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[Agora Object] Agora XXX, no. 1237

Wall fragment. Some of the glaze drawing flaked. Max. dim. 0.055. E. Vanderpool, Hesperia 15, 1946, p. 288, cat. no. 58, pl. 34. Youthful trainer (neck to hips, outstretched right arm) standing to left, ... Ca. 490-480 B.C ... Manner of the Antiphon Painter (ARV2 one 237, 81); may be by the painter himself (ARV2 347, 115). The trainer on 1237 may have looked very much like the one who watches a pair of youthful wrestlers on side B of Oxford 1914.729 + Florence 9 B 38 (ARV2 340, 73; Paralip. 361, 73; Addenda 219).

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[Agora Publication Page] Agora 30, s. 317, p. 298

ARV² 984-985. Paralip. 437. Addenda 311. AJA 58, 1954, pp. 191-207, p. 194. AJA 58, 1954, pp. 191-207, p. 192. CVA, Vienna 1, Österreich 1, pl. 46 [46]:5. Fill. Pit. AJA 58, 1954, pp. 191-207, pp. 194-195 ... Agora 30 298 P 16925 P 19652 P 10098 P 19653 P 19654 P 2787 P 19573 A-B 21-22:1 H 19:1 M 20:3 G 6:3 A 18-19:1 ... Last quarter 5th B.C ... ARV2 347, 115 ... ARV2 340, 73 ... Paralip. 361, 73

[Agora Object] Agora XXX, no. 1676

Wall fragment. Glaze streaky reddish brown and dull black on inside. Max. dim. 0.062. A. Ashmead, Hesperia 35, 1966, pl. 8:6. Man or youth (lower legs, right foot frontal, left in profile). Preliminary ... Ca. 480 B.C ... The shin bone continuing to the inside contour of the leg occurs on a few late works by the Kleophrades Painter: Copenhagen 149, the youth leaning on the stele (ARV2 184, 27; Paralip. 340, 27); London, B.M. E 441, Theseus on side A (ARV2 187, 57; Addenda 188); Villa Giulia 26040, the figure of Patroklos (ARV2 188, 63; Paralip. 341, 63); Munich inv. 8770, Odysseus (Paralip. 341, 73 bis); and Malibu, the J. ... The Kleophrades Painter (ARV2 191, 99; Paralip. 341, 99).

[Agora Object] Agora XXX, no. 254

Two non-joining wall fragments. Max. dim. a) 0.055, b) 0.077. A. Ashmead, Hesperia 35, 1966, pl. 8. Fragment a preserves most of the filleted head of an old man (Phoinix) to left, holding a spear or staff ... Ca. 490 B.C ... The old man is probably Phoinix, as tentatively suggested by Ashmead (Hesperia 35, 1966, p. 24 and accepted by Beazley), and his image on Würzburg 508 comes immediately to mind (ARV2 182, 5; Paralip. 340, 5; Addenda 186). ... He bears a particular resemblance to Hermes on the fragmentary vase in Chiusi (1847), once thought to be a stamnos (ARV2 188, 64; Addenda 188). The Kleophrades Painter (ARV2 185, 38; Paralip. 340, 38).