|
|
| fig. 8. ARV² 563, 4. Paralip. 389, 4. Addenda 260. ARV² 524, 25. Paralip. 383, 25. Addenda 254. ARV² 524, 26. Paralip. 383, 26. Paralip. 65. Addenda 43. ARV¹ 184, 25. ARV² 281, 30 ... Agora 30 160 P 7251 ... 480 B.C ... Addenda 260 ... Addenda 254 ... Addenda 43 |
| ARV² 235. Fill. ARV² 344, 64. Addenda 220. ARV² 407, 11. Paralip. 371, 11. Addenda 232. ARV² 367, 103. ARV² 340, 62. Paralip. 361, 62. Addenda 218. Ostraka. ARV² 182, 6. Paralip. 340, 6. Addenda 186. ARV² ... Agora 30 165 P 4242 P 7244 P 14621 P 14711 P 24268 E 14:11 D 7:2 E-F 2-3:2 G 3:1 ... 490 B.C ... Addenda 220 ... Addenda 232 ... Addenda 254 |
Inscribed fragment.
Inscribed face only preserved.
Imperial letter.
Two lines of the inscription preserved, with an erasure between them.
The marble probably Pentelic.
Grayish-white marble.
ADDENDA Joins ... 187 A.D. |
| Himation clad figure preserved from neck to knees, the garment dropped down below his right arm, leaving his chest bare, and covering his left shoulder and arm.
Besides the head and the legs below the ... 18 April 1934 |
Broken off at waist.
Woman with a wide collar or necklace, the head bent sharply to her right. The expression strained, the eyes partly pierced. Hair parted in the middle, and knotted on nape of neck; ... 20 March 1937 |
Front part of head with broad face and top knot (?).
Breaks on either side nearly converge at chin.
High roll behind front hair which waves down either side of centrally-parted projection.
White paint ... 1 April 1932 |
| ARV² 523, 1. Addenda 254. ARV² 763, 1. Paralip. 415, 1. Addenda 286. ARV² 763, 3. ARV² 94, 111. ARV² 774, 3. Paralip. 416, 3. Addenda 287. ARV² 94, 112. ARV² 775, 3. Addenda 288. Well. ARV² 1248, 8. Addenda ... Agora 30 336 P 13622 P 12776 P 4998 P 287 P 15702 G 11:3 ... 510 B.C ... Addenda 254 ... Addenda 286 ... Addenda 287 |
| Early Classical Painters of Large Pots; Other Early Classical Painters of Large Pots. Robertson, HGA, p. 252. ARV2 501-503. Paralip. 381. Addenda 151. ARV² 485, 23 and 1655. Addenda 248. ARV² 504, 8. Paralip ... Agora 30 104 P 30017 P 30019 P 30065 P 30134 ... Addenda 151 ... Addenda 254 ... Addenda 254-255 |
Two non-joining wall fragments. Max. dim. a) 0.055, b) 0.077. A. Ashmead, Hesperia 35, 1966, pl. 8.
Fragment a preserves most of the filleted head of an old man (Phoinix) to left, holding a spear or staff ... Ca. 490 B.C ... Döhle (Klio 49, 1967 [ pp. 63--143], p. 105) thinks that 254 may come from a representation of the Mission to Achilleus, based in part by the presence of Phoinix in the same scene by the Kleophrades Painter on his hydria in Munich, inv. 8770 (Paralip. 341, 73 bis; Addenda 189). ... Boardman (AK 19, 1976 [ pp. 3--23], p. 5) includes 254 in his list of Mission scenes but with a question mark and I am inclined to do the same. ... He bears a particular resemblance to Hermes on the fragmentary vase in Chiusi (1847), once thought to be a stamnos (ARV2 188, 64; Addenda 188).
The Kleophrades Painter (ARV2 185, 38; Paralip. 340, 38). |
Head broken away at back and below.
Part of high headdress (?) projects at top and left side.
Traces of white paint.
Red clay, buff surface.
Late Roman.
ADDENDA: Same mold as T 254. Leica ... 27 February 1935 ... Late Roman.
