|
|
Black figure animal frieze style ... First Half of 6th B.C ... Black figure animal frieze style. |
Polos style black figure ... Early 6th B.C ... Polos style black figure. |
| Red figure cup. Late Severe style. Side B ... Slide set: 9.16 and 9.17 see also other views Horizontal (normal) ... 1 Jun 2000 ... Red figure cup. Late Severe style. |
| Red figure cup. Late Severe style. View of the exterior wall: four figures ... Slide set: 9.16 and 9.17 see also other views. Horizontal (normal) ... 1 Jun 2000 ... Red figure cup. Late Severe style. |
| Red figure cup. Late Severe style. View of the exterior wall: departure of warrior ... Slide set: 9.16 and 9.17 see also other views. Horizontal (normal) ... 1 Jun 2000 ... Red figure cup. Late Severe style. |
| Red figure cup. Late Severe style. Tondo: youthful warrior pouring a libation over an altar ... Bruce Hartzler ... Slide set: 9.16 and 9.17 see also other views. Horizontal (normal) ... 1 Jun 2000 ... Red figure cup. Late Severe style. |
| Fragment a) from shoulder, b) from wall, both non-joining and broken all around. From a closed large vase of which the neck was painted inside. On the outside a helmeted head, to left, in black figure ... 10 May 1935 ... On the outside a helmeted head, to left, in black figure style, accompanied by an inscription ΔΗ]ΜΟ[ΣΙΟΝ. |
Fragment from mid-part of figure, holding a child in right arm.
Gouged style. No color.
Light red clay. Cistern, strosis II. Leica ... 13-19 June 1937 ... Fragment from mid-part of figure, holding a child in right arm.
Gouged style. No color.
Light red clay. |
Herbert, Sharon ... American School of Classical Studies at Athens ... Inferior clays and glazes, unsuited to the red-figure style, means that the indigenous production of red-figure vases in Corinth was very limited. However for about 75 years, in the middle of the 5th century ... 1977 ... Inferior clays and glazes, unsuited to the red-figure style, means that the indigenous production of red-figure vases in Corinth was very limited. ... The author discusses the reasons for the production of Corinthian red figure even in limited quantities. ... Thirteen deposits provide chronological evidence to supplement that of the painting style. The volume serves to bring forward a small but significant segment of the non-Attic pottery industries, and should stimulate interest in other unpublished, unreported examples. |
| Two joining fragments from near handle attachment. Komast Group style. Komast to left. Added red on chiton. Catalogued May 1960. Well AB, layer 3. Leica ... July 1959 |
Head and part of back of figure.
Draped, and with a hood over her head.
Extremely coarse gouged style. White wash; traces of red paint.
Late Roman. Cistern, lower fill. Leica ... 13 February 1937 ... Head and part of back of figure.
Draped, and with a hood over her head.
Extremely coarse gouged style. White wash; traces of red paint.
|
| Triangular tripod base with a relief figure on each side. Face B: Maenad. Neo-Attic archaistic style. Pentelic marble ... Triangular tripod base with a relief figure on each side. ... Neo-Attic archaistic style. Pentelic marble. |
| Triangular tripod base with a relief figure on each side. Face C: Herakles. Neo-Attic archaistic style. Pentelic marble ... Triangular tripod base with a relief figure on each side. ... Neo-Attic archaistic style. Pentelic marble. |
| Triangular tripod base with a relief figure on each side. Face B: Maenad. Neo-Attic archaistic style. Pentelic marble ... Triangular tripod base with a relief figure on each side. ... Neo-Attic archaistic style. Pentelic marble. |
| Triangular tripod base with a relief figure on each side. Face A: Dionysos. Neo-Attic archaistic style. Pentelic marble ... Triangular tripod base with a relief figure on each side. ... Neo-Attic archaistic style. Pentelic marble. |
| Triangular tripod base with a relief figure on each side. Face C: Herakles. Neo-Attic archaistic style. Pentelic marble ... Triangular tripod base with a relief figure on each side. ... Neo-Attic archaistic style. Pentelic marble. |
| Part of neck and wall. Below red band (pattern?) head to right with Phrygian cap.
Poor style and glaze. Street of the Marble Workers. Leica ... May 1964 |
Polos-style amphora fragment mended from two pieces. Part of the lowest animal frieze, with rays below. Siren to right; incised rosettes in field.
Clay burned gray, and glaze badly peeled. Second layer ... 11 February 1935 |
| Deinos rim fragment. Glazed inside and on both edges of the rim; the flat top reserved, ornamented with a large rosette carefully incised; center and alternate petals red.
Attic Orientalizing style. Well ... 22-25 February 1935 |
| Fragment from base and lower wall. Low base and side wall, slightly inclined inward. Around the lower wall a frieze of which there remain parts of a mounted horseman, in front of him and facing him one ... 16 March 1938 ... Around the lower wall a frieze of which there remain parts of a mounted horseman, in front of him and facing him one cloaked and scepterd and one uncloaked figure; facing in the other direction, one uncloaked figure. Delicate work of Little Master style. |
|
|
