, 2. ArchReports for 1988-1989, p. 18, fig. 13. Roberts, Pyxis, p. 133, cat. no. 2, pl. 80:1, 3. Lezzi-Hafter, Eretria-Maler, p. 347, cat. no. 255, ... Agora 30 274 P 6845 P 4734 P 4536 P 16997 P 8985 P 5505 P 24835 P 14384 C 8:3 A 20-21:1 C 9:6 E 16:1 N 10:1 ... 450 B.C ... Addenda 354 ... Addenda 339 ... Addenda 295 |
| Fragment from the interior medallion. The border consists of alternating tongues of black and red bound on both sides by concentric circles and alternating dot bands. Within is the head and left shoulder ... 16 June 1931 ... Behind the head are inscribed the letters:
ADDENDA "Deposit of the 6th. c. ... Ptg. 254 |
| Two figures are seen in procession to the left; lower parts of body missing. The first is a woman holding a phiale in her right hand; her hair is elaborately arranged with a large coil at the back; her ... 22 July 1931 ... Attic clay; black glaze inside.
ADDENDA Additional fragments added Oct. 1946 ... Ptg. 254 |
Six non-joining fragments, a of rim, neck, shoulder, and start of one handle column, b + d of shoulder with swelling for handle root and part of wall, c, f, and g of wall. Glaze dull in places on outside; ... Ca. 480 B.C ... Usually, Dionysos is present, as in the scene by the Cleveland Painter in New York (M.M.A. 41.162.10: ARV2 516, 4; Paralip. 382, 4; Addenda 253) or there may be three satyrs by themselves (e.g., Lecce 602 by the Leningrad Painter: ARV2 569, 39; Paralip. 390, 39; Addenda 261).
173 presents a number of problems concerning interpretation of details. ... Normally this is a simple, plain vessel without handles (e.g., Lecce 602; Naples, Capodimonte 960 by the Pig Painter: ARV2 563, 4; Paralip. 389, 4; Addenda 260). The one on 173 is clearly set inside another vessel and presumably should be thought of as having a sieve in the bottom (for such a vessel with a strainer or shallow dish set into it, but without a satyr standing in it, see Basel, Antikenmuseum und Sammlung Ludwig, Kä 420 by the Amasis Painter: Paralip. 65; Addenda 43). ... A good parallel is the trough on Bologna 241 by the Orchard Painter (ARV2 524, 25; Paralip. 383, 25; Addenda 254) or Ferrara 42684 = T.254 C VP, a later work by the same artist (ARV2 524, 26; Paralip. 383, 26; Addenda 254). |
Brim fragment with groove at outer edge. A bit of the glaze lines flaked on left Niobid's himation. H. 0.014; est. diam. 0.14; max. dim. 0.09. C. Clairmont, AK 6, 1963, pl. 8:1, 2; Roberts, Pyxis, p. 133, ... Ca. 430 B.C ... For the laurel wreath with white berries on the underside of the brim, see Worcester, Mass., 1936.148 by the Eretria Painter (ARV2 1250, 33; Lezzi-Hafter, Eretria-Maler, p. 347, cat. no. 254, pl. 163:c; Addenda 354); New York, M.M.A. 06.1021.119 (Richter and Milne, Shapes and Names, fig. 140). Lezzi-Hafter (Eretria-Maler, p. 347, cat. no. 255) thinks that 1009 may be by Aison and suggests comparison with his Theseus cup in Madrid, 11265 (ARV2 1174, 1; Addenda 339). |
| Inscribed fragments.
Confiscated property of Alcibiades.
"POLETAI" record.
Fragment ΣΤ 604 from upper right corner of inscribed block.
Full thickness of block preserved, but large flakes broken from surface ... (ΣΤ 604) 11 May 1932
a) (Κ 1350) 16 July 1947
b) (Κ 22) 22 January 1934
c) (ΘΘ 5) 18 December 1936
c) (ΙΙ 242b) March 1938
d) (ΘΘ 30) 30 December 1936
d) (ΘΘ 44) 17 January 1937
d) )ΙΙ 133) 7-8 March 1938 ... |
Four non-joining fragments of rim and neck, P 25978 a preserving the spiral of one handle, P 28759 with start of shoulder. Two small fragments (P 25978 b and c) give a bit of the flange of a handle and ... Ca. 500-490 B.C ... The nudity of the youth seems more suitable for Theseus, although on many occasions Herakles appears nude, even in a scene where he captures the Cretan Bull (see Basel, Antikenmuseum und Sammlung Ludwig BS 488 by the Delos Painter, on which the hero's name is inscribed: ARV2 172, 4; Addenda 184; there he restrains the beast as it leaps forward). ... For the subject, see Heldensage3 254--257 (red-figured examples, where 234 is cat. no. 70); J. ... For encircled palmettes on the necks of red-figured volute-kraters, cf. the following, all in the upper zone and all in reserve, not black glaze: one by the Nikoxenos Painter, Munich 2381 (ARV2 221, 14; Addenda 198); another akin to him, Toronto 959.17.187 (ARV2 223, ---, 2; Paralip. 346, 2); two by the Karkinos Painter: New York, M.M.A. 59.11.20 (ARV2 224, 1) and New York, M.M.A. 21.88.74 (ARV2 224, 2; Addenda 198).
234 probably belongs among those vases akin to the Nikoxenos Painter rather than those by the painter himself or in his manner. |
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