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| Protoattic. Andokides, potter. Analatos Painter. Antidoros. Kynosarges Painter. Antimenes Painter. Cactus Painter. Pair Painter. Camtar Painter. Ram-jug Painter. Capodimonte Group. Caylus Painter. Corinthian ... Agora 23 355 P 1241 P 7891 P 24327 P 24340 P 24366 P 24377 P 24381 P 24402 P 24486 ... Analatos Painter ... Kynosarges Painter ... Chiusi Painter |
Three non-joining fragments, a + b + e and c with rim and wall as well as start of handle, d of wall. Reserved line at top of rim. Some of the drawing abraded. P.H. a/b/e) 0.118; est. diam. at rim 0.17; ... Ca. 430 B.C ... Crosshatching to either side of the handle recurs on a skyphos Type A by the Marlay Painter, St. Petersburg, St. 808 (ARV2 1278, 33): I do not know what pattern appears directly below the handle. ... Some examples are: Chiusi C 1828 by the Painter of Brussels R 330: three vertical bands of lozenges separated by chevrons (ARV2 930, 99; Addenda 306); Oxford 1966.709, compared with the Marlay Painter (ARV2 1281, ---; Paralip. 473); three unattributed: Utica (Tunisia), no no.: lozenges framed by crosshatching; A, satyr and maenad; B, lost; Louvre S 4055: lozenges framed by crosshatching; A--B, two satyrs; Warsaw 142210 (CVA, Varsovie 3 [Pologne 6], pl. 48 [279]:5). ... The Marlay Painter (ARV2 1278, 35). |
P 134 andThree non-joining wall fragments, P 5110 a with roots of one handle. Glaze flaked in many places; fired brown on much of inside. P.H. of P 5110 a) 0.185; P.W. 0.29; max. dim. P 134: 0.184, P 5110 ... Third quarter of the 5th century B.C ... For a good parallel, see Munich inv. 8738 by the Berlin Painter (ARV2 209, 161; Paralip. 343, 161; Addenda 195). ... Perhaps by the same hand as the contemporary unattributed bell-krater, Chiusi C 1823 (CVA, Chiusi 2 [Italia 60], pls. 12, 13 [2654, 2655]:1,2). |
Two non-joining wall fragments. Max. dim. a) 0.055, b) 0.077. A. Ashmead, Hesperia 35, 1966, pl. 8.
Fragment a preserves most of the filleted head of an old man (Phoinix) to left, holding a spear or staff ... Ca. 490 B.C ... Döhle (Klio 49, 1967 [ pp. 63--143], p. 105) thinks that 254 may come from a representation of the Mission to Achilleus, based in part by the presence of Phoinix in the same scene by the Kleophrades Painter on his hydria in Munich, inv. 8770 (Paralip. 341, 73 bis; Addenda 189). ... He bears a particular resemblance to Hermes on the fragmentary vase in Chiusi (1847), once thought to be a stamnos (ARV2 188, 64; Addenda 188).
The Kleophrades Painter (ARV2 185, 38; Paralip. 340, 38). |
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