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| pl. 36. Pair Painter ... Agora 8 Agora 8, 572 Agora 8, 573 Agora 8, 574 Agora 8, 575 ... Pair Painter |
| Dipylon Master. Pair Painter. Kynosarges Painter ... Agora 8 2 ... Pair Painter ... Kynosarges Painter |
| Middle to Late Protoattic amphora by the Pair Painter. Watercolor by Piet de Jong ... Craig Mauzy ... Ptg. 346 Horizontal (normal) ... 2006 ... Middle to Late Protoattic amphora by the Pair Painter. Watercolor by Piet de Jong. |
| Middle to Late Protoattic amphora by the Pair Painter. Water color by Piet de Jong ... Craig Mauzy ... Ptg. 344 Horizontal (normal) ... 2006 ... Middle to Late Protoattic amphora by the Pair Painter. Water color by Piet de Jong. |
| Sub-Dipylon Group. Knickerbocker Workshop. Workshop of Athens 894. Athens 894. Stathatou Hand. Workshop of Athens 897. Athens 897. Analatos Follower. Analatos Painter. Wild Style. Mesogeia Painter. Little ... Agora 8 x H 17:4 ... Analatos Painter ... Mesogeia Painter ... Pair Painter |
| Kynosarges Painter. Woman Painter. Pair Painter. Nessos Painter. Robertson, Greek Painting, pp. 43ff. Beazley, Dev., p. 12. J. D. Beazley, Attic Black-Figure Vase- Painters, p. 1. Hesperia, XIX, 1950, ... Agora 8 25 ... Kynosarges Painter ... Woman Painter ... Pair Painter |
| Cycladic Protome group. Ram Jug Painter. Polyphemos Painter. Kynosarges Painter. Pair Painter. Matz, Gesch. Gr. Kunst., pls. 171, 174. Cook, Greek Painted Pottery, pp. 113-114. B.C.H., LXXXIV, 1960-1961, ... Agora 8 22 ... Ram Jug Painter ... Polyphemos Painter ... Pair Painter |
| Pair Painter. Ram Jug Painter. Special Techniques, Innovations and Imports. Light on Dark Technique. Jahrb., II, 1887, p. 46, fig. 7. E. B. Harrison, Hesperia, XXIV, 1955, pp. 302-304. Diepolder in Festschrift ... Agora 8 26 ... Pair Painter ... Ram Jug Painter |
| Protoattic. Andokides, potter. Analatos Painter. Antidoros. Kynosarges Painter. Antimenes Painter. Cactus Painter. Pair Painter. Camtar Painter. Ram-jug Painter. Capodimonte Group. Caylus Painter. Corinthian ... Agora 23 355 P 1241 P 7891 P 24327 P 24340 P 24366 P 24377 P 24381 P 24402 P 24486 ... Analatos Painter ... Kynosarges Painter ... Pair Painter |
| The New York Nessos Amphora. J.H.S., XXXII, 1912, pp. 370-384. Middle Protoattic. The Painter of the Kerameikos Mug Group. Ram Jug Painter. Cook, B.S.A., XXXV, 1934-1935, p. 193. Brann, Hesperia, XXX 1961, ... Agora 8 11 ... 2nd quarter of 7th B.C ... The Painter of the Kerameikos Mug Group ... Ram Jug Painter ... The Pair Painter |
A rubbish pit at the foot of the northwest slope of the Areopagus. Black figured, plain glazed vases and several lamps. A pair of lekythoi recall both in make and in style the products of the Haimon Painter ... Ca. 480-475 B.C ... Black figured, plain glazed vases and several lamps. A pair of lekythoi recall both in make and in style the products of the Haimon Painter (about 480-475 B.C.) |
| Graffiti. Metal working, influence on pottery. Brann S 17-18. Brann R 22. Young pp. 225f. Miniature painting. Grinders, list of. Mourning women. Handmade pots. Mule. Heads, plastic. Mycenaean revival ... Agora 8 133 ... Nessos Painter ... N Painter ... Pair painter |
Wall fragment from near handle with a conical protuberance (mastos[?]). Max. dim. 0.091.
Palmette (ends of fronds).
For a similar protuberance, but as a pair, see the bell-krater, New York, M.M.A. 07.286.81 ... Probably third quarter of the 5th century B.C ... For a similar protuberance, but as a pair, see the bell-krater, New York, M.M.A. 07.286.81 by the Achilles Painter (ARV2 991, 61; Paralip. 437, 61; Addenda 311). |
| Two joining fragments give somewhat less than half. Floor: a pair of sphinxes facing, flanked by others. Rim: incised rosettes, two suspension holes. Reverse: part of a large sphinx which fills all the ... End. 2nd. qtr. 6th. c. |
| Early Protoattic-Middle Protoattic. Wild Style. Kerameikos Group, Late Analatos Work. Kübler, Alt. Mal., pls. 31-34. Late Analatos Work. Middle Protoattic. Early Polyphemos Painter. Eleusis Amphora. Polyphemos ... Agora 8 5 ... Late 1st-Early 2nd quarter of 7th B.C ... Early Polyphemos Painter ... Polyphemos Painter ... Pair Painter |
Wall fragment. Max. dim. 0.075.
Wedding scene. At the left is the bride (mostly preserved from shoulders to knees), dressed in a himation, being led by the groom (right arm, his hand clasping her left ... Ca. 430-420 B.C ... For the composition of the pair, cf. Amsterdam inv. 3495 by the Sabouroff Painter (ARV2 841, 76); Toronto 929.22.3 = 635 by Polygnotos (ARV2 1031, 51; Addenda 317; Matheson, Polygnotos, p. 358, cat. no. P 56, pl. 56); once London Market by the Naples Painter (ARV2 1099, 46 bis), which seems closest to 100; Erlangen 301 near the Naples Painter (ARV2 1102, 3); two by the Washing Painter: Vienna 2027 (ARV2 1127, 11; Addenda 332) and Houston 37.12 (ARV2 1127, 13; Addenda 332; Reeder, Pandora, pp. 163--165, cat. no. 23). |
Floor fragment with start of stem. Glaze somewhat pitted on underside. Max. dim. 0.059.
I, youth or man (torso, part of legs) kneeling to right. In front of him, start of another figure, probably a woman ... Ca. 450 B.C ... Red: inscription.
The pair is probably having intercourse. Cf. the Triptolemos Painter: Tarquinia (ARV2 367, 93; Addenda 223). |
| Mouth, fragments from shoulder and from wall missing. General type as P 24533 (ΣΑ 2743). Red line around join of neck.
Shoulder: tongues and palmettes with dots (three and two), lotus buds next handle ... May-June 1954 ... Below scene: a pair of red lines.
Near the Gela painter. |
Wall fragment. Some of the glaze drawing flaked. Max. dim. 0.055. E. Vanderpool, Hesperia 15, 1946, p. 288, cat. no. 58, pl. 34.
Youthful trainer (neck to hips, outstretched right arm) standing to left, ... Ca. 490-480 B.C ... Manner of the Antiphon Painter (ARV2 one 237, 81); may be by the painter himself (ARV2 347, 115). The trainer on 1237 may have looked very much like the one who watches a pair of youthful wrestlers on side B of Oxford 1914.729 + Florence 9 B 38 (ARV2 340, 73; Paralip. 361, 73; Addenda 219). |
| Handle, fragments from shoulder and wall missing. General type as P 24533 (ΣΑ 2743). Red line around join of neck.
Shoulder: tongues and palmettes with dots (three and two), lotus buds next handle.
Above ... May-June 1954 ... Below scene: a pair of red lines.
By the Gela painter. |
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