ADDENDA: Same mold as T 254. |
| Large mass of drapery folds, over-lapping.
Hung over the arm of an Eros (?).
Very complex composition with marked projection.
Finished roughly on outside. Maybe to hang over Herm (?).
Broken only at top ... 1939, 1946 |
| ARV² 185, 32. Paralip. 340, 32. Addenda 187. Well. Ostraka. Agora 27, p. 167, cat. no. 3, pl. 31. Ashmead, Hesperia 35, 1966, pl. 9. G. Neumann, Gesten und Gebärden in der griechischen Kunst, Berlin, 1965, ... Agora 30 175 P 6103 P 18278 P 19582 P 24280 P 20244 P 17211 E 15:6 A 18-19:1 ... 500-490 B.C. |
| Over life-size, broken away at neck; nose and chin badly broken; mouth and ears slightly. Minor fractures.
Hair parted at center and falls down behind as if held in net. On top of the head the marble rises ... 3 April 1935 ... Pentelic marble.
ADDENDA Athens NM 648 seems to be a duplicate.
... Hekler (1928). p.p. 253-254. |
Neck and shoulder fragment. P.H. 0.068; diam. 0.096.
On the shoulder, inverted encircled palmette, flanked by two horizontal encircled palmettes. Above, egg pattern. Matte drawing: red.
Perhaps from ... Ca. 430-420 B.C ... Cf. two by the Bird Painter himself from a grave on Lenormant Street, outside the Agora boundary, P 10280 (ARV2 1233, 16; Paralip. 467, 16) and P 10277 (ARV2 1233, 17; Paralip. 467, 17; Addenda 352) or Oxford G 254 = V 544 in his manner (ARV2 1234, 21; Addenda 352). |
Preserves part of back of nude (?) figure.
Broken all around.
Fine pink-buff clay.
ADDENDA 17/12/64: mold missing.
Cf. Hesperia 64 (1995), p. 460, n. 254. Area South of East-West late Roman Wall; dumped ... 11 March 1952 ... Fine pink-buff clay.
ADDENDA 17/12/64: mold missing.
... Hesperia 64 (1995), p. 460, n. 254. |
| ARV² 541, 1. Paralip. 449, 33 bis. Addenda 328. Paralip. 385, 1. Addenda 256. Esposito and de Tommaso, Vasi attic, p. 63, cat. no. 96. ARV² 576, 33. CVA, Vienna 2 [Österreich 2], pl. 93 [93]:5. Addenda ... Agora 30 22 ... Addenda 328 ... Addenda 256 ... Addenda 254 |
| Inscribed fragment.
Broken above, below and at left.
Part of right edge, toothed, preserved.
Back rough picked, subsequently worn nearly smooth.
Pentelic marble.
ADDENDA With I 1773. Found in the long ... 4 May 1949 |
| Inscribed fragment.
Part of left edge (toothed) and back (rough picked) preserved.
Broken above, below and at right.
Hymettian marble.
ADDENDA With I 1773. Found in the long late Roman wall east of the ... 2 May 1949 |
Inscribed fragment.
Broken above, below and at right.
Part of left edge preserved.
Back rough picked, then worn smooth.
Pentelic marble.
ADDENDA Joins I 1773 and IG II2, no. 989; with I 6169, I 6171, ... 31 March 1954 |
| J. Boardman, Archaic Greek Gems: Schools and Artists in the Sixth and Early Fifth Centuries B.C., Evanston 1968, p. 94, cat. no. 254, pl. 17. ABV 256, 14. Paralip. 113, 14. Addenda 66. Beazley, Development, ... Agora 30 83 ... Addenda 66 ... Addenda 149 ... ABV 254, 2 |
|
|
.png.icon.jpg){kind=icon}
.png.icon.jpg){kind=icon}
.png.icon.jpg){kind=icon}
.png.icon.jpg){kind=icon}
.png.icon.jpg){kind=icon}
.png.icon.jpg){kind=icon}
.png.icon.jpg){kind=icon}
