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| Four pieces not all joining (one mended from two) from a squat lekythos. Bust of Athena to right: helmet, laurel sprig at right. Traces of white line below protome. Reserved groove at junction of ring ... 27 April 1933 ... Oakley (1996), The Achilles Painter, no. |
| Fragment from shoulder of squat lekythos. On shoulder, the upper part of a woman to right in front of Doric column. Behind the column a palmette; above, a band of egg and dot. The woman thrusts out her ... 24 February 1936 ... Agora:Object:Paralip, manner of Achilles Painter, 29 bis. |
Shoulder fragment with return. Max. dim. 0.061.
Youth (face) to right, head bent downward slightly. Above, tongue pattern. J. Oakley, The Achilles Painter (Mainz 1996), cat. no. 163, pl. 88D.
The line ... Ca. 450-440 B.C ... Oakley, The Achilles Painter (Mainz 1996), cat. no. 163, pl. 88D.
The line across the forehead, indicating worry, concern, or tension, appears occasionally on other figures by the Achilles Painter. See the figure of Euphorbos on Cab. ... Elsewhere, this feature is best known from several figures on the namepiece of the Niobid Painter, Louvre G 341 (ARV2 601, 22; Paralip. 395, 22; Addenda 266).
The Achilles Painter (ARV2 994, 115). |
Small piece from top.
Preserved is part of a shield seen from the side, with a large bearded head as device, and uncertain remains of representation: drapery(?).
Glaze rather dull.
ADDENDA Nereid with ... April 1954 ... ADDENDA Nereid with arms of Achilles? |
| Oinochoe, shape III. The wide ring base, neatly profiled beneath, and colored pink, preserved. Large parts of the body missing and all of the lip save at the upper handle attachment, and most of the neck ... 19 April-5 May 1935 ... Oakley (1996), The Achilles Painter, no. 107. |
Wall fragment. Glaze brownish in places. P.H. 0.127.
Nike (body, start of wing in upper left) flying to right toward an altar (corner of it at right break opposite her knee). A tiny bit of ground line ... Ca. 450 B.C ... A tiny bit of ground line at bottom.
The Achilles Painter (ARV2 994, 104). |
| Mended from many pieces; a few fragments of rim, nozzle and wall restored in plaster; chips missing.
Large lamp with double-pierced handle, double grooved above and below. Rim panelled, with stamped ovules ... 24 April 1948 ... Discus, relief representations of Priam appealing to Achilles; helmet in exergue below. Behind Achilles (seated left, but with head turned back and resting on raised left hand), a veiled female figure. Kneeling at Achilles' feet, and clasping his right hand, Priam. |
Wall fragment from near handle with a conical protuberance (mastos[?]). Max. dim. 0.091.
Palmette (ends of fronds).
For a similar protuberance, but as a pair, see the bell-krater, New York, M.M.A. 07.286.81 ... Probably third quarter of the 5th century B.C ... For a similar protuberance, but as a pair, see the bell-krater, New York, M.M.A. 07.286.81 by the Achilles Painter (ARV2 991, 61; Paralip. 437, 61; Addenda 311). |
| Under maeander band, front of female head, left. Some slender object held to lips. In field left, object with angular frame(?).
Unglazed in side. Glaze outside somewhat silvered.
Cf. Pfuhl (1923), fig ... Middle of 5th c. B.C ... Pfuhl (1923), fig. 524 (Achilles painter). The Calliope painter (Beazley).
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| From the wall of a closed pot. Nude leg of figure walking left; uncertain object at left, above. Lower border: maeander and cross squares.
Bit of contour at back of knee, only. Inner drawing in brown ... 18 February 1937 ... ADDENDA "Makes me think of the Achilles P. but I cannot be sure" (JDB, Summer 1953). |
Part of body and ring base, mended and strengthened with plaster. Red wash on underside of base. P.H. 0.063; max. dim. 0.078. J. Oakley, The Achilles Painter (Mainz 1996), cat. no. L 29.
