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| a) Female head and part of neck; tip of nose broken. Head turned up and to right. Hair combed back in melon fashion, with braid or wreath about back of head. Top of head roughly finished.
b) The right ... a) (Χ 51) 9 February 1937,
b) (Χ 51) 12 February 1937,
c), d) (Χ 437) 26 March 1937 ... Sculpture Group Fragments |
| Proper right corner of a relief broken all around. Some of the back possibly preserved: faint traces of a picked surface. Badly worn and flaking, outline of figure visible only.
Standing male figure in ... 18 June 2003 ... Block with Relief Sculpture |
| Thin chip from a relief, broken all around including the back.
Relief preserved the front quarter of a horse with some of the horse's mane, upper leg and left hand (chipped away) of a rider facing left ... 29 July 2002 ... Sculpture |
| Fragment b more broken than fragment a. Left half of face and part of hair preserved. Finished Oscar Broneer, Nb. No. 2. 38 ... 21 September 1932 ... Fragments of Sculpture with Head of Gorgoneion in Relief |
| Fragment of head with elaborate headdress from an archaic or archaistic sculpture. Left eye and part of forehead preserved.
Pentelic marble. House 650β/12 (650b/12). Leica, LXXII-39, LXXII-40 ... 22 December 1936 ... Fragment of head with elaborate headdress from an archaic or archaistic sculpture. Left eye and part of forehead preserved.
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| Hole in shoulder; lip chipped; otherwise intact. Tapering body; sloping shoulder; tall narrow neck with collared lip; broad handles on neck.
Brownish-red micaceous clay. Well, container 3. With sculpture ... 18 May 1938 ... With sculpture. |
| Head, wearing a diadem, broken at neck. Plump features, not very carefully worked.
Joins the body of a standing boy later found, S 828 c (Χ 437), which belongs to the sculpture group S 828.
Island marble ... 12 February 1937 ... Sculpture |
A single fragment, broken all around, preserves right eye, nose and some of mouth and mousche.
Slightly under life size.
Buff clay, coarse inside, fine at surface.
ADDENDA 5th. century architectural terracotta ... 27 April 1954 ... ADDENDA 5th. century architectural terracotta sculpture in round. Related to warrior's head T 3253 (?). |
Fragment of neck and shoulder, broken all around.
Three lines of dipinto (latin) in red:
Pale buff clay. Old Grid: ca. 111/ΙΣΤ.
Previously North Basement-Sculpture, Block XI (Late 5th. c. and later ... 1 April 1952 ... Previously North Basement-Sculpture, Block XI (Late 5th. c. and later Roman). |
| Upper left half of face, and top of head missing. Nose and chin battered.
Female veiled head from very high relief; about three quarter profile to the right.
Perhaps part of the Altar of Ares series.
Pentelic ... 20 July 1938 ... From unnumbered sculpture fragments. |
| Inscribed fragment of stele.
Upper right corner of grave stele with pediment top, and framed recessed niche for sculpture.
The inscription which occupied two lines, one on lower moulding of the pediment, ... February 1936 ... Upper right corner of grave stele with pediment top, and framed recessed niche for sculpture.
The inscription which occupied two lines, one on lower moulding of the pediment, the other below, has been almost entirely erased.
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| Chips and mouth missing; hole in shoulder; otherwise intact. Long, tapering body; rounded shoulder; narrow neck; thick broad handle, from neck to upper shoulder.
Several lines of black dipinti on neck: ... 18 May 1938 ... With sculpture. |
Broken on all sides.
Palm of hand shown gripping inside strap of shield. Thumb and first joint of fingers missing. Shield has concave inner surface with flat edge around outer rim. Front of shield is curved ... 7 June 1972 ... North Basement-Sculpture, Block 3/7 |
| Smooth-finished bottom surface preserved; broken at top and back; muzzle chipped.
Part of the (head and) neck and forequarters of a bull, apparently brought down by an animal (lion), part of whose claws ... Late Archaic or early Classical period ... North Basement-Sculpture, Block 44/2 |
| Preserved is front and top half of head with left eye.
Female head wearing stephane. Hair parted with double braid at center, wavy out to sides. Surface at top is finished with coarse rasp. Chisel marks ... 30 April 1970 ... Associated fragments in North Basement-Sculpture, in wooden tray behind Block 44. |
| Inscribed grave stele.
Back preserved, and bottom, cut on a bevel.
Rough top of right side of pediment preserved.
This piece probably surmounted a niche with sculpture. In the pediment, a rosette.
Four ... 28 January 1936 ... This piece probably surmounted a niche with sculpture. In the pediment, a rosette.
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| Preserved from waist to above ankles. The figure wears a Doric chitin with long overfilled; standing with the weight on the right leg, the left leg bent.
Broken at sides; back rough-picked.
Pentelic marble ... 28 January 1936 ... Pentelic marble
With I 4179 and S 762-770 (ΣΑ 192-210) were brought in a number of other small fragments of sculpture, stored among the unnumbered marbles (ΣΑ). |
| Fragment of inscribed columnar base; relief on top; grave stone (?).
Part of a columnar base; broken away on either side and in back. On the sculpture above, two feet are preserved. The figure is broken ... 22 June 1933 ... On the sculpture above, two feet are preserved. |
| Inscribed fragment.
Fragment of pedimental monument, with recessed niche for sculpture. Back preserved very rough; top of left pediment preserved.
Pediment separated from the face by a simple raised band ... 2nd. century A.D ... Fragment of pedimental monument, with recessed niche for sculpture. Back preserved very rough; top of left pediment preserved.
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Single fragment preserving entire hand and wrist save for the fingertips.
Fasciaed, relief beaded garment preserved only on backside of wrist. Garment is mostly red, except at the cuff where there is a ... July 26 1994 ... The inside of the wrist is roughly broken away, marking the fragment's point of attachment to the original sculpture. It appears that the hand and wrist were made separately and that the garment remains enveloping the wrist acted in part to secure the piece to the body of the sculpture. |
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