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| ARV² 271, 11. Agora 023, p. 27. Addenda 211. ARV² 290, 1. Paralip. 355, 1. Addenda 210. ARV² 616, 2. Paralip. 514. ARV² 1184, 4. Paralip. 460, 4. Paralip. 344, 116 bis. Addenda 341. Addenda 193 ... Agora 30 30 ... ARV² 290, 1 ... Paralip. 355, 1 ... Paralip. 514 |
| ARV² 877-971. Paralip. 428-435. ARV² 1318-1319. Paralip. 478. Addenda 363. Addenda 300-309. ARV² 879, 1. Paralip. 428, 1. Addenda 300. ARV² 61, 74. Paralip. 327, 74. Addenda 165. ARV² 882, 35. Paralip ... Agora 30 70 P 42 ... Paralip. 428-435 ... Paralip. 428, 1 ... Paralip. 358, 1 |
Rim fragment. Glaze misfired reddish on outside; much abraded on rim and on neck. Max. dim. 0.092.
Below the torus rim, chain of lyre lotuses and encircled palmettes.
For this ornament, only with lyre ... Ca. 480 B.C ... Paul Getty Museum 92.AE.6) signed by Syriskos as painter: A, Pantelea seated between Okeanos and Dionysos; B, Themis between Balos (seated) and Ephaphos (all names inscribed) and the namepiece of the Tyszkiewicz Painter, Boston 97.368 (ARV2 290, 1; Paralip. 355, 1; Addenda 210). 259 is too abraded to be sure if it is by one of these two painters, but it is fairly close. |
| Late Archaic Cup Painters. Late Archaic Cup Painters; Onesimos; The Antiphon Painter and the Colmar Painter. ARV² 286, 16. Addenda 209. ARV² 285-287. Paralip. 355. D. Williams, Euphronios: Vom Maler zum ... Agora 30 97 ... Paralip. 355 ... Paralip. 355, 1 ... Paralip. 355-356 |
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