Head and shoulders ... Ca. 440-430 B.C ... Oakley, The Achilles Painter (Mainz 1996), cat. no. |
Lower part only; for general type cf. P 24316 (ΣΑ 2526): This is the characteristic general type for the large proportion of the lekythoi from this group. Bell mouth with variations in height and spread; ... May-June 1954 ... Scene: two warriors crouching; Athena between. Achilles and Ajax gaming. |
All of mouth and neck, much of body restored in plaster and painted. Thin, black glaze on inside. Much of the glaze on the lower part fired red. Some abrasion to left of panel. H. to top of handle 0.245; ... Ca. 440-430 B.C ... Oakley, The Achilles Painter (Mainz 1996), cat. no. 107.
... For a similar but better-preserved composition, see the one on Rome, Villa Giulia 50511 (Choes and Anthesteria, p. 180, cat. no. 904, fig. 49).
The Achilles Painter (ARV1 639, 63; ARV2 993, 78). |
Fragments of wall missing. Small version of general type P 24316 (ΣΑ 2526): This is the characteristic general type for the large proportion of the lekythoi from this group. Bell mouth with variations ... May-June 1954 ... Scene: Achilles and Ajax gaming. |
| Complete except for chips. Bell mouth with S-curve; general type as P 24316 (ΣΑ 2526): This is the characteristic general type for the large proportion of the lekythoi from this group. Bell mouth with ... May-June 1954 ... Scene: two warriors crouching, Athena between. Achilles and Ajax gaming.
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Neck, foot and fragments missing. General type, cf. P 24316 (ΣΑ 2526): This is the characteristic general type for the large proportion of the lekythoi from this group. Bell mouth with variations in height ... May-June 1954 ... Scene: two warriors crouching, Athena between. Achilles and Ajax gaming.
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| From the shoulder of a large vase, unglazed inside. Along the upper edge of the fragment, a border of tongue pattern. A right hand places a wreathed Corinthian helmet on a trophy(?). In the field to the ... 20 March 1933 ... A guess=date Achilles P. Classic. |
Much of wall and part of base missing. General type as P 24316 (ΣΑ 2526): This is the characteristic general type for the large proportion of the lekythoi from this group. Bell mouth with variations in ... May-June 1954 ... Scene: two warriors crouching, Athena between; to either side, woman facing in.
Achilles and Ajax gaming. |
Much missing from upper wall and shoulder.
Cf. P 24316 (ΣΑ 2526): This is the characteristic general type for the large proportion of the lekythoi from this group. Bell mouth with variations in height ... May-June 1954 ... Scene: Achilles and Ajax gaming. |
Lower part of stand with flaring torus base, flat on underside. Unglazed on inside. Glaze chipped in places, especially on torus. Some abrasion on base. P.H. 0.055; est. diam. of base 0.135.
On side of ... Probably mid-5th century B.C ... These are the dinos stands known to me: Würzburg 540 by the Achilles Painter (ARV2 992, 69); Ferrara 9379 = T.11 C VP by the Kleophon Painter (ARV2 1144, 11; Paralip. 456, 11; Addenda 334; Matheson, Polygnotos, p. 408, cat. no. |
| Mended from several pieces; a few fragments missing including part of each of the exterior scenes. Lip offset inside only; foot lightly stepped, profiled beneath.
Interior:
Within a reserved circle, a ... 3 June 1954 ... Signed by Gorgos as potter, inscription in field:
Exterior:
A) Combat between Achilles and Memnon in the presence of Thetis and Eos.
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| Made up from: ΝΝ 3279, ΝΝ 4482, ΠΠ 754. From the wall of a calyx krater. Preserved is part of the interior of a shield, with a tassel from the cords, and part of the arm band, this decorated with pairs ... 1 July 1947 ... From a large battle scene.
A) Achilles mourning.
B) Battle scene.
a) ΝΝ 3279 + ΝΝ 4482 k. |
Fifteen non-joining fragments of wall, P 18278 b--c and P 19582 a--d of torus rim with zone of ornament below. Glaze mottled here and there; has a greenish cast in places; abraded in part on rim. Max ... Ca. 480 B.C ... Hellström, "Achilles in Retirement," Medelhavsmuseet [The Museum of Mediterranean and Near Eastern Antiquities, Stockholm] 25, 1990, pp. 19--31), is that a woman should not be present, at least not as we know it from Homer and from the representations (see LIMC I, pp. 106--114). ... If the scene on 256 represents the Second Arming of Achilles, it would be the earliest known red-figured example, and it would show once again the ability of the Kleophrades Painter to depict a Trojan theme imaginatively and powerfully.
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